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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
28
Paintings and Sculpture
1
Creator
Blake, William, 1757–1827
17
Edwards, Richard, active 1796–1797
17
Young, Edward, 1683–1765
17
Bunbury, Henry William, 1750–1811
3
Unknown artist
3
Bartolozzi, Francesco, 1727–1815
1
Bowles, Carington, 1724–1793
1
Byrne, William, 1743–1805
1
Chamberlaine, John, 1745–1812
1
Condé, John, 1765–1794
1
Cosway, Richard, 1742–1821
1
Gardiner, William Nelson, 1766–1814
1
Gillray, James, 1756–1815
1
Holbein, Hans the Younger, ca. 1497–1543
1
Lay, Mrs., active 1792
1
Lefebre, S.
1
Mechel,, von Christian, 1737–1817
1
Newton, Richard, 1777–1798
1
Tomkins, Peltro William, 1760–1840
1
Turner, J. M. W. (Joseph Mallord William), 1775–1851
1
Date
1752
157
1792
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29
1745
28
1790
28
1797
26
1758
19
1719
16
1775
15
1795
14
1779
13
1793
13
1794
13
1778
12
1700
11
1777
11
1780
10
1783
9
1770
8
1771
8
1784
8
1785
8
1788
8
1717
7
1765
7
1768
5
1789
5
1791
5
1798
5
1799
5
1744
4
1763
4
1772
4
1776
4
1782
4
1786
4
1731
3
1750
3
1754
3
1774
3
1787
3
1796
3
1715
2
1749
2
1760
2
1762
2
1764
2
1767
2
1781
2
1631
1
1690
1
1701
1
1704
1
1712
1
1720
1
1728
1
1729
1
1730
1
1732
1
1735
1
1736
1
1738
1
1739
1
1740
1
1741
1
1747
1
1748
1
1753
1
1755
1
1757
1
1766
1
On-site Access
Accessible by appointment in the Study Room
28
Not on view
1
Image Use
Free to Use
29
Image Available
Available
28
Unavailable
1
Classification
Prints
28
Paintings
1
Creator Gender
male
28
unknown
3
female
1
Collective Title
Young's Night Thoughts
17
Iconographie Anglaise par Reynolds et Autres
1
Period
18th century
[remove]
29
Materials & Techniques
etching (printing process)
19
line engraving
19
watercolor
18
wove paper
18
laid paper
4
stipple engraving
3
engraving (printing process)
1
mezzotint
1
oil paint
1
painting (technique)
1
panel (wood)
1
Height [cm]
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26
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49
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Current results range from
22
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65
Work Type
intaglio print
23
watercolor
17
drawing
16
painting
1
Genre
literary theme
18
landscape
3
architectural subject
2
portrait
2
Subject Terms
literary theme
17
text
17
men
14
women
10
nudes
6
angels
4
clouds
3
floating
3
food
3
leaf
3
trees
3
birds
2
book
2
books
2
chairs
2
children
2
crowns
2
cups
2
dead
2
death
2
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Subject Terms
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Associated Places
Briton Ferry
1
Europe
1
United Kingdom
1
Wales
1
Associated People
Shakespeare, William (1564–1616), playwright and poet
3
Fitzherbert, [née Smythe; other married name Weld] Maria Anne (1756–1837), unlawful wife of George IV by a marriage invalid under the Royal Marriages Act of 1772
1
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
17
In a New Light: Paintings from the Yale Center for British Art (Yale University Art Gallery, 2023-03-24 - 2023-12-03)
1
J. M. W. Turner - A Selection of Paintings from the Collection of Mr. and Mrs. Paul Mellon (National Gallery of Art, 1968-10-31 - 1969-04-21)
1
Moonlight and Firelight (Tate Britain, 1998-06-06 - 1998-11-01)
1
Oil on Water - Oil Sketches by British Watercolorists (Yale Center for British Art, 1986-08-26 - 1986-11-09)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
Turner and the Masters (Museo del Prado, 2010-06-21 - 2010-09-19)
1
Turner and the Masters (Réunion des Musées Nationaux, 2010-02-22 - 2010-05-23)
1
Turner and the Masters (Tate Britain, 2009-09-21 - 2010-01-24)
1
Turner and the Scientists (Tate Britain, 1998-03-03 - 1998-06-28)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
24
Yale Center for British Art, Paul Mellon Fund
4
Yale Center for British Art
1
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Date
1792
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Period
18th century
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41
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1
Joseph Mallord William Turner, 1775–1851
A Limekiln, Possibly at Briton Ferry in South Wales
ca. 1795-96
Not on view
2
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
3
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
4
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
5
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
6
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
7
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
8
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
9
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
10
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
11
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
12
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
13
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
14
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
15
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
16
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
17
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
18
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
19
Print made by unknown artist
French Privateers, Cruising in the English Channel
1792
20
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
21
Richard Newton, 1777–1798
A Blow-up at Breakfast
1792
22
unknown artist
Liberty and Equality
1792
23
Print made by John Condé, 1765–1794
Mrs. Fitzherbert
1792
24
Print made by Francesco Bartolozzi, 1728–1815
Sir John More
1792
25
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
26
unknown artist
Macbeth and the Murderers - "Macbeth," Act III, Scene I
1792
27
William Byrne, 1743–1805
Chinese Pavilion in European Landscape
1792
28
James Gillray, 1756–1815
The National Assembly Petrified _________/The National Assembly Revivified
1792
29
William Nelson Gardiner, 1766–1814
Falstaff at Justice Shallow's Mustering his Recruits - "Henry IV," Part II, Act III, Scene III
1792