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Collection
Prints and Drawings
481
Rare Books and Manuscripts
57
Paintings and Sculpture
10
Creator
Moore, James, 1762–1799
87
Unknown artist
49
Blake, William, 1757–1827
39
Edwards, Richard, active 1796–1797
39
Young, Edward, 1683–1765
39
Bartolozzi, Francesco, 1727–1815
34
Cruikshank, Isaac, 1764–1811
25
Gillray, James, 1756–1815
25
Newton, Richard, 1777–1798
25
Dent, William, active 1784–1793
23
Ellis, William, 1747–1810
15
Girtin, Thomas, 1775–1802
14
Bunbury, Henry William, 1750–1811
11
Parish, Henry William, active 1792
10
Reynolds, Joshua, Sir, 1723–1792
10
Chamberlaine, John, 1745–1812
9
Holbein, Hans the Younger, ca. 1497–1543
9
Morland, George, 1763–1804
8
Fores, S. W., 1761–1838
7
Walker, George, active 1792–died 1795
7
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Creator
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Date
1745
638
1792
[remove]
548
1775
540
1791
532
1790
528
1789
526
1793
518
1794
501
1700
489
1797
443
1795
433
1785
381
1799
376
1780
362
1750
340
1770
332
1798
327
1796
317
1767
307
1783
298
1752
286
1773
285
1788
285
1768
281
1787
270
1730
269
1784
258
1739
241
1800
238
1778
232
1786
232
1776
225
1725
220
1782
216
1771
212
1758
210
1755
206
1754
202
1738
201
1760
196
1762
190
1777
190
1763
186
1779
186
1781
179
1765
177
1740
170
1772
163
1769
160
1764
158
1742
154
1749
150
1753
146
1735
124
1751
123
1774
120
1717
112
1757
103
1748
100
1761
98
1766
98
1736
93
1715
89
1746
88
1705
84
1747
79
1737
77
1756
76
1720
75
1732
74
1731
72
1759
72
1743
66
1741
65
1712
63
1744
62
1719
58
1729
58
1728
48
1710
46
1734
37
1733
34
1723
32
1727
32
1701
28
1724
28
1707
24
1709
23
1726
23
0
20
1713
20
1722
19
1718
18
1714
17
1716
17
1721
16
1703
15
1690
14
1699
13
1704
13
On-site Access
Accessible in the Study Room
538
Not on view
6
On view
4
Image Use
Free to Use
492
Under Certain Circumstances
56
Image Available
Available
485
Unavailable
63
Classification
Prints
311
Drawings & Watercolors
173
Books
44
Paintings
9
Archives & Manuscripts
3
Three-Dimensional Artifacts
3
Periodicals
2
Drawing & Watercolors-Architectural
1
Drawings & Watercolors-Miniatures
1
Sculptures
1
Creator Gender
male
460
unknown
106
female
5
Collective Title
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
84
Young's Night Thoughts
39
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
9
Views in the South Seas 1776-1780
7
Views of the Ruins of the Principal Houses Destroyed During the Riots at Birmingham
6
Vues des ruines des principaux batiments qui ont souffert dans les emeutes de Birmingham
6
Iconographie Anglaise par Reynolds et Autres
5
A Long String of Resolutions for the New Year
1
Antiquities of London and Environs
1
British Theatre
1
The Tragedy of Macbeth
1
The Winter's Tale
1
Views in the Province of Kiang Nan, China
1
Period
18th century
[remove]
548
19th century
6
20th century
1
21st century
1
Materials & Techniques
wove paper
192
graphite
155
watercolor
103
laid paper
70
etching (printing process)
66
line engraving
53
stipple engraving
41
black ink
22
brown ink
18
pen
18
mezzotint
13
aquatint
10
painting (technique)
9
hand coloring
8
oil paint
8
gray wash
7
canvas
6
gray ink
5
soft ground
5
black chalk
2
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Materials & Techniques
»
Height [cm]
Height [cm] range begin
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Height [cm] range end
Current results range from
0
to
166
Unknown
104
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
133
Unknown
105
Work Type
drawing
198
intaglio print
135
watercolor
104
aquatint
11
painting
9
ticket
4
auction catalog
3
engraving
3
ephemera
3
stipple engraving
3
travel literature
3
annotations (provenance)
2
armorial bookplates (provenance)
2
book illustration
2
etching
2
graphite drawing
2
panorama
2
sketchbook
2
accordion fold format (binding)
1
admission ticket
1
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Work Type
»
Genre
architectural subject
119
landscape
67
literary theme
52
genre subject
43
portrait
43
marine art
23
figure study
10
religious and mythological subject
10
sporting art
