An English Flagship Under Easy Sail in a Moderate Breeze
ca. 1750
Not on view
4
Katherine Read, 1723–1778
British Gentlemen in Rome
ca. 1750
On view
5
Thomas Gainsborough, 1727–1788
Lady Lloyd and Her Son, Richard Savage Lloyd, of Hintlesham Hall, Suffolk
between 1745 and 1746
Not on view
6
James Cranke, 1707–1780
Portrait of a Lady
ca. 1750
Not on view
7
Charles Brooking, 1723–1759
A Lugger and a Smack in Light Airs
ca. 1750
Not on view
8
Charles Brooking, 1723–1759
A Cutter in a Strong Breeze
ca. 1750
Not on view
9
Charles Brooking, 1723–1759
The Capture of the "Marquis d'Antin" and the "Louis Erasme"
between 1745 and 1755
Not on view
10
Joseph Highmore, 1692–1780
The Harlowe Family, from Samuel Richardson's "Clarissa"
between 1745 and 1747
Not on view
11
Charles Brooking, 1723–1759
Cutter Close Hauled in a Fresh Breeze, with Other Shipping
ca. 1750
Not on view
12
Joseph Francis Nollekens, 1702–1748
Children at Play, Probably the Artist's Son Jacobus and Daughter Maria Joanna Sophia
1745
Not on view
13
Francis Hayman, 1707/8–1776
Portrait of a Group of Gentleman, with the Artist
between 1745 and 1748
Not on view
14
Charles Brooking, 1723–1759
Fishing Boats in a Calm Sea
between 1745 and 1759
Not on view
15
Canaletto, 1697–1768
The City from Near the Terrace of Somerset House
ca. 1750
On view
16
Canaletto, 1697–1768
Westminster from Near the Terrace of Somerset House
ca. 1750
On view
17
Arthur Devis, 1712–1787
Leak Okeover, Rev. John Allen and Captain Chester at Okeover Hall, Staffordshire
between 1745 and 1747
Not on view
18
Thomas Butler of Pall Mall, active 1750-1759
Learning about the Hounds
ca. 1750
On view
19
George Smith of Chichester, 1714–1776
Winter Landscape
ca. 1750
Not on view
20
Thomas Gainsborough, 1727–1788
Portrait of a Young Man with Powdered Hair
ca. 1750
Not on view
21
Joseph Nickolls, active 1713–ca. 1755
Orleans House, Twickenham
ca. 1750
Not on view
22
unknown artist
Thames at Lambeth Palace
after 1745
Not on view
23
Samuel Scott, ca. 1702–1772
Arches of Westminster Bridge
ca. 1750
On view
24
Francis Swaine, 1730–1782
An English Sloop and a Frigate in a Light Breeze
undated, exhibited between 1762 and 1782
Not on view
25
unknown artist
View of Horse Guards and Whitehall
ca. 1750
Not on view
26
Arthur Devis, 1712–1787
Robert Gwillym, Elizabeth Gwillym (née Atherton), and Their Family
1745 to 1747
On view
27
Thomas Gainsborough, 1727–1788
Portrait of a Woman
ca. 1750
Not on view
28
Joseph Nickolls, active 1713–ca. 1755
Charing Cross, with the Statue of King Charles I and Northumberland House
ca. 1750
Not on view
29
Thomas Spencer, 1700–1753
Scipio, a spotted hunter, the property of Colonel Roche
ca. 1750
Not on view
30
unknown artist
Portrait of a Man, called Francois Duquesnoy
ca. 1750
Not on view
31
John Cheere, 1709–1787
Sir Isaac Newton
ca. 1750
Not on view
32
Louis François Roubiliac, 1702–1762
Francis Hayman
ca. 1750
On view
33
Josiah Wedgwood, 1730–1795
Portrait Medallion of Josiah Wedgwood, modelled in relief by Flaxman in profile
undated
Not on view
34
Josiah Wedgwood, 1730–1795
Sir Charles Linnaeus
undated
Not on view
35
unknown artist
John Locke
ca. 1750
Not on view
36
unknown artist
A Shepherdess with a Bird's Nest
ca. 1750
Not on view
37
John Michael Rysbrack, 1694–1770
Hercules
between 1745 and 1752
On view
38
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
39
William Hogarth, 1697–1764
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
40
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
41
Alexander Bannerman, ca. 1730–1780
Boit. Baker
undated
42
Alexander Bannerman, ca. 1730–1780
Boit. Baker
undated
43
Print made by Alexander Bannerman, ca. 1730–1780
Cibber
undated
44
Alexander Bannerman, ca. 1730–1780
Dobson
undated
45
Alexander Bannerman, ca. 1730–1780
Simon Du Bois
undated
46
Alexander Bannerman, ca. 1730–1780
James Gibbs
undated
