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Robert Mabon Diamond Feather Worn by the Peshwa in his Turban
Robert Mabon, died 1798
Diamond Feather Worn by the Peshwa in his Turban
undated
Robert Mabon Earrings and Breast Jewel Belonging to the Peshwa
Robert Mabon, died 1798
Earrings and Breast Jewel Belonging to the Peshwa
undated
Robert Mabon An English Child
Robert Mabon, died 1798
An English Child
undated
Robert Mabon Englishmen with an Indian Hunting Party
Robert Mabon, died 1798
Englishmen with an Indian Hunting Party
undated
Robert Mabon A Man Making his Turban
Robert Mabon, died 1798
A Man Making his Turban
undated
Robert Mabon Musicians
Robert Mabon, died 1798
Musicians
undated
Robert Mabon View from Panwell
Robert Mabon, died 1798
View from Panwell
undated
James Wales Standing Indian Man
James Wales, ca.1747–1795
Standing Indian Man
undated
Robert Mabon Landscape with River or Lake
Robert Mabon, died 1798
Landscape with River or Lake
undated
Robert Mabon Landscape with Camels and Elephants
Robert Mabon, died 1798
Landscape with Camels and Elephants
undated
Robert Mabon Buildings by a River
Robert Mabon, died 1798
Buildings by a River
undated
Robert Mabon Scene in Famine
Robert Mabon, died 1798
Scene in Famine
undated
Robert Mabon A Tiger Attacking a Horse
Robert Mabon, died 1798
A Tiger Attacking a Horse
undated
Robert Mabon Retreat Beating at Poona
Robert Mabon, died 1798
Retreat Beating at Poona
undated
Robert Mabon Musselman Funeral
Robert Mabon, died 1798
Musselman Funeral
undated
Robert Mabon Sketch for a Picture of the Peshwa's Saddle
Robert Mabon, died 1798
Sketch for a Picture of the Peshwa's Saddle
undated
Robert Mabon The Tank
Robert Mabon, died 1798
The Tank
undated
Robert Mabon Keilghee or Ornament for Horses Forelock
Robert Mabon, died 1798
Keilghee or Ornament for Horses Forelock
undated
Robert Mabon Caricature
Robert Mabon, died 1798
Caricature
undated
Robert Mabon Female Dancers
Robert Mabon, died 1798
Female Dancers
undated
Robert Mabon Statue from near the Cayish Pagoda in Gunnyghaum
Robert Mabon, died 1798
Statue from near the Cayish Pagoda in Gunnyghaum
undated
Robert Mabon Mahadeo
Robert Mabon, died 1798
Mahadeo
undated
Robert Mabon Figure from Elephanta
Robert Mabon, died 1798
Figure from Elephanta
undated
Robert Mabon Calica
Robert Mabon, died 1798
Calica
undated
Robert Mabon Parishnant
Robert Mabon, died 1798
Parishnant
undated
Robert Mabon The Maratha Peshwa and his Ministers
Robert Mabon, died 1798
The Maratha Peshwa and his Ministers
undated
Robert Mabon Landscape with Rocks
Robert Mabon, died 1798
Landscape with Rocks
undated
John Jones The Roguish Boy
Print made by John Jones, ca. 1745–1797
The Roguish Boy
1791
John Keyse Sherwin Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"
John Keyse Sherwin, c.1751–1790
Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"
1791
John Keyse Sherwin Mary Isabella Manners (née Somerset), Duchess of Rutland
John Keyse Sherwin, c.1751–1790
Mary Isabella Manners (née Somerset), Duchess of Rutland
1791
J. Barlow Merchant of Venice, Act III, Sc. I
J. Barlow, active 1791
Merchant of Venice, Act III, Sc. I
1791
John Jones The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ...
John Jones, ca. 1745–1797
The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ..