8
historical subject
6
animal art
5
cityscape
5
military art
3
Subject Terms
men
54
literary theme
48
architectural subject
47
landscape
45
text
37
women
37
trees
34
genre subject
23
portrait
23
caricature
21
caricatures
20
satire
20
clouds
18
costume
18
marine art
16
nudes
16
man
15
children
14
ruins
14
woman
12
more
Subject Terms
»
Subject Period
18th century
3
19th century
3
Associated Places
England
47
United Kingdom
43
Europe
30
Great Britain
19
Scotland
10
Asia
7
Northumberland
7
Birmingham
6
India
6
London
6
Wales
6
Devon
5
China
4
Greater London
4
Lake District (England)
3
Thames
3
Bengal
2
Berkshire
2
Bristol
2
Cumbria
2
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
17
Reynolds, Joshua, Sir, 1723–1792
3
Adam (Biblical figure)
2
Asaf-ud-Daulah (1748–1797), nawab wazir of Oudh
2
Colonel Mordaunt (fl. 1786)
2
Eve (Biblical figure)
2
Humphry, Ozias (1742–1810), miniature and portrait painter
2
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
2
Milton, John, 1608–1674
2
Pitt, William [known as Pitt the younger] (1759–1806), prime minister
2
Robinson, Mary (1756/1758?–1800), author and actress
2
Zoffany, Johan Joseph (1733–1810), portrait painter
2
Affleck, Philip (b. after 1725?, d. 1799), naval officer
1
Apollo
1
Bligh, William, 1754–1817
1
Carl Bernhard Wadström (1746–1799), abolitionist
1
Charlotte (1744–1818), queen of the United Kingdom of Great Britain and Ireland, and queen of Hanover, consort of George III
1
Charlotte, Queen, consort of George III, King of Great Britain, 1744–1818
1
Cleopas
1
Clinton, Henry Fiennes Pelham-, ninth earl of Lincoln and second duke of Newcastle under Lyme (1720–1794), politician
1
more
Associated People
»
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
40
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
14
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
10
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
6
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
5
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
5
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
4
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
4
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
3
In a New Light: 500 Years of British Art (Yale Center for British Art, 2025-04-01 - 2026-01-30)
3
Making History - Antiquaries in Britain 1707-2007 (Yale Center for British Art, 2012-02-02 - 2012-05-27)
3
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
3
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
3
From Merchants to Emperors - British Artists in India 1757-1930 (Los Angeles County Museum of Art, 1986-10-02 - 1987-01-04)
2
From Merchants to Emperors - British Artists in India 1757-1930 (The Morgan Library & Museum, 1986-05-01 - 1986-07-31)
2
Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)
2
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
2
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
2
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
2
Two Extraordinary Women : The Lives and Art of Maria Cosway (1760-1838) and Mary Darby Robinson (1757-1800) (The Fralin Museum of Art, University of Virginia, 2016-01-29 - 2016-05-01)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
406
Yale Center for British Art
36
Yale Center for British Art, Paul Mellon Fund
19
Yale Center for British Art, Gift of Paul F. Walter
4
Yale Center for British Art; Yale University Art Gallery Collection
4
Yale Center for British Art, Gift of Frederick W. Hilles
3
Yale Center for British Art; Gift of Herman W. Liebert
3
Yale Center for British Art, Gift of Chauncey Brewster Tinker
2
Yale Center for British Art, Gift of Godfrey Pearlson
2
Yale Center for British Art, Gift of Herman W. Liebert
2
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
2
Yale Center for British Art, Gift of Neale Albert, Yale JD 1961, and Margaret Albert.
2
Yale Center for British Art, Yale University Art Gallery Collection
2
Yale Center for British Art, Bequest of William S. Konecky
1
Yale Center for British Art, Gift of David Bindman in memory of Richard Godfrey
1
Yale Center for British Art, Gift of Lowell Libson Ltd.
