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Classification Prints

Ben Nicholson Two Bottles and Glass

Ben Nicholson, 1894–1982

Two Bottles and Glass

1967 (1973)

Robert Polhill Bevan The Meet

Print made by Robert Polhill Bevan, 1865–1925

The Meet

1898-1899

Robert Polhill Bevan Who-o-p!

Print made by Robert Polhill Bevan, 1865–1925

Who-o-p!

1898-1899

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer The Sepulchre

Print made by Samuel Palmer, 1805–1881

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

George Stubbs A Horse Affrighted by a Lion

Print made by George Stubbs, 1724–1806

A Horse Affrighted by a Lion

1788

George Stubbs Plate VII, Human Body, Lateral View

Print made after George Stubbs, 1724–1806

Plate VII, Human Body, Lateral View

1804

William Hogarth Beer Street

Print made by William Hogarth, 1697–1764

Beer Street

1751

William Hogarth The Fourth Stage of Cruelty: The Reward of Cruelty (Anatomy Theatre)

Print made by William Hogarth, 1697–1764

The Fourth Stage of Cruelty: The Reward of Cruelty (Anatomy Theatre)

1751

William Hogarth Hudibras's First Adventure (no. 3)

Print made by William Hogarth, 1697–1764

Hudibras's First Adventure (no. 3)

1726

William Hogarth Hudibras Sallying Forth (no. 2)

Print made by William Hogarth, 1697–1764

Hudibras Sallying Forth (no. 2)

1726

William Hogarth Hudibras Triumphant (no. 4)

Print made by William Hogarth, 1697–1764

Hudibras Triumphant (no. 4)

1726

Joseph Mallord William Turner Sheep-Washing, Windsor

Print made by Joseph Mallord William Turner, 1775–1851

Sheep-Washing, Windsor

between 1813 and 1823

Joseph Mallord William Turner Mer de Glace, Valley of Chamouni, Savoy

Print made by Joseph Mallord William Turner, 1775–1851

Mer de Glace, Valley of Chamouni, Savoy

1812

Joseph Mallord William Turner The Stork and Aqueduct

Etched by Joseph Mallord William Turner, 1775–1851

The Stork and Aqueduct

between 1813 and 1823

Joseph Mallord William Turner The Straw Yard

Etched by Joseph Mallord William Turner, 1775–1851

The Straw Yard

1808

Edward Lear Lorius Domicella / Black-capped Lorry (Plate 37)

Edward Lear, 1812–1888

Lorius Domicella / Black-capped Lorry (Plate 37)

1832

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

ca. 1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

ca. 1797

William Blake Night the First. On Life, Death, and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death, and Immortality; Title Page

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake The Baffled Devils Fighting (Plate 3)

Print made by William Blake, 1757–1827

The Baffled Devils Fighting (Plate 3)

1827

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

William Blake The Complaint, and the Consolation; or, Night Thoughts

Print made by William Blake, 1757–1827

The Complaint, and the Consolation; or, Night Thoughts

ca. 1797

W. R. Smith Heriot's Hospital

Print made by W. R. Smith, active 1819–1851

Heriot's Hospital

1822

James Tibbits Willmore Nantes

Print made by James Tibbits Willmore, 1800–1863

Nantes

1828-1837

Edward Goodall Rievaulx Abbey, Yorkshire

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827-1838

Thomas Burke Lady Rushout and Daughter

Print made by Thomas Burke, 1749–1815

Lady Rushout and Daughter

1784

William Henry Worthington Sir Humphrey Davy

Print made by William Henry Worthington, ca. 1790–active 1839

Sir Humphrey Davy

1827

John Raphael Smith The Hon. Mrs. O'Neill

Print made by John Raphael Smith, 1752–1812

The Hon. Mrs. O'Neill

1778

Francesco Bartolozzi Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785

Print made by Francesco Bartolozzi, 1728–1815

Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785

1785

Thomas Girtin The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

Print made by Thomas Girtin, 1775–1802

The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

1803

Charles White Le Moment de la Reflexion

Print made by Charles White, active 1784

Le Moment de la Reflexion

1784

Valentin Daniel Preissler Der Geiz sucht Fäden

Print made by Valentin Daniel Preissler, 1717–1765

Der Geiz sucht Fäden

undated

John Faber the Younger A School of Boys

Print made by John Faber the Younger, ca. 1695–1756

A School of Boys

1739

John Faber the Younger A School of Girls

Print made by John Faber the Younger, ca. 1695–1756

A School of Girls

1739

Jan van Somer Soldiers Story

Print made by Jan van Somer, ca. 1645–after 1699

Soldiers Story

undated

Luigi Schiavonetti Sweet China Oranges, Sweet China

Print made by Luigi Schiavonetti, 1765–1810

Sweet China Oranges, Sweet China

1794

Giovanni Vendramini Strawberrys, Scarlet Strawberries.

Print made by Giovanni Vendramini, 1769–1839

Strawberrys, Scarlet Strawberries

1795

unknown artist Divo Antonino et Divae Faustinae

Print made by unknown artist

Divo Antonino et Divae Faustinae

1565

unknown artist Templi Ignoti, Sed ex eius Fragmentis

Print made by unknown artist

Templi Ignoti, Sed ex eius Fragmentis

between 1546 and 1562

George Cruikshank A Scene in the New Farce - as Performed at the Royalty Theatre!

Print made by George Cruikshank, 1792–1878

A Scene in the New Farce - as Performed at the Royalty Theatre!

1821

James Heath "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

James Heath, 1757–1834

"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

1802

James Heath "Then go, bid the huntsmen wake them with their horns"

James Heath, 1757–1834

"Then go, bid the huntsmen wake them with their horns"

1802

William Heath Opera Reminiscences: Desdemona and Othello

Print made by William Heath, 1795–1840

Opera Reminiscences: Desdemona and Othello

1829

James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

William Heath Opera Reminiscences: Desdemona and Otello

Print made by William Heath, 1795–1840

Opera Reminiscences: Desdemona and Otello

1829

James Heath "Hubert, let me not be bound!"

James Heath, 1757–1834

"Hubert, let me not be bound!"

1802

James Heath "Mark your divorce young sir, whom son I dare not call"

James Heath, 1757–1834

"Mark your divorce young sir, whom son I dare not call"

1804

John Hamilton Mortimer Edgar, "King Lear", Act III, Scene III

Print made by John Hamilton Mortimer, 1740–1779

Edgar, "King Lear", Act III, Scene III

1775

John Hamilton Mortimer York, "Henry IV", Part II, Act V, Scene IV

John Hamilton Mortimer, 1740–1779

York, "Henry IV", Part II, Act V, Scene IV

1775

John Augustus Atkinson Military Costumes of the Reign of King Henry VI, 1447

Print made by John Augustus Atkinson, 1775–1831

Military Costumes of the Reign of King Henry VI, 1447

1812

John Augustus Atkinson Costume of the Reign of King Henry III, 1250

Print made by John Augustus Atkinson, 1775–1831

Costume of the Reign of King Henry III, 1250

1814

Giovanni Vendramini Sir John Thomas Duckworth, 1st Baronet of Topsham

Print made by Giovanni Vendramini, 1769–1839

Sir John Thomas Duckworth, 1st Baronet of Topsham

1809

Thomas Watson Lucy Hardinge (née Long)

Thomas Watson, 1743–1781

Lucy Hardinge (née Long)

1780

James Watson John Hawkesworth

James Watson, 1740–1790

John Hawkesworth

1773

Charles Howard Hodges Mrs. Williams Hope of Amsterdam

Charles Howard Hodges, 1764–1837

Mrs. Williams Hope of Amsterdam

1788