1791
George Townly Stubbs Warren Hastings on his Arabian Horse
George Townly Stubbs, 1748–1815
Warren Hastings on his Arabian Horse
ca. 1796
James Wyatt Five Designs for a House in the Gothic Style: Plan of the Ground Floor or Principal Story
James Wyatt, 1746–1813
Five Designs for a House in the Gothic Style: Plan of the Ground Floor or Principal Story
1791
James Wyatt Five Designs for a House in the Gothic Style: Elevation
James Wyatt, 1746–1813
Five Designs for a House in the Gothic Style: Elevation
1791
James Wyatt Design for Little Frogmore: Elevation
James Wyatt, 1746–1813
Design for Little Frogmore: Elevation
1791
unknown artist A Memorial to Shakespeare
unknown artist
A Memorial to Shakespeare
1791
John Jones Beatrice Listening to Hero and Ursula - "Much Ado About Nothing", Act III, Scene I
John Jones, ca. 1745–1797
Beatrice Listening to Hero and Ursula - "Much Ado About Nothing", Act III, Scene I
1791
Charles Wilkin Lady Cockburn and Children
Print made by Charles Wilkin, 1750–1814
Lady Cockburn and Children
1791
Thomas Cheesman Thomas Philip third Lord Grantham, afterwards Earl De Grey, with his brothers, Frederick John and Philip
Print made by Thomas Cheesman, 1760–1834/35
Thomas Philip third Lord Grantham, afterwards Earl De Grey, with his brothers, Frederick John and Philip
1791
Joseph Grozer The Honorable Miss Harris
Print made by Joseph Grozer, ca. 1755–1798
The Honorable Miss Harris
1791
Francesco Bartolozzi Peniston, William, and Frederick James Lamb: The Affectionate Brothers
Print made by Francesco Bartolozzi, 1728–1815
Peniston, William, and Frederick James Lamb: The Affectionate Brothers
1791
Charles Knight Miss Farren
Print made by Charles Knight, 1743–c.1826
Miss Farren
1791
Richard Earlom A Brewhouse Yard
Print made by Richard Earlom, 1743–1822
A Brewhouse Yard
1791
John Jones Sylvia
John Jones, ca. 1745–1797
Sylvia
1791
Page Taming...Act III, Scene I
Page, fl. 1784–1803
Taming...Act III, Scene I
1791
John Young Mrs. Bunbury
Print made by John Young, 1755–1825
Mrs. Bunbury
1791
Page Taming... Act II, Sc. I
Page, fl. 1784–1803
Taming... Act II, Sc. I
1791
W. Taylor All's Well... Act III, Sc. V
W. Taylor, active 1790–1810
All's Well... Act III, Sc. V
1791
James Wyatt Five Designs for a House in the Gothic Style: Plan of the Chamber Story
James Wyatt, 1746–1813
Five Designs for a House in the Gothic Style: Plan of the Chamber Story
1791
John Jones Admiral Edward Vernon
John Jones, ca. 1745–1797
Admiral Edward Vernon
1791
George Morland Set of Five: Studies of Children, a Dog, a Cat, etc.
George Morland, 1763–1804
Set of Five: Studies of Children, a Dog, a Cat, etc
1791-1795
George Morland Set of Five: Studies of Laborers
George Morland, 1763–1804
Set of Five: Studies of Laborers
1791-1795
George Morland Set of Five: Five studies of Peddlers
George Morland, 1763–1804
Set of Five: Five studies of Peddlers
1791-1795
George Morland Set of Five: Eight studies: Woman with Basket, Blinkered Cart Horse, etc.
George Morland, 1763–1804
Set of Five: Eight studies: Woman with Basket, Blinkered Cart Horse, etc
1791-1795
George Morland Set of Five: Studies of Girls, one Playing with Hoop, one Picking Berries, Man and Horse, etc.