1
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
1
Yale Center for British Art; Gift of David Bindman
1
Yale Center for British Art; Yale University Art Gallery Collection; Gift of John Gerli, B.A. 1932
1
Language
English
53
French
1
German
1
Latin
1
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Date
1792
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Period
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1
Joseph Mallord William Turner, 1775–1851
A Limekiln, Possibly at Briton Ferry in South Wales
ca. 1795-96
On view
2
Arthur William Devis, 1762–1822
Grinding Corn
between 1792 and 1795
On view
3
Philippe-Jacques de Loutherbourg, 1740–1812
The Great Fire of London
ca. 1797
Not on view
4
Sawrey Gilpin, 1733–1807
A Horse Frightened by a Snake
1792
Not on view
5
George Morland, 1763–1804
Foxhunting in Hilly Country
1792
Not on view
6
Francis Wheatley, 1747–1801
Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
1792
Not on view
7
Philippe-Jacques de Loutherbourg, 1740–1812
The Angel Binding Satan
ca. 1797
On view
8
Henry Fuseli, 1741–1825
Christ Disappearing at Emmaus
1792
Not on view
9
Julius Caesar Ibbetson, 1759–1817
A Stage Coach on a Country Road
1792
Not on view
10
Joseph Nollekens, 1737–1823
Charles James Fox
1792
On view
11
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
12
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
13
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
14
George Romney, 1734–1802
The Witches' Cavern
1792-1793
15
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
ca. 1797
16
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
17
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
18
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
19
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
20
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
21
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
22
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
23
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
24
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
25
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
26
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
27
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
28
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
29
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
30
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
31
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
32
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
ca. 1797
33
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
34
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
35
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
36
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
37
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
38
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
39
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
40
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
41
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
42
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
43
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
44
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
45
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
46
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
47
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
48
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
49
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
50
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
51
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
52
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
53
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
54
Robert Dodd, 1748–1816
"The Indian Emperor" or "The Conquest of Mexico"
1792
55
Thomas Girtin, 1775–1802
The Guildhall, Exeter
ca. 1797
56
George Walker, active 1792–died 1795
Man Haranguing a Gatepost
undated
57
George Walker, active 1792–died 1795
Uncle George in the Dress of a Highland Herdsman
undated
58
George Walker, active 1792–died 1795
Scotsman with Sword; Modern Dress of a Highland Chieftan
undated
59
George Walker, active 1792–died 1795
Rural Scene
undated
60
George Walker, active 1792–died 1795
Industrious Jenny
undated
61
George Walker, active 1792–died 1795
Figure Sketches
undated
62
William Alexander, 1767–1816
A Raree Show
between 1792 and 1793
63
Julius Caesar Ibbetson, 1759–1817
Haymaking
1792
64
unknown artist
Falstaff reproved by King Henry
1792
65
Charles Gauthier Playter, died 1809
Henry the Eighth
1792
66
Thomas Ryder, 1746–1810
The Murder of James First, King of Scotland
1792
67
unknown artist
Old Charing Cross
1792
68
unknown artist
Cheapside Cross
1792
69
unknown artist
The Lake House belonging to Sir James Tilney Long on the Ilford Road, Essex, Outer Suburb - East
1792
70
unknown artist
The Elegant Villa of the late Gregory Bateman, Esquire at Kentish Town, Middlesex
1792
71
unknown artist
Grosvenor House at Walthamstow, Essex, Outer Suburb - East
1792
72
William Ellis, 1747–1810
Newington Buts
1792
73
unknown artist
Lord Southampton's Lodge at Highgate, Middlesex
1792
74
William Ellis, 1747–1810
Islington
1792
75
William Ellis, 1747–1810
Islington Church
1792
76
unknown artist
The Earl of Mansfield's at Caen Wood near Hampstead
1792
77
unknown artist
View in Margaret Street
1792
78
unknown artist
Highbury Assembly House near Islington
1792
79
William Ellis, 1747–1810
Islington Church
1792
80
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
81
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
82
Print made by Thomas Cheesman, 1760–1834/35
Marchioness of Townshend and Child
1792
83
Henry William Parish, active 1792
Madiera, South East Extremity, 10 October
1792
84
Print made by Francesco Bartolozzi, 1728–1815
Funeral Card of Sir Joshua Reynolds
1792
85
John Chapman, active ca. 1792–1823
Rosalind, Celia and Touchstone - "As You Like It," Act II, Scene III
1792
86
John Chapman, active ca. 1792–1823
Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II
1792
87
Print made by Thomas Cheesman, 1760–1834/35
The Supposed Death of Imogen, 'Cymbeline,' Act IV, Scene IV
1792
88
unknown artist
Macbeth and the Murderers - "Macbeth," Act III, Scene I
1792
89
John Jones, ca. 1745–1797
Reverend John Moore, Lord Archbishop of Canterbury
1792
90
George Saunders, c.1762–1839
Monument for Sir Joshua Reynolds
1792
91
Thomas Trotter, ca. 1750–1803
Dr. Samuel Johnson
1792
92
John Chapman, active ca. 1792–1823
Helena in the Dress of a Pilgrim - "All's Well That Eends Well," Act III, Scene V
1792
93
Print made by William Birch, 1755–1834
Mrs. Robinson
1792
94
Thomas Trotter, ca. 1750–1803
Jonathan Shipley, Bishop of St. Asaph
1792
95
John Young, 1755–1825
Philip Affleck, Esq
1792
96
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match
1792
97
Print made by Francesco Bartolozzi, 1728–1815
Thais
1792
98
James Wales, 1746 or 1747–1795
Krishna and Radha
1792 to 1795
99
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792
100
John Webber, 1752–1793
The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
1792
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