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On-site Access Accessible in the Study Room

Date 1792

Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry

Joseph Mallord William Turner, 1775–1851

Man with Horse and Cart Entering a Quarry

ca. 1797

Joseph Mallord William Turner St. Augustine's Gate, Canterbury

Joseph Mallord William Turner, 1775–1851

St. Augustine's Gate, Canterbury

between 1792 and 1793

Joseph Mallord William Turner North East View of Grantham Church, Lincolnshire

Joseph Mallord William Turner, 1775–1851

North East View of Grantham Church, Lincolnshire

ca. 1797

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

ca. 1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

ca. 1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

ca. 1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

ca. 1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

William Blake 'The thunder if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder if in that the Almighty dwells' (Page 80)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

ca. 1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

ca. 1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

ca. 1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

ca. 1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake Night the First. On Life, Death, and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death, and Immortality; Title Page

ca. 1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

ca. 1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

ca. 1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

ca. 1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

ca. 1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

ca. 1797

William Blake The Complaint, and the Consolation; or, Night Thoughts

Print made by William Blake, 1757–1827

The Complaint, and the Consolation; or, Night Thoughts

ca. 1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

George Romney The Witches' Cavern

George Romney, 1734–1802

The Witches' Cavern

1792-1793

John Nash Corsham Court, Wiltshire: Elevation of the North Front

John Nash, 1752–1835

Corsham Court, Wiltshire: Elevation of the North Front

ca. 1797

George Morland A Man Lifting a Trunk, Two studies on one sheet

George Morland, 1763–1804

A Man Lifting a Trunk, Two studies on one sheet

1792

Robert Dodd "The Indian Emperor" or "The Conquest of Mexico"

Print made by Robert Dodd, 1748–1816

"The Indian Emperor" or "The Conquest of Mexico"

1792

John Bogle Robert Graham of Gartmore, later Cunninghame Graham

John Bogle, 1746–1804

Robert Graham of Gartmore, later Cunninghame Graham

1792

Andrew Robertson Lady Bective

Andrew Robertson, 1777–1845

Lady Bective

undated

Lieutenant James Hunter Tipu Sultan's Summer Palace

Lieutenant James Hunter, died 1792

Tipu Sultan's Summer Palace

1792

John Thirtle Castle Acre Priory

John Thirtle, 1777–1839

Castle Acre Priory

undated

Thomas Girtin The Guildhall, Exeter

Thomas Girtin, 1775–1802

The Guildhall, Exeter

ca. 1797

William Alexander A Raree Show

William Alexander, 1767–1816

A Raree Show

between 1792 and 1793

George Walker Uncle George in the Dress of a Highland Herdsman

George Walker, active 1792–died 1795

Uncle George in the Dress of a Highland Herdsman

undated

George Walker Rural Scene

George Walker, active 1792–died 1795

Rural Scene

undated

George Walker Man Haranguing a Gatepost

George Walker, active 1792–died 1795

Man Haranguing a Gatepost

undated

George Walker Scotsman with Sword; Modern Dress of a Highland Chieftan

George Walker, active 1792–died 1795

Scotsman with Sword; Modern Dress of a Highland Chieftan

undated

George Walker Figure Sketches

George Walker, active 1792–died 1795

Figure Sketches

undated

George Walker Industrious Jenny

George Walker, active 1792–died 1795

Industrious Jenny

undated

John Thirtle Bridgnorth

John Thirtle, 1777–1839

Bridgnorth

undated

Rev. William Henry Barnard The Coal Wharf, Oxford

Rev. William Henry Barnard, 1767–1818

The Coal Wharf, Oxford

1792

Rev. William Henry Barnard The River at Dusk, Oxford

Rev. William Henry Barnard, 1767–1818

The River at Dusk, Oxford

1792

John Glover River with Fishermen

John Glover, 1767–1849

River with Fishermen

1792

Joseph Constantine Stadler The Farm House

Joseph Constantine Stadler, active 1780–1812

The Farm House

1792

John Thirtle A View of Waltham Abbey, Herts, Essex

John Thirtle, 1777–1839

A View of Waltham Abbey, Herts, Essex

undated

unknown artist Thomas Graves

unknown artist

Thomas Graves

c.1792

John Young Philip Affleck, Esq.