47
Alexander Bannerman, ca. 1730–1780
Major General Lambert
undated
48
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
49
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
50
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
51
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
52
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
53
Alexander Cozens, 1717–1786
Landscape with a Lake and Distant Mountain
ca. 1750
54
James Adam, 1732–1794
Landscape with River and Figures
undated
55
Rev. William Gilpin, 1724–1804
Two Figures on a Road with Castle in Center Distance
between 1745 and 1748
56
Rev. William Gilpin, 1724–1804
The Artist's Bookplate and Pen Inscription from a Drawing Album
between 1745 and 1748
57
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Horseback at Right
between 1745 and 1748
58
Rev. William Gilpin, 1724–1804
Classical Landscape with Ruin on Left, Two Figures on Right
between 1745 and 1748
59
Rev. William Gilpin, 1724–1804
Shipping Scene with Three Figures on shore
between 1745 and 1748
60
Rev. William Gilpin, 1724–1804
Landscape with Mountain in Center Distance
between 1745 and 1748
61
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Lake Shore
between 1745 and 1748
62
Rev. William Gilpin, 1724–1804
Rocky Landscape with Two Figures on a Path in the Center
between 1745 and 1748
63
Rev. William Gilpin, 1724–1804
A Rocky Landscape
between 1745 and 1748
64
Rev. William Gilpin, 1724–1804
Two Figures on Shore with Mountain Rising Behind
between 1745 and 1748
65
Rev. William Gilpin, 1724–1804
Landscape with Two Horsemen on a Road
between 1745 and 1748
66
Rev. William Gilpin, 1724–1804
Landscape with Road in Foreground
between 1745 and 1748
67
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle on the Right
between 1745 and 1748
68
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle
between 1745 and 1748
69
Rev. William Gilpin, 1724–1804
Landscape with a Castle on a Hill at Right
between 1745 and 1748
70
Rev. William Gilpin, 1724–1804
Landscape with Two Figures on a Road
between 1745 and 1748
71
Rev. William Gilpin, 1724–1804
Landscape with a Castle on a Hill in Center Distance
between 1745 and 1748
72
Rev. William Gilpin, 1724–1804
Landscape with a Castle and a Bridge
between 1745 and 1748
73
Rev. William Gilpin, 1724–1804
Landscape with Four Figures
between 1745 and 1748
74
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a River
between 1745 and 1748
75
Rev. William Gilpin, 1724–1804
Landscape with Castle on a Hill at Left
between 1745 and 1748
76
Rev. William Gilpin, 1724–1804
Mountainous Landscape with River, Trees and Foliage in Foreground
between 1745 and 1748
77
Rev. William Gilpin, 1724–1804
Hilly Landscape
between 1745 and 1748
78
Rev. William Gilpin, 1724–1804
Three Figures in a Hilly Landscape with Ruins, beyond
1 of 2 finished drawings of Arch at Hydra and a double page of details
undated
93
James Bruce, 1730–1794
Studies of Warriors on Horseback and Horseheads
undated
94
L. Truchy, 1721–1764
Pamela undressing herself (Mrs Jewkes being first got to bed) while Mr. B. disguised in the maids clothes, with the apron thrown over his face, is impatiently waiting for the execution of his plot
1745
95
L. Truchy, 1721–1764
Pamela on her knees before her Father, whom she had discovered behind the door having overturned the card table in the way. Sr. Simon Darnford his Lady & c. observing her with eagerness and admiration Mr. B struck with this scene is waiting the issue
1745
96
L. Truchy, 1721–1764
Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over..
1745
97
L. Truchy, 1721–1764
Pamela asking the Blessing of Sr. Jacob Swinford, Mr. B's unkle, a rough old fox hunter, who after the most obstinate resolution to the contrary, relents, and becomes her great admirer, Mr. B. behind, whispering Lady Davers she having conceived the..