Unknown artist, Portrait of a Man, called Francois Duquesnoy, ca. 1750
- Title:
- Portrait of a Man, called Francois Duquesnoy
- Date:
- ca. 1750
- Materials & Techniques:
- Ivory relief
- Dimensions:
- Overall: 5 7/8 × 3 15/16 inches (15 × 10 cm)
- Inscription(s)/Marks/Lettering:
Signed lower left: "G.VDR"
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Copyright Status:
- Public Domain
- Accession Number:
- B2012.22
- Classification:
- Sculptures
- Collection:
- Paintings and Sculpture
- Subject Terms:
- portrait
- Associated People:
- Duquesnoy, Francois (1594–1643), sculptor/medallist, painter/draughtsman
- Access:
- Not on view
- Link:
- https://collections.britishart.yale.edu/catalog/tms:66214
- Export:
- XML
- IIIF Manifest:
- JSON
The production of small, intimate portraits in a variety of materials flourished in the eighteenth century. Painted miniatures were made either from the life or copied from full-size portraits so the likeness of a loved one could be portable and worn on the body. Sculpted relief or intaglio portraits were carved in wood and ivory and often based on other portraits rather than taken from a sitter. The two portraits of Isaac Newton shown here are related to a bust by the sculptor John Michael Rysbrack, who employed the ivory carver Gaspar van der Hagen in his studio. Van der Hagen is identified with other ivory portraits of Newton and may be associated with the artist known only by the initials “G.VDR.” The enterprising potter Josiah Wedgwood exploited the growing demand for these costly portraits by producing ceramic medallions as an affordable alternative, with portraits of popular public figures shown in profile, in imitation of ancient cameos. Gallery label for installation of YCBA collection, 2016
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