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Collection
Prints and Drawings
34
Paintings and Sculpture
2
Creator
Blake, William, 1757–1827
19
Edwards, Richard, active 1796–1797
19
Young, Edward, 1683–1765
19
Alexander, William, 1767–1816
2
Earlom, Richard, 1743–1822
2
Ellis, William, 1747–1810
2
Johnson, Joseph, 1738–1809
2
Sayer, Robert, 1725–1794
2
Wheatley, Francis, 1747–1801
2
Witton, P. H. Jr., Active 1792
2
Zoffany, Johann, 1733–1810
2
Bell, John, 1745–1831
1
Boydell, John, 1720–1804
1
Devis, Arthur William, 1762–1822
1
Eginton, John, active 1763–1800
1
Farington, Joseph, 1747–1821
1
Fittler, James, 1758–1835
1
Flaxman, John, 1755–1826
1
Girtin, Thomas, 1775–1802
1
Ibbetson, Julius Caesar, 1759–1817
1
more
Creator
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Date
1797
55
1789
40
1792
[remove]
36
1794
36
1749
26
1793
21
1775
20
1745
13
1790
13
1700
12
1780
12
1785
12
1791
11
1740
10
1754
10
1765
10
1772
10
1776
10
1783
10
1798
10
1730
9
1767
9
1773
9
1786
9
1712
8
1715
8
1719
8
1720
8
1784
8
1795
8
1751
7
1755
7
1761
7
1770
7
1779
7
1788
7
1744
6
1748
6
1760
6
1762
6
1799
6
1768
5
1771
5
1781
5
1717
4
1750
4
1774
4
1778
4
1782
4
1787
4
0
3
1710
3
1713
3
1725
3
1728
3
1734
3
1742
3
1704
2
1705
2
1709
2
1721
2
1731
2
1736
2
1764
2
1769
2
1796
2
1800
2
1699
1
1701
1
1707
1
1727
1
1735
1
1738
1
1739
1
1741
1
1743
1
1746
1
1747
1
1752
1
1753
1
1756
1
1757
1
1758
1
1759
1
1766
1
1777
1
1818
1
1824
1
On-site Access
Accessible by appointment in the Study Room
34
Not on view
2
Image Use
Free to Use
36
Image Available
Available
36
Classification
Prints
27
Drawings & Watercolors
7
Paintings
2
Creator Gender
male
36
Collective Title
Young's Night Thoughts
19
Views of the Ruins of the Principal Houses Destroyed During the Riots at Birmingham
2
Vues des ruines des principaux batiments qui ont souffert dans les emeutes de Birmingham
2
British Theatre
1
The Tragedy of Macbeth
1
Views in the Province of Kiang Nan, China
1
Period
18th century
[remove]
36
Materials & Techniques
wove paper
28
etching (printing process)
25
watercolor
23
line engraving
20
graphite
6
laid paper
6
aquatint
2
black ink
2
colored ink
2
mezzotint
2
painting (technique)
2
pen
2
brown ink
1
canvas
1
gouache
1
gray ink
1
hand coloring
1
oil paint
1
red ink
1
stipple engraving
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
13
to
166
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
8
to
133
Work Type
intaglio print
27
drawing
23
watercolor
23
painting
2
Genre
literary theme
23
genre subject
7
architectural subject
4
landscape
4
cityscape
2
historical subject
2
marine art
2
sporting art
2
figure study
1
religious and mythological subject
1
Subject Terms
women
[remove]
36
men
27
literary theme
23
text
18
children
9
nudes
8
genre subject
7
costume
6
angels
5
gowns
5
hats
5
vines
5
architectural subject
4
chairs
4
birds
3
boats
3
book
3
clouds
3
floating
3
grass
3
more
Subject Terms
»
Associated Places
Asia
4
England
4
United Kingdom
4
India
3
Birmingham
2
China
2
Europe
2
Lucknow
2
Uttar Pradesh
2
Amsterdam
1
Bengal
1
Berkshire
1
Boeotia
1
Bordesley
1
Bordesley Hall
1
Devon
1
Eton
1
Exeter
1
Greece
1
Netherlands
1
more
Associated Places
»
Associated People
Asaf-ud-Daulah (1748–1797), nawab wazir of Oudh
2
Colonel Mordaunt (fl. 1786)
2
Humphry, Ozias (1742–1810), miniature and portrait painter
2
Shakespeare, William (1564–1616), playwright and poet
2
Zoffany, Johan Joseph (1733–1810), portrait painter
2
Apollo
1
Diana
1
Macbeth (character in The Tragedy of Macbeth)
1
Niobe
1
Proteus
1
Silvia (character in The Two Gentlemen of Verona)
1
The Three Witches (characters in Macbeth)
1
Valentine
1
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
21
Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)
2
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
2
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
1
Company Culture (Yale Center for British Art, 2003-09-16 - 2004-01-05)
1
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
Richard Wilson and the Transformation of European Landscape Painting (Yale Center for British Art, 2014-03-06 - 2014-06-01)
1
Shakespeare in Western Art (Isetan Museum of Art, 1992-10-29 - 1992-11-24)
1
Shakespeare in Western Art (Kintetsu Museum of Art, 1993-01-09 - 1993-02-02)
1
Shakespeare in Western Art (Museum of Modern Art, Ibaraki, 1992-11-28 - 1992-12-23)
1
Shakespeare in Western Art (Takamatsu City Museum of Art, 1993-01-09 - 1993-02-08)
1
Shakespeare on Canvas (Yale Center for British Art, 2012-01-02 - 2012-06-30)
1
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
1
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
34
Yale Center for British Art, Gift of Chauncey Brewster Tinker
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
1
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Date
1792
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1
Arthur William Devis, 1762–1822
Grinding Corn
between 1792 and 1795
Not on view
2
Francis Wheatley, 1747–1801
Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
1792
Not on view
3
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
4
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
5
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
6
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
7
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
8
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
9
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
10
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
11
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
12
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
13
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
14
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
15
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
16
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
17
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
18
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
19
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
20
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
21
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
22
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
23
Thomas Girtin, 1775–1802
The Guildhall, Exeter
ca. 1797
24
Print made by Joseph Farington, 1747–1821
Windsor Bridge
1792
25
Julius Caesar Ibbetson, 1759–1817
Haymaking
1792
26
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792
27
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
28
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
29
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
30
John Eginton, active 1763–1800
The Affectionate Daughter
1792
31
William Ellis, 1747–1810
The House of George Humphrys, Esq., Spark Brook
1792
32
William Ellis, 1747–1810
Bordesley Hall, the Seat of John Taylor, Esq
1792
33
Figures engraved by William Sharp, 1749–1824
Niobe
1792
34
William Alexander, 1767–1816
Natives of Cochin Playing Shuttlecock in China
1792 to 1794
35
William Alexander, 1767–1816
View in China: Figures with Pagoda and Mountain
1792 to 1794
36
John Flaxman, 1755–1826
Illustration to Pilgrim's Progress
1792