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1. The First Stage of Cruelty: Children Torturing Animals

The First Stage of Cruelty: Children Torturing Animals
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

2. Cobham Hall, Kent: Plan of the Dairy

Cobham Hall, Kent: Plan of the Dairy
Creator:
James Wyatt, 1746–1813
Date:
1794
Materials & Techniques:
Black wash with pen and black ink over traces of graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 1/4 x 20 1/8 inches (36.2 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Cobham Hall, Kent: Section of a Turret

Cobham Hall, Kent: Section of a Turret
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/4 x 20 7/8 inches (36.2 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Cobham Hall, Kent: Unidentified Plan for a Passage

Cobham Hall, Kent: Unidentified Plan for a Passage
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black and brown ink on thick, medium, beige wove paper
Dimensions:
Sheet: 14 1/4 x 10 3/8 inches (36.2 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Cobham Hall, Kent: Section of the drawing room

Cobham Hall, Kent: Section of the drawing room
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Watercolor and pink and gray wash, over pen, black ink and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Cobham Hall, Kent: Elevation of Building with Archway and Tower at Either End

Cobham Hall, Kent: Elevation of Building with Archway and Tower at Either End
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 x 20 1/8 inches (35.6 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Cobham Hall, Kent: Elevation of Dairy

Cobham Hall, Kent: Elevation of Dairy
Creator:
James Wyatt, 1746–1813
Date:
1794
Materials & Techniques:
Watercolor and gray wash over pen, graphite and black ink on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 1/4 × 20 1/4 inches (36.2 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Cobham Hall, Kent: Plan and Elevation of the Stables, Barn and Coach Houses

Cobham Hall, Kent: Plan and Elevation of the Stables, Barn and Coach Houses
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Watercolor and gray wash, pen and brown and black ink and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/4 x 20 3/4 inches (36.2 x 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Cobham Hall, Kent: South Elevation of North Wing

Cobham Hall, Kent: South Elevation of North Wing
Creator:
George Shakespear, active 1752, died 1797
Date:
ca. 1790
Materials & Techniques:
Watercolor and gray wash, pen and black ink and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 x 21 inches (35.6 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Ardfert Cathedral, Kerry, Ireland

Ardfert Cathedral, Kerry, Ireland
Creator:
Cornelius Varley, 1781–1873
Date:
undated
Materials & Techniques:
Watercolor, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 20 1/8 inches (35.6 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Cobham Hall, Kent: Plan of the Attic Story

Cobham Hall, Kent: Plan of the Attic Story
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and gray wash on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 1/4 x 20 1/2 inches (36.2 x 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Cobham Hall, Kent: Wall Decoration

Cobham Hall, Kent: Wall Decoration
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black ink and gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 1/4 × 21 1/8 inches (36.2 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Margate

Margate
Creator:
attributed to Benjamin West, 1738–1820
Date:
1767
Materials & Techniques:
Black chalk on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 14 x 21 3/8 inches (35.6 x 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Study for the View of Cambridge from Castle Hill

Study for the View of Cambridge from Castle Hill
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Brown ink over graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 14 × 21 7/8 inches (35.6 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Cobham Hall, Kent: Elevation of Building with Turret at One End

Cobham Hall, Kent: Elevation of Building with Turret at One End
Creator:
James Wyatt, 1746–1813
Date:
undated
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 1/8 x 20 1/4 inches (35.9 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. View of Exeter College, All Saints Church, &c. from the Turl

View of Exeter College, All Saints Church, &c. from the Turl
Creator:
Print made by James Basire II, 1769–1822
Date:
1806
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 × 18 1/8 inches (35.6 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. View of Oxford from the South Side of Heddington Hill

View of Oxford from the South Side of Heddington Hill
Creator:
Print made by James Basire II, 1769–1822
Date:
1808
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 1/4 × 17 7/8 inches (36.2 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. View of the Cathedral of Christ Church, and Part of Corpus Christi College

View of the Cathedral of Christ Church, and Part of Corpus Christi College
Creator:
Print made by James Basire II, 1769–1822
Date:
1808
Materials & Techniques:
Etching and engraving; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 19 inches (37.8 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. View of the Cathedral of Christ Church, and Part of Corpus Christi College

View of the Cathedral of Christ Church, and Part of Corpus Christi College
Creator:
Print made by James Basire II, 1769–1822
Date:
1811
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 1/8 × 18 1/4 inches (35.9 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. A View of Worcester College &c.

A View of Worcester College &c.
Creator:
Print made by James Basire II, 1769–1822
Date:
1804
Materials & Techniques:
Etching and engraving; published state, late impression on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 18 1/4 inches (36.2 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Bowling Green at Hampton Court Palace, Richmond: Bird's-eye View

Bowling Green at Hampton Court Palace, Richmond: Bird's-eye View
Creator:
Attributed to Sir Nicholas Hawksmoor, ca. 1662–1736
Date:
ca. 1690
Materials & Techniques:
Pen and brown ink with brown and gray wash over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 3/16 × 20 1/8 inches (36 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Plymouth Dock from Mount Edgecumbe

Plymouth Dock from Mount Edgecumbe
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 3/16 × 15 15/16 inches (36 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Memorial to Lady Caroline Adair, her two children, Caroline and Amelia and her husband Robert Adair form Acton Church

Memorial to Lady Caroline Adair, her two children, Caroline and Amelia and her husband Robert Adair form Acton Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 10 1/2 inches (35.6 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. High Force or Fall of Tees

High Force or Fall of Tees
Creator:
Print made by John Landseer, 1769–1852
Date:
1818-1823
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/16 × 19 5/8 inches (35.7 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Memorial to Thomas Lant also to Robert Harington from Hornsey Church

Memorial to Thomas Lant also to Robert Harington from Hornsey Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 10 5/8 inches (36.2 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Memorial to Hannah Towers, Samuel Towers and Five of their Children

Memorial to Hannah Towers, Samuel Towers and Five of their Children
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 10 3/4 inches (36.2 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Memorial to Samuel Buckley, also to Burrage and Elizabeth Angler

Memorial to Samuel Buckley, also to Burrage and Elizabeth Angler
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 10 5/8 inches (35.6 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Memorial to Thomas Cartwright and to John Reynolds

Memorial to Thomas Cartwright and to John Reynolds
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 11 inches (35.6 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. The Cascade at Chiswick House, Middlesex: Elevation and Plan

The Cascade at Chiswick House, Middlesex: Elevation and Plan
Creator:
William Kent, ca.1686–1748
Date:
between 1720 and 1735
Materials & Techniques:
Pen and gray ink with brown wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/4 x 10 5/8 inches (36.2 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Edinburgh from Leith Harbour

Edinburgh from Leith Harbour
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1826
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 11 1/16 inches (38.7 × 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Crichton Castle

Crichton Castle
Creator:
Print made by George Cooke, 1781–1834
Date:
1822
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/16 × 20 1/4 inches (36.4 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Tantallon Castle

Tantallon Castle
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1822
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 10 1/8 inches (36.2 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Memorial to Henry Dixon and Barbara, his Wife from Enfield Church

Memorial to Henry Dixon and Barbara, his Wife from Enfield Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 11 inches (35.6 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Brass Plate for William and Jane Smith from Enfield Church

Brass Plate for William and Jane Smith from Enfield Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 10 5/8 inches (35.6 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Memorial to Anthony and Katherine Nourse from Fulham Church

Memorial to Anthony and Katherine Nourse from Fulham Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 10 3/4 inches (35.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Memorial to Thomas Bonde from Fulham Church

Memorial to Thomas Bonde from Fulham Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watecolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 10 1/2 inches (35.9 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Epitaph to Richard Candish from Hornsey Church

Epitaph to Richard Candish from Hornsey Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 11 inches (35.6 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Font and Memorial to John Carter from Hornsey Church

Font and Memorial to John Carter from Hornsey Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 11 3/8 inches (35.6 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Brass Plate for George Ray from Hornsey Church

Brass Plate for George Ray from Hornsey Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 10 5/8 inches (35.9 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Lovelace in Prison

Lovelace in Prison
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 17 7/16 inches (39 x 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Cobham Hall, Kent: Corbels and Moulding for the Groins in the Dairy

Cobham Hall, Kent: Corbels and Moulding for the Groins in the Dairy
Creator:
James Wyatt, 1746–1813
Date:
1795
Materials & Techniques:
Graphite and pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 x 22 1/2 inches (35.6 x 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Cobham Hall, Kent: Ceiling of Vestibule

Cobham Hall, Kent: Ceiling of Vestibule
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 × 22 1/4 inches (35.6 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Cobham Hall, Kent: Cornice Full Size for the Chimney of the Dairy

Cobham Hall, Kent: Cornice Full Size for the Chimney of the Dairy
Creator:
James Wyatt, 1746–1813
Date:
1795
Materials & Techniques:
Pen and black and brown ink over traces of graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 x 22 3/4 inches (35.6 x 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. View from Craig-y-Barns, Dunkeld, Looking South

View from Craig-y-Barns, Dunkeld, Looking South
Creator:
John Henry Mole, 1814–1886
Date:
1855
Materials & Techniques:
Watercolor and white gouache over graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/16 x 21 1/8 inches (35.7 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

45. Cobham Hall, Kent: Section of Dairy

Cobham Hall, Kent: Section of Dairy
Creator:
James Wyatt, 1746–1813
Date:
1795
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 × 23 1/4 inches (35.6 × 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Cobham Hall, Kent: North Elevation of South Wing

Cobham Hall, Kent: North Elevation of South Wing
Creator:
James Wyatt, 1746–1813
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/4 x 20 7/8 inches (36.2 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Hartwell, Buckinghamshire

Hartwell, Buckinghamshire
Creator:
Cornelius Varley, 1781–1873
Date:
1833
Materials & Techniques:
Brown wash over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/16 x 21 1/16 inches (36.4 x 53.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Ullswater, Cumberland

Ullswater, Cumberland
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and engraving with chine collé; first published state on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 1/8 × 16 3/8 inches (35.9 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Memorial to Elizabeth Powle, from Barking Church

Memorial to Elizabeth Powle, from Barking Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 10 3/4 inches (35.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Slab over Tomb of Catherine Daughter of Lord Latimer from East Ham Church

Slab over Tomb of Catherine Daughter of Lord Latimer from East Ham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 10 5/8 inches (36.2 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Brass plate for Sir John Andrew, from Hayes Church

Brass plate for Sir John Andrew, from Hayes Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 10 5/8 inches (35.6 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Brass Plate for John Heygge, from Hayes Church

Brass Plate for John Heygge, from Hayes Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 10 3/4 inches (35.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Ruskin's Residence, "Brandtwood", from Lake Coniston

Ruskin's Residence, "Brandtwood", from Lake Coniston
Creator:
Arthur Severn, 1842–1931
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 20 inches (35.6 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. James T. Babb

54. Orfordness

Orfordness
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on thick, smooth, cream wove paper
Dimensions:
Sheet: 14 1/8 × 20 9/16 inches (35.9 × 52.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Memorial to Thomas and Ann Felows from Hillingdon Church

Memorial to Thomas and Ann Felows from Hillingdon Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 10 5/8 inches (35.6 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Memorials to Richard Carmarden and Thomas Wigg, Chislehurst

Memorials to Richard Carmarden and Thomas Wigg, Chislehurst
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 11 1/8 inches (35.6 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Tomb and Brass Plate of Alan Porter, from Chiselhurst Church

Tomb and Brass Plate of Alan Porter, from Chiselhurst Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 10 3/4 inches (35.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Brass Plate Monument for John Stockton, West Wickham Church

Brass Plate Monument for John Stockton, West Wickham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Graphite, watercolor, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 10 3/4 inches (35.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Memorial to Thomas and Elizabeth Moore and their daughter Elizabeth, from Chiselhurst Church

Memorial to Thomas and Elizabeth Moore and their daughter Elizabeth, from Chiselhurst Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 10 3/4 inches (35.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. The Environs of London: Brass Plate for cleric illegible inscription, from West Wickham Church

The Environs of London: Brass Plate for cleric illegible inscription, from West Wickham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 10 7/8 inches (35.6 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. The Environs of London: Brass plate for a Rector, illegible inscription, form Hayes Church

The Environs of London: Brass plate for a Rector, illegible inscription, form Hayes Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 10 5/8 inches (36.2 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Cave of the Golden Calf: Design for a Decorative Doorway, Primitive People

Cave of the Golden Calf: Design for a Decorative Doorway, Primitive People
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick Gore

63. Cave of the Golden Calf: Study of Dancers

Cave of the Golden Calf: Study of Dancers
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Graphite and pastel on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 10 1/8 inches (35.6 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick Gore

64. Cave of the Golden Calf: Study of Geometric Figures

Cave of the Golden Calf: Study of Geometric Figures
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick Gore

65. The Old Téméraire

The Old Téméraire
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1845
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 3/4 × 24 1/2 inches (47.6 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. The Admiralty Office

The Admiralty Office
Creator:
Print made by Thomas Bowles III, ca. 1712–1767
Date:
1731
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 x 19 3/4 inches (35.5 x 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider

Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick Gore

68. Cave of the Golden Calf: Study of Dancers

Cave of the Golden Calf: Study of Dancers
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Graphite, colored pencil and crayon on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick Gore

69. Cave of the Golden Calf: Sketches of a Stage and Bar

Cave of the Golden Calf: Sketches of a Stage and Bar
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick Gore

70. The Old Téméraire

The Old Téméraire
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1845
Materials & Techniques:
Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 5/8 × 24 3/4 inches (47.3 × 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Cave of the Golden Calf: Tree House, Design for Panels with Animals

Cave of the Golden Calf: Tree House, Design for Panels with Animals
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick Gore

72. Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan

Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Graphite and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick Gore

73. View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795

View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795
Creator:
John William Edy, 1760–1820
Date:
1797
Materials & Techniques:
Aquatint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 18 11/16 inches (35.9 × 47.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Merchant Taylors' School and St. Paul's School

Merchant Taylors' School and St. Paul's School
Creator:
Print made by Benjamin Cole, 1697–1783
Date:
1756
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 9/16 × 9 5/8 inches (39.5 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. South East View of Samlesbury Hall, Lancashire

South East View of Samlesbury Hall, Lancashire
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. North West View of Montacute House, Somersetshire, The Seat of John Phelips Esqr.

North West View of Montacute House, Somersetshire, The Seat of John Phelips Esqr.
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. North Front of Castle Ashby, Northamptonshire; The Seat of the Marquis of Northampton

North Front of Castle Ashby, Northamptonshire; The Seat of the Marquis of Northampton
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. North East View of Beaudesert, Staffordshire; the Seat of the Marquis of Anglesea

North East View of Beaudesert, Staffordshire; the Seat of the Marquis of Anglesea
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. South East View of Castle Ashby, Northamptonshire; the Seat of the Marquis of Northampton

South East View of Castle Ashby, Northamptonshire; the Seat of the Marquis of Northampton
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. South View of Sherbone Castle, Dorsetshire The Seat of the Earl of Digby

South View of Sherbone Castle, Dorsetshire The Seat of the Earl of Digby
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. North West View of Cobham hall, Kent, the Seat of the Right honourable the Earl of Darnley

North West View of Cobham hall, Kent, the Seat of the Right honourable the Earl of Darnley
Creator:
John Buckler FSA, 1770–1851
Date:
1820
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. North West view of Burleigh House The Seat of the Marquis of Exeter

North West view of Burleigh House The Seat of the Marquis of Exeter
Creator:
John Buckler FSA, 1770–1851
Date:
1817
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. East View of Trevalyn Hall, Denbighshire; the property of George Boscawen Esquire

East View of Trevalyn Hall, Denbighshire; the property of George Boscawen Esquire
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. South View of Longleat, Wiltshire; the Seat of the Marquis of Bath

South View of Longleat, Wiltshire; the Seat of the Marquis of Bath
Creator:
John Buckler FSA, 1770–1851
Date:
1821
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. South West View of Rushton Hall, Northamptonshire; the Seat of the Honourable Mrs. Cockayne

South West View of Rushton Hall, Northamptonshire; the Seat of the Honourable Mrs. Cockayne
Creator:
John Buckler FSA, 1770–1851
Date:
1817
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. South East View of Rushton hall, Northamptonshire

South East View of Rushton hall, Northamptonshire
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Sketch of the Dining Room at Burton Agnes; Yorkshire, The Seat of Sir Francis Boynton Bart.

Sketch of the Dining Room at Burton Agnes; Yorkshire, The Seat of Sir Francis Boynton Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1819
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. North East View of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.

North East View of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Interior View of the hall at Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.

Interior View of the hall at Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Westwood Park near Droitwich, Worcestershire, the Seat of Sir John Packington Bart.

Westwood Park near Droitwich, Worcestershire, the Seat of Sir John Packington Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1820
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Interior view of the Drawing Room, Stockton House

Interior view of the Drawing Room, Stockton House
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. North West view of Charlton House, Kent; The Seat of Lady Wilson

North West view of Charlton House, Kent; The Seat of Lady Wilson
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. South West View of Stockton House, Wiltshire; the Seat of John Biggs Esqr.

South West View of Stockton House, Wiltshire; the Seat of John Biggs Esqr.
Creator:
John Buckler FSA, 1770–1851
Date:
1810
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. South West View of Fountains Hall, near the Abbey, Yorkshire belonging to Miss Larvience of Studley Royal

South West View of Fountains Hall, near the Abbey, Yorkshire belonging to Miss Larvience of Studley Royal
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. South West View of Moreton Corbet Shropshire; belonging to Sir Andrew Corbet Bart.

South West View of Moreton Corbet Shropshire; belonging to Sir Andrew Corbet Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1822
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. South East view of Wollaton hall, Nottinghamshire, the Seat of the Right honble. Lord Middleton

South East view of Wollaton hall, Nottinghamshire, the Seat of the Right honble. Lord Middleton
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Charlcote house and Gateway, Warwickshire; the Seat of the Lucy Family

Charlcote house and Gateway, Warwickshire; the Seat of the Lucy Family
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. North West View of Wollaton hall, Nottinghamshire; the Seat of the Right hon'ble Lord Middleton

North West View of Wollaton hall, Nottinghamshire; the Seat of the Right hon'ble Lord Middleton
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. South East View of the Ruins of Moreton Corbet Castle, Shropshire; belonging to Sir Andrew Corbet, Bart.

South East View of the Ruins of Moreton Corbet Castle, Shropshire; belonging to Sir Andrew Corbet, Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1822
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. South view of Holland House, Middlesex, the Seat of Lord Holland

South view of Holland House, Middlesex, the Seat of Lord Holland
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection