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Collection
Prints and Drawings
536
Rare Books and Manuscripts
7
Creator
Gay, John, 1685–1732
70
Stockdale, John, ca. 1749–1814
70
Blake, William, 1757–1827
57
Varley, John, 1778–1842
49
Hastings, Thomas Capt., 1778–1854
46
Unknown artist
33
Romney, George, 1734–1802
29
Wootton, John, approximately 1682–1764
29
Tambat, Gangaram Chintaman Navgire, active 1790s
27
Kent, William, ca.1686–1748
23
Bartolozzi, Francesco, 1727–1815
21
Cockburn, James Pattison, 1779–1847
16
Gravelot, Hubert-François, 1699–1773
16
Cruikshank, Isaac, 1764–1811
14
Girtin, Thomas, 1775–1802
14
Skelton, William, 1763–1848
13
Grainger, W., active 1793
12
Carter, John, 1748–1817
11
Gillray, James, 1756–1815
11
Moore, James, 1762–1799
11
more
Creator
»
Date
1800
1,212
1802
664
1834
652
1796
615
1795
580
1791
568
1790
567
1745
566
1793
[remove]
543
1789
527
1771
510
1792
504
1775
502
1804
501
1827
496
1826
481
1794
476
1832
472
1825
467
1797
447
1835
425
1784
422
1830
420
1772
415
1799
404
1700
398
1836
390
1833
376
1814
370
2004
367
1820
363
1770
361
1801
336
1803
336
1780
328
1812
324
1818
324
1785
321
1767
315
1768
314
1798
314
1867
310
1960
310
1808
305
1807
286
0
282
1823
280
1788
279
1748
267
1813
266
1811
264
1787
261
1805
259
1821
258
1809
255
1817
254
1828
252
1764
250
1783
248
1837
231
1819
227
1810
223
1831
221
1815
219
1824
219
1782
218
1850
213
1786
212
1778
209
1839
207
1755
205
1765
203
1752
196
1822
195
1806
191
1816
191
1945
189
1829
186
1630
178
1781
177
1838
176
1758
163
1762
162
1738
161
1777
161
1846
159
1840
152
1779
151
1855
150
1763
148
1740
142
1776
139
1760
138
1774
135
1773
134
2000
133
1859
132
1841
129
1880
127
1893
127
On-site Access
Accessible in the Study Room
[remove]
543
Image Use
Free to Use
535
Under Certain Circumstances
8
Image Available
Available
[remove]
543
Classification
Prints
278
Drawings & Watercolors
253
Drawings & Watercolors-Miniatures
7
Books
3
Archives & Manuscripts
1
Three-Dimensional Artifacts
1
Creator Gender
male
519
unknown
40
female
6
Collective Title
Gay's Fables
70
Fables by John Gay, Vol. I
53
Sketches, Vol. 6: 152 Drawings of Isle of Wight, Canterbury, and Hampstead, etc.
39
For Children: The Gates of Paradise, Copy E
19
America. A Prophecy, Copy M
18
Fables by John Gay, Vol. II
17
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
11
Visions of the Daughters of Albion, Copy I
7
Cries of London
5
Iconographie Anglaise par Reynolds et Autres
5
Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etc.
5
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
4
Sketches, Volume IV: Drawings of Isle of Wight, Hampshire and Devon
2
Antiquities of London and Environs
1
Collection of Prints by Notable Dilettanti
1
Europe. A Prophecy, Copy A
1
The Costume of China
1
The Cries of London
1
The Seats of the Nobility and Gentry in Great Britain and Wales in a Collection of Select Views
1
Views in the Province of Kiang Nan, China
1
Period
18th century
416
18th century-19th century
80
19th century
48
Materials & Techniques
wove paper
308
graphite
189
watercolor
126
etching (printing process)
108
line engraving
100
laid paper
83
black ink
71
gray wash
32
stipple engraving
32
brown ink
26
relief etching
24
brown wash
20
gouache
18
mezzotint
17
pens
16
color printing
14
black chalk
10
aquatint
7
ivory
7
pen
7
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
72
Unknown
56
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
97
Unknown
56
Work Type
drawing
272
intaglio print
161
watercolor
160
relief print
24
miniature
6
frontispiece
4
ephemera
2
advertisement
1
albums (books)
1
ballad
1
broadside
1
engraving
1
graphite drawing
1
invoice
1
landscape drawing
1
panoramic view
1
planographic print
1
receipts (financial records)
1
seals (marks)
1
sketchbook
1
more
Work Type
»
Genre
landscape
108
architectural subject
91
literary theme
89
genre subject
74
animal art
72
portrait
39
figure study
35
historical subject
27
religious and mythological subject
26
marine art
24
cityscape
16
military art
5
sporting art
2
botanical subject
1
cartographic material
1
still life
1
Subject Terms
architectural subject
81
landscape
68
trees
65
men
48
text
40
genre subject
39
clouds
35
portrait
30
nudes
28
figures
26
historical subject
26
river
23
religious and mythological subject
21
boats
19
women
19
hills
18
correctional institution
17
prison
17
figure study
16
mountains
16
more
Subject Terms
»
Subject Period
18th century
1
Associated Places
United Kingdom
53
England
45
India
28
Ellora
22
Europe
21
London
15
City of Westminster
12
Palace of Westminster
12
Asia
9
Wales
8
Cymru
7
China
6
Karli
5
Thames
5
Cambridge
3
Cambridgeshire
3
Great Britain
3
Greater London
3
Northumberland
3
Rocca di Papa
3
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
5
Cornwallis, Charles (1738–1805), lieutenant-general
2
Bacon, Sir Nathaniel (1585–1627), painter
1
Barker, Robert, 1739–1806
1
De Sausmarez, Martha, -1849
1
Frederick Howard
1
Hastings, Francis Rawdon, first marquess of Hastings and second earl of Moira (1754–1826), army officer and politician
1
Henry VIII (1491–1547), king of England and Ireland
1
Jackson, William (fl. 1793), Excise man
1
Louis XV (1710–1774), king of France and of Navarre
1
Louis XVI (1754–1793), king of France
1
Percy, Anne (nee Goodriche), wife of Bishop Thomas Percy of Dromore
1
Pisani, Alvise, 114th doge of Venice (1505–1523)
1
Quincey, Thomas Penson De (1785–1859), essayist
1
Reynolds, Sir Joshua (1723–1792), portrait and history painter and art theorist
1
Tipu Sultan of Mysore (1750–1799)
1
Watson, Ann, active 1793
1
Watson, Nicholas, active 1793
1
Whitefoord, Caleb (1734–1810), wine merchant and diplomatist
1
demon
1
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
29
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
29
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
23
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
20
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
19
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
18
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
16
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
13
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
13
Romantics & Revolutionaries : Regency Portraits from the National Portrait Gallery (Yale Center for British Art, 2003-01-23 - 2003-03-30)
6
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
5
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
4
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
4
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
3
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
399
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD
70
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
22
Yale Center for British Art, Paul Mellon Fund
18
Yale Center for British Art
8
Yale Center for British Art; Yale University Art Gallery Collection
5
Yale Center for British Art, Gift of Ann and Kenneth Rapoport
3
Yale Center for British Art, Bequest of Richard L. Purdy
2
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
2
Yale Center for British Art, Gift of Paul F. Walter
2
Yale Center for British Art, Gift of Mr. and Mrs. Leon Korn
1
Yale Center for British Art, Gift of Robert B. Simon
1
Yale Center for British Art, Gift of William Lamson Warren, Class of 1935
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery
1
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Francis P. Garvan
1
Language
English
7
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1793
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Search Results
1
John Constable, 1776–1837
Flowers in a Pitcher
undated
2
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
3
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
4
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
5
Print made by William Blake, 1757–1827
Visions of the Daughters of Albion; Frontispiece (Plate 1)
1793
6
Print made by William Blake, 1757–1827
Visions of the Daughters of Albion; Title Page (Plate 2)
1793
7
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
8
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
9
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
10
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision (Plate 15)
1793
11
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1793
12
Print made by William Blake, 1757–1827
I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
1793
13
Print made by William Blake, 1757–1827
Fire (Plate 7)
1793
14
Print made by William Blake, 1757–1827
Air (Plate 6)
1793
15
Print made by William Blake, 1757–1827
My Son! My Son! (Plate 10)
1793
16
Print made by William Blake, 1757–1827
I Want! I Want! (Plate 11)
1793
17
Print made by William Blake, 1757–1827
Help! Help! (Plate 12)
1793
18
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1793
19
Print made by William Blake, 1757–1827
What is Man!, Frontispiece (Plate 1)
1793
20
Print made by William Blake, 1757–1827
For Children. The Gates of Paradise; Title Page (Plate 2)
1793
21
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree (Plate 3)
1793
22
Print made by William Blake, 1757–1827
Water (Plate 4)
1793
23
Print made by William Blake, 1757–1827
Earth (Plate 5)
1793
24
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell (Plate 8)
1793
25
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
26
Print made by William Blake, 1757–1827
Does Thy God O Priest Take such Vengeance as This? (Plate 14)
1793
27
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening (Plate 16)
1793
28
Print made by William Blake, 1757–1827
Europe. A Prophecy
1793, printed 1795
29
Print made by William Blake, 1757–1827
Albion's Angel; Frontispiece (Plate 1)
1793
30
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
31
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
32
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
33
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
34
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
35
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
36
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
37
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
38
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
39
Print made by William Blake, 1757–1827
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
40
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
41
Print made by William Blake, 1757–1827
Fable XXIV. The Butterfly and the Snail
1793
42
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
43
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
44
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
45
Print made by William Blake, 1757–1827
Fable XXX. The Setting-dog and the Partridge
1793
46
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
47
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
48
Prints made by William Blake, 1757–1827
For Children. The Gates of Paradise, London, by William Blake
1793
49
Prints made by William Blake, 1757–1827
Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
1793
50
Print made by William Blake, 1757–1827
America, A Prophecy; Title Page (Plate 2)
1793
51
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
52
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
53
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
54
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
55
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
56
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
57
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
58
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
59
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
60
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
61
George Romney, 1734–1802
Figure Composition Study 3
1793-1794
62
George Romney, 1734–1802
Figure Composition Study 4
1793
63
George Romney, 1734–1802
Two Figure Studies
1793
64
George Romney, 1734–1802
Figure Composition Study 48
1793
65
George Romney, 1734–1802
Figures
1793
66
George Romney, 1734–1802
Figure Supporting a Fainting Figure
1793
67
George Romney, 1734–1802
Demon Ruler and Subjects: "The Miserable Effects of War on John Bull..."
1793-1794
68
George Romney, 1734–1802
Figure Supporting a Fainting Figure
1793
69
George Romney, 1734–1802
Howard Visiting a Prison
1793
70
George Romney, 1734–1802
Howard Visiting a Prison
1793
71
George Romney, 1734–1802
Howard Visiting a Prison
1793
72
George Romney, 1734–1802
Prison Scene
1793
73
George Romney, 1734–1802
Prison Scene
1793
74
George Romney, 1734–1802
Prison Scene
1793
75
George Romney, 1734–1802
Fallen Angel, or Figure for the Flood
1793
76
George Romney, 1734–1802
Prison Scene
1793
77
George Romney, 1734–1802
Prison Scene
1793
78
George Romney, 1734–1802
Prison Scene
1793
79
George Romney, 1734–1802
Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope
1793
80
George Romney, 1734–1802
Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope
1793
81
George Romney, 1734–1802
Howard Visiting a Prison
1793
82
George Romney, 1734–1802
Prison Scene
1793
83
George Romney, 1734–1802
Prison Scene
1793
84
George Romney, 1734–1802
Prison Scene
1793
85
George Romney, 1734–1802
Prison Scene
1793
86
George Romney, 1734–1802
John Howard Visiting a Lazaretto
1793
87
George Romney, 1734–1802
John Howard Visiting a Lazaretto
1793
88
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
89
Charles Gore, 1729–1807
Ruins du Château du Heidelberg
1793
90
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
91
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
undated
92
Richard Banks Harraden, 1778–1862
Milton's Mulberry Tree, Christ's College Gardens, Cambridge
undated
93
Richard Banks Harraden, 1778–1862
Trinity Hall from the Garden, Cambridge
undated
94
George Morland, 1763–1804
Two Men on a Country Road
1793
95
Horace Hone, 1756–1825
Thomas Quincey
1793
96
pupil of John Varley, 1778–1842
Mountainous Landscape, with River Flowing to Bridge in Distance, a Figure Right
undated
97
John Varley, 1778–1842
Norwich
undated
98
David Allan, 1744–1796
The High Street of Edinburgh from the East
1793
99
David Allan, 1744–1796
View of the High Street of Edinburgh and the Commissioner
1793
100
John Varley, 1778–1842
Trees Overhanging a River
undated
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