John Young, 1755–1825

Philip Affleck, Esq

1792

George Saunders Monument for Sir Joshua Reynolds

George Saunders, c.1762–1839

Monument for Sir Joshua Reynolds

1792

Thomas Trotter Dr. Samuel Johnson

Thomas Trotter, ca. 1750–1803

Dr. Samuel Johnson

1792

Francesco Bartolozzi Funeral Card of Sir Joshua Reynolds

Print made by Francesco Bartolozzi, 1728–1815

Funeral Card of Sir Joshua Reynolds

1792

John Chapman Rosalind, Celia and Touchstone - "As You Like It," Act II, Scene III

John Chapman, active ca. 1792–1823

Rosalind, Celia and Touchstone - "As You Like It," Act II, Scene III

1792

John Chapman Helena in the Dress of a Pilgrim - "All's Well That Eends Well," Act III, Scene V

John Chapman, active ca. 1792–1823

Helena in the Dress of a Pilgrim - "All's Well That Eends Well," Act III, Scene V

1792

John Chapman Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II

John Chapman, active ca. 1792–1823

Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II

1792

unknown artist Macbeth and the Murderers - "Macbeth," Act III, Scene I

unknown artist

Macbeth and the Murderers - "Macbeth," Act III, Scene I

1792

Thomas Cheesman The Supposed Death of Imogen, 'Cymbeline,' Act IV, Scene IV

Print made by Thomas Cheesman, 1760–1834/35

The Supposed Death of Imogen, 'Cymbeline,' Act IV, Scene IV

1792

Francis Legat "King Lear", Act V, Scene III

Francis Legat, 1755–1809

"King Lear", Act V, Scene III

1792

Peltro W. Tomkins Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III

Peltro W. Tomkins, 1760–1840

Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III

1792

unknown artist Falstaff Reproved by King Henry

unknown artist

Falstaff Reproved by King Henry

1792

John Massey Wright Pirates

John Massey Wright, 1777–1866

Pirates

undated

John Thirtle Richmond Castle, Yorkshire

follower of John Thirtle, 1777–1839

Richmond Castle, Yorkshire

undated

John Thirtle Near the Ferry going to Gott's, Leeds

attributed to John Thirtle, 1777–1839

Near the Ferry going to Gott's, Leeds

undated

Sir Robert Ker Porter Near Mallwyd on the Dovey

Sir Robert Ker Porter, 1777–1842

Near Mallwyd on the Dovey

undated

John Thirtle Fye Bridge, Norwich

John Thirtle, 1777–1839

Fye Bridge, Norwich

undated

John Thirtle A Church Porch

John Thirtle, 1777–1839

A Church Porch

undated

John Massey Wright Falstaff Disguised as Herne

John Massey Wright, 1777–1866

Falstaff Disguised as Herne

undated

J. S. Barth River Scene with Waterfall and High Trees

J. S. Barth, active 1797–1809

River Scene with Waterfall and High Trees

1792

Gangaram Chintaman Navgire Tambat Two Jeyties Wrestling

Gangaram Chintaman Navgire Tambat, active 1790s

Two Jeyties Wrestling

1792

John Chapman Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II

John Chapman, active ca. 1792–1823

Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II

1792

William Gmelin Vue des Petites Cascatelles a Tivoli

William Gmelin, 1745–1821

Vue des Petites Cascatelles a Tivoli

1792

Julius Caesar Ibbetson Haymaking

Julius Caesar Ibbetson, 1759–1817

Haymaking

1792

unknown artist Falstaff reproved by King Henry

unknown artist

Falstaff reproved by King Henry

1792

George Townly Stubbs [Fox-hunting] Two Hunters / Belonging to Henry U. Reay of Burn Hall in the County of Durham ....

George Townly Stubbs, 1748–1815

[Fox-hunting] Two Hunters / Belonging to Henry U. Reay of Burn Hall in the County of Durham ...

1792

Francesco Bartolozzi To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting

Print made by Francesco Bartolozzi, 1728–1815

To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting

1792

John Thirtle Young Girl Sitting on a Bank outside a Church

John Thirtle, 1777–1839

Young Girl Sitting on a Bank outside a Church

undated

John Thirtle An Old Fisherman Repairing Nets with a Cottage in the Background

John Thirtle, 1777–1839

An Old Fisherman Repairing Nets with a Cottage in the Background

undated

Richard Earlom Colonel Mordaunt's Cock Match

Print made by Richard Earlom, 1743–1822

Colonel Mordaunt's Cock Match

1792

Richard Earlom Colonel Mordaunt's Cock Match

Print made by Richard Earlom, 1743–1822

Colonel Mordaunt's Cock Match

1792

George Morland The Farmer's Stable

George Morland, 1763–1804

The Farmer's Stable

1792

Gangaram Chintaman Navgire Tambat Two Jeyties

Gangaram Chintaman Navgire Tambat, active 1790s

Two Jeyties

1792

James Wales Krishna and Radha

James Wales, 1747–1795

Krishna and Radha

1792 to 1795

Thomas Rowlandson A Pier at Amsterdam (Version A)

Thomas Rowlandson, 1756–1827

A Pier at Amsterdam (Version A)

1792