George Morland, 1763–1804
Set of Five: Studies of Girls, one Playing with Hoop, one Picking Berries, Man and Horse, etc
1791-1795
John Keyse Sherwin Mary Isabella, Duchess of Rutland
Print made by John Keyse Sherwin, c.1751–1790
Mary Isabella, Duchess of Rutland
1791
John Raphael Smith Madona col Bambino
Print made by John Raphael Smith, 1752–1812
Madona col Bambino
1791
John Jones Lady Gertrude Fitzpatrick as Sylvia
Print made by John Jones, ca. 1745–1797
Lady Gertrude Fitzpatrick as Sylvia
1791
John Young Mrs. Gwyn
Print made by John Young, 1755–1825
Mrs. Gwyn
1791
Charles Knight Miss Farren
Print made by Charles Knight, 1743–c.1826
Miss Farren
1791
Charles Knight Miss Farren
Print made by Charles Knight, 1743–c.1826
Miss Farren
1791
John Raphael Smith Madona Col Bambino
John Raphael Smith, 1752–1812
Madona Col Bambino
1791
unknown artist Pye Corner, Smithfield
unknown artist
Pye Corner, Smithfield
1791
Jacob C. Schnebbelie Painting on the South Side Severts Tomb
Jacob C. Schnebbelie, 1760–1792
Painting on the South Side Severts Tomb
1791
unknown artist Speed's Monument in the Chancel of St. Giles, Cripplegate
unknown artist
Speed's Monument in the Chancel of St. Giles, Cripplegate
1791
Francis Jukes North End, Hampstead
Francis Jukes, 1747–1812
North End, Hampstead
1791
William Ellis Hornsey
William Ellis, 1747–1810
Hornsey
1791
James Gillray Les Trois Magots
James Gillray, 1756–1815
Les Trois Magots
1791
James Gillray French Democrats surprizing the Royal Runaways
James Gillray, 1756–1815
French Democrats surprizing the Royal Runaways
1791
James Gillray The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
James Gillray The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
James Gillray The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
James Gillray, 1756–1815
The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
1791
James Gillray The Siege of Blenheim - or - The New System of Gunning Discoverd -
James Gillray, 1756–1815
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
James Gillray Lubber's Hole - alias - The Crack'd Jordan
James Gillray, 1756–1815
Lubber's Hole - alias - The Crack'd Jordan
1791
James Gillray Patience on a Monument
James Gillray, 1756–1815
Patience on a Monument
1791
unknown artist In the Via Mala, Between Coire and Splugen
unknown artist
In the Via Mala, Between Coire and Splugen
ca. 1796
unknown artist Near Chiavenna
unknown artist
Near Chiavenna
ca. 1796
Monro School Buildings Overlooking Water, near Naples
Monro School
Buildings Overlooking Water, near Naples
ca. 1796
John Carter Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
Francesco Bartolozzi George, Prince of Wales
Francesco Bartolozzi, 1728–1815
George, Prince of Wales
1791
Francesco Bartolozzi Vignette: Four Putti, Two Holding Hands
Francesco Bartolozzi, 1728–1815
Vignette: Four Putti, Two Holding Hands
1791
Bastiaen Stopendael Stad en Revier Van Rochester. Chatham (The Dutch Fleet in Medway) 12-23 June 1667
Bastiaen Stopendael, 1636/7–c.1708
Stad en Revier Van Rochester. Chatham (The Dutch Fleet in Medway) 12-23 June 1667
Published 1791
Peter Simon Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
Jean B. Michel King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
Print made by Jean B. Michel, active 1803
King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
1791
unknown artist Lollard's Prison
unknown artist
Lollard's Prison
1791
unknown artist Pedlar and his Dog, St. Mary's, Lambeth
unknown artist
Pedlar and his Dog, St. Mary's, Lambeth
1791
Isaac Cruikshank Resist Unto Blood, the True Christian Warfare, The Spirit Against the Flesh (A Clerical Boxing Match)
Isaac Cruikshank, 1764–1811
Resist Unto Blood, the True Christian Warfare, The Spirit Against the Flesh (A Clerical Boxing Match)
1791
William Dickinson The Puzzle for the Dog, the Puzzle for the Horse, the Puzzle for Turk, Frenchman, or, Christian
William Dickinson, 1746–1823
The Puzzle for the Dog, the Puzzle for the Horse, the Puzzle for Turk, Frenchman, or, Christian
1791
Samuel William Reynolds A Young Lady
Samuel William Reynolds, 1773–1835
A Young Lady
ca. 1796
William Hincks Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
William Hincks, 1752–1797
Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
1791
William Hincks Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
William Hincks, 1752–1797
Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
1791
William Hincks Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
William Hincks, 1752–1797
Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
1791
William Hincks Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
William Hincks, 1752–1797
Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
1791
William Hincks Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
William Hincks, 1752–1797
Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
1791
William Hincks Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
William Hincks, 1752–1797
Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
1791
William Hincks Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
William Hincks, 1752–1797
Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
1791
William Hincks Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
William Hincks, 1752–1797
Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
1791
William Hincks Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...
William Hincks, 1752–1797
Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ..
1791
Thomas Rowlandson A Dutch Packet in a Rising Breeze
Thomas Rowlandson, 1756–1827
A Dutch Packet in a Rising Breeze
1791