Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"
1791
130
John Keyse Sherwin, c.1751–1790
Mary Isabella Manners (née Somerset), Duchess of Rutland
1791
131
J. Barlow, active 1791
Merchant of Venice, Act III, Sc. I
1791
132
John Jones, ca. 1745–1797
The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ..
1791
133
George Townly Stubbs, 1748–1815
Warren Hastings on his Arabian Horse
ca. 1796
134
James Wyatt, 1746–1813
Five Designs for a House in the Gothic Style: Plan of the Ground Floor or Principal Story
1791
135
James Wyatt, 1746–1813
Five Designs for a House in the Gothic Style: Elevation
1791
136
James Wyatt, 1746–1813
Design for Little Frogmore: Elevation
1791
137
unknown artist
A Memorial to Shakespeare
1791
138
John Jones, ca. 1745–1797
Beatrice Listening to Hero and Ursula - "Much Ado About Nothing", Act III, Scene I
1791
139
Print made by Charles Wilkin, 1750–1814
Lady Cockburn and Children
1791
140
Print made by Thomas Cheesman, 1760–1834/35
Thomas Philip third Lord Grantham, afterwards Earl De Grey, with his brothers, Frederick John and Philip
1791
141
Print made by Joseph Grozer, ca. 1755–1798
The Honorable Miss Harris
1791
142
Print made by Francesco Bartolozzi, 1728–1815
Peniston, William, and Frederick James Lamb: The Affectionate Brothers
1791
143
Print made by Charles Knight, 1743–c.1826
Miss Farren
1791
144
Print made by Richard Earlom, 1743–1822
A Brewhouse Yard
1791
145
John Jones, ca. 1745–1797
Sylvia
1791
146
Page, fl. 1784–1803
Taming...Act III, Scene I
1791
147
Print made by John Young, 1755–1825
Mrs. Bunbury
1791
148
Page, fl. 1784–1803
Taming... Act II, Sc. I
1791
149
W. Taylor, active 1790–1810
All's Well... Act III, Sc. V
1791
150
James Wyatt, 1746–1813
Five Designs for a House in the Gothic Style: Plan of the Chamber Story
1791
151
John Jones, ca. 1745–1797
Admiral Edward Vernon
1791
152
George Morland, 1763–1804
Set of Five: Studies of Children, a Dog, a Cat, etc
1791-1795
153
George Morland, 1763–1804
Set of Five: Studies of Laborers
1791-1795
154
George Morland, 1763–1804
Set of Five: Five studies of Peddlers
1791-1795
155
George Morland, 1763–1804
Set of Five: Eight studies: Woman with Basket, Blinkered Cart Horse, etc
1791-1795
156
George Morland, 1763–1804
Set of Five: Studies of Girls, one Playing with Hoop, one Picking Berries, Man and Horse, etc
1791-1795
157
Print made by John Keyse Sherwin, c.1751–1790
Mary Isabella, Duchess of Rutland
1791
158
Print made by John Raphael Smith, 1752–1812
Madona col Bambino
1791
159
Print made by John Jones, ca. 1745–1797
Lady Gertrude Fitzpatrick as Sylvia
1791
160
Print made by John Young, 1755–1825
Mrs. Gwyn
1791
161
Print made by Charles Knight, 1743–c.1826
Miss Farren
1791
162
Print made by Charles Knight, 1743–c.1826
Miss Farren
1791
163
John Raphael Smith, 1752–1812
Madona Col Bambino
1791
164
unknown artist
Pye Corner, Smithfield
1791
165
Jacob C. Schnebbelie, 1760–1792
Painting on the South Side Severts Tomb
1791
166
unknown artist
Speed's Monument in the Chancel of St. Giles, Cripplegate
1791
167
Francis Jukes, 1747–1812
North End, Hampstead
1791
168
William Ellis, 1747–1810
Hornsey
1791
169
James Gillray, 1756–1815
Les Trois Magots
1791
170
James Gillray, 1756–1815
French Democrats surprizing the Royal Runaways
1791
171
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
172
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
173
James Gillray, 1756–1815
The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
1791
174
James Gillray, 1756–1815
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
175
James Gillray, 1756–1815
Lubber's Hole - alias - The Crack'd Jordan
1791
176
James Gillray, 1756–1815
Patience on a Monument
1791
177
unknown artist
In the Via Mala, Between Coire and Splugen
ca. 1796
178
unknown artist
Near Chiavenna
ca. 1796
179
Monro School
Buildings Overlooking Water, near Naples
ca. 1796
180
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
181
Francesco Bartolozzi, 1728–1815
George, Prince of Wales
1791
182
Francesco Bartolozzi, 1728–1815
Vignette: Four Putti, Two Holding Hands
1791
183
Bastiaen Stopendael, 1636/7–c.1708
Stad en Revier Van Rochester. Chatham (The Dutch Fleet in Medway) 12-23 June 1667
Published 1791
184
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
185
Print made by Jean B. Michel, active 1803
King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
1791
186
unknown artist
Lollard's Prison
1791
187
unknown artist
Pedlar and his Dog, St. Mary's, Lambeth
1791
188
Isaac Cruikshank, 1764–1811
Resist Unto Blood, the True Christian Warfare, The Spirit Against the Flesh (A Clerical Boxing Match)
1791
189
William Dickinson, 1746–1823
The Puzzle for the Dog, the Puzzle for the Horse, the Puzzle for Turk, Frenchman, or, Christian
1791
190
Samuel William Reynolds, 1773–1835
A Young Lady
ca. 1796
191
William Hincks, 1752–1797
Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
1791
192
William Hincks, 1752–1797
Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
1791
193
William Hincks, 1752–1797
Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
1791
194
William Hincks, 1752–1797
Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
1791
195
William Hincks, 1752–1797
Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
1791
196
William Hincks, 1752–1797
Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
1791
197
William Hincks, 1752–1797
Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
1791
198
William Hincks, 1752–1797
Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
1791
199
William Hincks, 1752–1797
Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ..