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Date 1792

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Classification Prints

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William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
ca. 1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake Night the First. On Life, Death, and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
ca. 1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake The Complaint, and the Consolation; or, Night Thoughts
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
Christian von Mechel Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
Robert Dodd "The Indian Emperor" or "The Conquest of Mexico"
Robert Dodd, 1748–1816
"The Indian Emperor" or "The Conquest of Mexico"
1792
Joseph Constantine Stadler The Farm House
Joseph Constantine Stadler, active 1780–1812
The Farm House
1792
Francesco Bartolozzi Sir John More
Print made by Francesco Bartolozzi, 1728–1815
Sir John More
1792
Francesco Bartolozzi Katherine, Duchess of Suffolk
Print made by Francesco Bartolozzi, 1728–1815
Katherine, Duchess of Suffolk
1792
Francesco Bartolozzi Margaret, Lady Elyot
Print made by Francesco Bartolozzi, 1728–1815
Margaret, Lady Elyot
1792
Francesco Bartolozzi Jane, Lady Lister
Print made by Francesco Bartolozzi, 1728–1815
Jane, Lady Lister
1792
Francesco Bartolozzi Jane, Lady Lister
Print made by Francesco Bartolozzi, 1728–1815
Jane, Lady Lister
1792
John Eginton The Affectionate Daughter
John Eginton, active 1763–1800
The Affectionate Daughter
1792
John Eginton Setting out for the Fair
John Eginton, active 1763–1800
Setting out for the Fair
1792
Francesco Bartolozzi Sir John More
Print made by Francesco Bartolozzi, 1728–1815
Sir John More
1792
Francesco Bartolozzi Katherine, Duchess of Suffolk
Print made by Francesco Bartolozzi, 1728–1815
Katherine, Duchess of Suffolk
1792
Francesco Bartolozzi Jane, Lady Lister
Print made by Francesco Bartolozzi, 1728–1815
Jane, Lady Lister
1792
John Eginton The Fairings
John Eginton, active 1763–1800
The Fairings
1792
James Fittler The Winter's Tale, Act IV, Scene III
Print made by James Fittler, 1758–1835
The Winter's Tale, Act IV, Scene III
1792
Francesco Bartolozzi Miss Price
Print made by Francesco Bartolozzi, 1728–1815
Miss Price
1792
William Ellis The House of William Russell, Esq., Showell Green: English and French Text
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green: English and French Text
1792
Francesco Bartolozzi Mrs. Lenox
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Lenox
1792
William Ellis The House of George Humphrys, Esq., Spark Brook
William Ellis, 1747–1810
The House of George Humphrys, Esq., Spark Brook
1792
William Ellis Bordesley Hall, the Seat of John Taylor, Esq.
William Ellis, 1747–1810
Bordesley Hall, the Seat of John Taylor, Esq
1792
Isaac Cruikshank A Right Honorable (sic) Alias a sans Culotte
Isaac Cruikshank, 1764–1811
A Right Honorable (sic) Alias a sans Culotte
1792
unknown artist The Archiepiscopal Palace of Lambeth
unknown artist
The Archiepiscopal Palace of Lambeth
1792
Isaac Cruikshank A Ward of Chancery
Isaac Cruikshank, 1764–1811
A Ward of Chancery
1792
Isaac Cruikshank A Hint for an Escape at the Next Spring Meeting
Isaac Cruikshank, 1764–1811
A Hint for an Escape at the Next Spring Meeting
1792
Isaac Cruikshank The Gradual Abolition off (sic) the Slave Trade, or Leaving of Sugar by Degrees
Print made by Isaac Cruikshank, 1764–1811
The Gradual Abolition off (sic) the Slave Trade, or Leaving of Sugar by Degrees
1792
Isaac Cruikshank Mad Tom's First Practical Essay on the Rights of Man
Isaac Cruikshank, 1764–1811
Mad Tom's First Practical Essay on the Rights of Man
1792
unknown artist The Unitarian Arms
unknown artist
The Unitarian Arms
1792
Isaac Cruikshank The Bobadil disgraced, or Kate in a Rage___For Brunswicks Duke with Ninety Thousand Men, March'd into France and Then!!___and Then March'd Out Again
Isaac Cruikshank, 1764–1811
The Bobadil disgraced, or Kate in a Rage___For Brunswicks Duke with Ninety Thousand Men, March'd into France and Then!!___and Then March'd Out Again
1792
Isaac Cruikshank The Maid of Bath, or 'Mac' in her Teens
Isaac Cruikshank, 1764–1811
The Maid of Bath, or 'Mac' in her Teens
1792
James Gillray Vices overlook'd in the New Proclamation
James Gillray, 1756–1815
Vices overlook'd in the New Proclamation
1792
James Gillray John Bull Bother'd; - or - The Geese Alarming the Capitol
James Gillray, 1756–1815
John Bull Bother'd; - or - The Geese Alarming the Capitol
1792
James Gillray Design for the New Gallery of Busts and Pictures
James Gillray, 1756–1815
Design for the New Gallery of Busts and Pictures
1792
James Gillray The Bottomless-Pitt
James Gillray, 1756–1815
The Bottomless-Pitt
1792
James Gillray A Sphere, Projecting against a Plane ---
James Gillray, 1756–1815
A Sphere, Projecting against a Plane ---
1792
Samuel Howitt Herd of Eight Horses under a Tree
Samuel Howitt, 1756–1822
Herd of Eight Horses under a Tree
1792
William Ellis The House of William Russell, Esq., Showell Green
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green
1792
William Ellis Baskerville House, the Residence of John Ryland, Esq.
William Ellis, 1747–1810
Baskerville House, the Residence of John Ryland, Esq
1792
William Ellis The New Meeting
William Ellis, 1747–1810
The New Meeting
1792
William Ellis Beddington
William Ellis, 1747–1810
Beddington
1792
Francesco Bartolozzi Ticket for the Benefit of Mr. Dragonetti
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Dragonetti
1792
Francesco Bartolozzi Ticket for the Brandenbourg House Masquerade
Francesco Bartolozzi, 1728–1815
Ticket for the Brandenbourg House Masquerade
ca. 1797
unknown artist The Savoy in 1650 (after Hollar), and As it is at Present, 1792
unknown artist
The Savoy in 1650 (after Hollar), and As it is at Present, 1792
1792
unknown artist View in Margaret Street
unknown artist
View in Margaret Street
1792
Isaac Cruikshank Galic Perfidy, or the National Troops Attachment to their General after their Defeat at Tournay
Isaac Cruikshank, 1764–1811
Galic Perfidy, or the National Troops Attachment to their General after their Defeat at Tournay
1792
Isaac Cruikshank The Antiquities of Malmsbury
Isaac Cruikshank, 1764–1811
The Antiquities of Malmsbury
1792
Richard Newton A Shot at a Cock; or, An Alarm of Assassination
Richard Newton, 1777–1798
A Shot at a Cock; or, An Alarm of Assassination
1792
Isaac Cruikshank A German Howl or the Emigrant Princes Bemoaning the Loss of Their Dearest Friend
Isaac Cruikshank, 1764–1811
A German Howl or the Emigrant Princes Bemoaning the Loss of Their Dearest Friend
1792
William Dent A Promising Budget, Or, John Bull
William Dent, active 1784–1793
A Promising Budget, Or, John Bull
1792
William Dent Jacobine Wigs, Or, Good Night To The Party
William Dent, active 1784–1793
Jacobine Wigs, Or, Good Night To The Party
1792
William Dent French Liberality, Or, An attempt to conquer all the world by being too civil by half
William Dent, active 1784–1793
French Liberality, Or, An attempt to conquer all the world by being too civil by half
1792
unknown artist Duke Manifesto's Triumphant Entry into Paris, and Introduction to the Lady President of the Fishwomen, with the Presenting him with a Helmet of New Construction, being the Free Will offering of her Ladyships Bum Battery
unknown artist
Duke Manifesto's Triumphant Entry into Paris, and Introduction to the Lady President of the Fishwomen, with the Presenting him with a Helmet of New Construction, being the Free Will offering of her Ladyships Bum Battery
1792
William Dent The Fall of Wolsey, or, turning a Great Man out of Office.
Print made by William Dent, active 1784–1793
The Fall of Wolsey, or, turning a Great Man out of Office
1792
William Dent Interview and Consultation for Discharge of Debts, or, C-RL-T-N House in Want of Necessary Furniture
Print made by William Dent, active 1784–1793
Interview and Consultation for Discharge of Debts, or, C-RL-T-N House in Want of Necessary Furniture
1792
William Dent Industry, The best way to Secure Liberty and preserve Order
Print made by William Dent, active 1784–1793
Industry, The best way to Secure Liberty and preserve Order
1792
William Dent French Ambassador
William Dent, active 1784–1793
French Ambassador
1792
John Chapman Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II
John Chapman, active ca. 1792–1823
Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II
1792
Thomas Cheesman The Supposed Death of Imogen, 'Cymbeline,' Act IV, Scene IV
Print made by Thomas Cheesman, 1760–1834/35
The Supposed Death of Imogen, 'Cymbeline,' Act IV, Scene IV
1792
John Chapman Rosalind, Celia and Touchstone - "As You Like It," Act II, Scene III
John Chapman, active ca. 1792–1823
Rosalind, Celia and Touchstone - "As You Like It," Act II, Scene III
1792
John Chapman Helena in the Dress of a Pilgrim - "All's Well That Eends Well," Act III, Scene V
John Chapman, active ca. 1792–1823
Helena in the Dress of a Pilgrim - "All's Well That Eends Well," Act III, Scene V
1792