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2501. Satan Going Forth from the Presence of the Lord and Job's Charity

Satan Going Forth from the Presence of the Lord and Job's Charity
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2502. Job's Despair

Job's Despair
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2503. Job's Comforters

Job's Comforters
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2504. The Fall of Satan

The Fall of Satan
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2505. Every One also Gave Him a Piece of Money

Every One also Gave Him a Piece of Money
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2506. Job and His Daughters

Job and His Daughters
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2507. Job's Sacrifice

Job's Sacrifice
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2508. Job and His Family

Job and His Family
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2509. Satan Smiting Job with Sore Boils

Satan Smiting Job with Sore Boils
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2510. Job's Evil Dreams

Job's Evil Dreams
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2511. The Vision of Eliphaz

The Vision of Eliphaz
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2512. Job Rebuked by His Friends

Job Rebuked by His Friends
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2513. The Wrath of Elihu

The Wrath of Elihu
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2514. The Lord Answering Job out of the Whirlwind

The Lord Answering Job out of the Whirlwind
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2515. Behemoth and Leviathan

Behemoth and Leviathan
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2516. The Vision of Christ

The Vision of Christ
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2517. When the Morning Stars Sang Together

When the Morning Stars Sang Together
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2518. Job and His Family Restored to Prosperity

Job and His Family Restored to Prosperity
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2519. Illustrations of the Book of Job, Cover

Illustrations of the Book of Job, Cover
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

2520. A Woody Landscape

A Woody Landscape
Creator:
William Blake, 1757–1827
Date:
ca. 1801
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/8 x 9 inches (14.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2521. Albion Compelling the Four Zoas to Their Proper Tasks

Albion Compelling the Four Zoas to Their Proper Tasks
Creator:
William Blake, 1757–1827
Date:
1804 to 1810
Materials & Techniques:
Graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 12 1/4 inches (25.1 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

2522. Mary Magdalen at the Sepulchre

Mary Magdalen at the Sepulchre
Creator:
William Blake, 1757–1827
Date:
ca. 1805
Materials & Techniques:
Watercolor with pen and black ink and gray ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 17 1/4 x 12 1/4 inches (43.8 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2523. A Visionary Head

A Visionary Head
Creator:
William Blake, 1757–1827
Date:
1819 to 1820
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 5/8 inches (19.1 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2524. Five Visionary Heads of Women

Five Visionary Heads of Women
Creator:
William Blake, 1757–1827
Date:
1819 to 1820
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 10 5/8 x 12 3/4 inches (27 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2525. Socrates, a Visionary Head

Socrates, a Visionary Head
Creator:
William Blake, 1757–1827
Date:
ca. 1820
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 7 1/4 inches (22.5 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2526. A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.
Creator:
Print made by William Blake, 1757–1827
Date:
1804
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 11 1/2 inches (29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2527. Publius Virgilius Maro

Publius Virgilius Maro
Creator:
Print made by William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2528. Thomas Hayley the Disciple of John Flaxman, from a Medallion

Thomas Hayley the Disciple of John Flaxman, from a Medallion
Creator:
Print made by William Blake, 1757–1827
Date:
1800
Materials & Techniques:
Engraving
Dimensions:
Plate: 7 3/4 x 6 1/2in. (19.7 x 16.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2529. Beggar's Opera, Act III

Beggar's Opera, Act III
Creator:
William Blake, 1757–1827
Date:
c.1790
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 7/16 x 22 9/16in. (44.3 x 57.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2530. Thomas Hayley the Disciple of John Flaxman, from a Medallion

Thomas Hayley the Disciple of John Flaxman, from a Medallion
Creator:
Print made by William Blake, 1757–1827
Date:
1800
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 5/16 x 8 11/16 inches (28.7 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2531. The Death of Demosthenes

The Death of Demosthenes
Creator:
Print made by William Blake, 1757–1827
Date:
1800
Materials & Techniques:
Engraving
Dimensions:
Plate: 7 3/4 x 6 1/2in. (19.7 x 16.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2532. Pericles, Frontispiece

Pericles, Frontispiece
Creator:
Print made by William Blake, 1757–1827
Date:
1800
Materials & Techniques:
Engraving
Dimensions:
Plate: 7 3/4 x 6 1/2in. (19.7 x 16.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2533. Job Rebuked by His Friends

Job Rebuked by His Friends
Creator:
Print made by William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 7/8 inches (37.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2534. Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows

Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
Creator:
Prints made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Volume of 11 relief etchings printed in green ink, with hand coloring in watercolor
Dimensions:
Spine: 14in. (35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2535. There is No Natural Religion

There is No Natural Religion
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Bound volume of color-printed relief etchings, several with watercolor
Dimensions:
Spine: 5 1/2in. (14cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2536. For the Sexes: The Gates of Paradise, London, 1826

For the Sexes: The Gates of Paradise, London, 1826
Creator:
Prints made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Bound volume of twenty engravings
Dimensions:
Spine: 13 3/4in. (34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2537. A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.
Creator:
Print made by William Blake, 1757–1827
Date:
1804
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 11 1/2 inches (29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2538. Abraham and Isaac

Abraham and Isaac
Creator:
William Blake, 1757–1827
Date:
1799 to 1800
Materials & Techniques:
Tempera and pen and black ink on canvas
Dimensions:
Sheet: 10 1/2 x 15 1/2 inches (26.7 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2539. I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2540. Tiriel Supporting the Dying Myratana and Cursing His Sons

Tiriel Supporting the Dying Myratana and Cursing His Sons
Creator:
William Blake, 1757–1827
Date:
1786 to 1789
Materials & Techniques:
Pen and black ink with gray wash and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 10 3/4 inches (18.7 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2541. The Widow Embracing Her Husband's Grave

The Widow Embracing Her Husband's Grave
Creator:
William Blake, 1757–1827
Date:
1805 to 1808
Materials & Techniques:
Pen and gray ink with graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 x 8 1/8 inches (15.2 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2542. The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
Creator:
William Blake, 1757–1827
Date:
1805 to 1808
Materials & Techniques:
Graphite and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 3/16 × 12 1/2 inches (46.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2543. Illustrations of Imitation of Eclogue I, Frontispiece

Illustrations of Imitation of Eclogue I, Frontispiece
Creator:
William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2544. Fable VI. The Miser and Plutus

Fable VI. The Miser and Plutus
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

2545. Fable XXVIII. The Persian, the Sun, and the Cloud

Fable XXVIII. The Persian, the Sun, and the Cloud
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

2546. Fable XXX. The Setting-dog and the Partridge

Fable XXX. The Setting-dog and the Partridge
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

2547. Fable XLI. The Owl and the Farmer

Fable XLI. The Owl and the Farmer
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

2548. 'Till at Death's toll, whose restless iron tongue' (Page 7)

'Till at Death's toll, whose restless iron tongue' (Page 7)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2549. 'The longest night though longer far, would fail' (Page 15)

'The longest night though longer far, would fail' (Page 15)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2550. 'We censure nature for a span too short' (Page 23)

'We censure nature for a span too short' (Page 23)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2551. Thomas Alphonso Hayley, Half-Length Drawing

Thomas Alphonso Hayley, Half-Length Drawing
Creator:
attributed to William Blake, 1757–1827
Date:
ca. 1800
Materials & Techniques:
Graphite and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 x 5 1/4 inches (17.1 x 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Charles Rosenbloom

2552. An Angel with a Trumpet

An Angel with a Trumpet
Creator:
William Blake, 1757–1827
Date:
between 1805 and 1808
Materials & Techniques:
Graphite, watercolor, and pen and black ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/4 x 4 1/8 inches (19.7 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2553. Study for a Destroying Deity

Study for a Destroying Deity
Creator:
William Blake, 1757–1827
Date:
1820 to 1825
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 17 3/4 × 24 inches (45.1 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2554. The Parable of the Wise and Foolish Virgins

The Parable of the Wise and Foolish Virgins
Creator:
William Blake, 1757–1827
Date:
ca. 1825
Materials & Techniques:
Watercolor with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 16 5/8 x 13 7/8 inches (42.2 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2555. Christ Appearing to the Apostles after the Resurrection

Christ Appearing to the Apostles after the Resurrection
Creator:
Print made by William Blake, 1757–1827
Date:
1795 to 1805
Materials & Techniques:
Color monotype, watercolor, pen and black ink and varnish on moderately textured wove paper
Dimensions:
Sheet: 17 x 22 1/2 inches (43.2 x 57.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Purchased 1929

2556. The Man Sweeping the Interpreter's Parlour

The Man Sweeping the Interpreter's Parlour
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1822
Materials & Techniques:
White-line metal cut engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 x 9 1/8 inches (17.8 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2557. Pity

Pity
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1795
Materials & Techniques:
Color printed monotype, with watercolor, pen and black ink, and varnish on moderately textured wove paper
Dimensions:
Sheet: 16 1/4 x 20 1/4 inches (41.3 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2558. Fable XXIV. The Butterfly and the Snail

Fable XXIV. The Butterfly and the Snail
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

2559. Fable I. The Dog and the Fox

Fable I. The Dog and the Fox
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

2560. Fable XII. Pan and Fortune

Fable XII. Pan and Fortune
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

2561. Fable XVI. The Ravens, the Sexton, and the Earth-Worm

Fable XVI. The Ravens, the Sexton, and the Earth-Worm
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

2562. Christ Giving Sight to Bartimaeus

Christ Giving Sight to Bartimaeus
Creator:
William Blake, 1757–1827
Date:
1799 to 1800
Materials & Techniques:
Tempera with pen and black ink on canvas
Dimensions:
Sheet: 10 1/4 x 15 inches (26 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2563. Satan Approaching the Court of Chaos

Satan Approaching the Court of Chaos
Creator:
William Blake, 1757–1827
Date:
1784 to 1785
Materials & Techniques:
Graphite with pen and gray ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 x 13 1/4 inches (23.5 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2564. Moses Receiving the Law

Moses Receiving the Law
Creator:
William Blake, 1757–1827
Date:
ca. 1780
Materials & Techniques:
Pen and black ink with gray wash, black wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 26 x 12 1/4 inches (66 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2565. The Entrance Front of Hayley's House at Eartham

The Entrance Front of Hayley's House at Eartham
Creator:
William Blake, 1757–1827
Date:
1801
Materials & Techniques:
Pen and black ink with watercolor and graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 5 1/2 x 9 inches (14 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2566. Sealing the Stone and Setting a Watch

Sealing the Stone and Setting a Watch
Creator:
William Blake, 1757–1827
Date:
1800 to 1803
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, wove paper
Dimensions:
Sheet: 20 × 16 15/16 inches (50.8 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901 Fund

2567. Landscape with Spire

Landscape with Spire
Creator:
William Blake, 1757–1827
Date:
ca. 1801
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 x 8 7/8 inches (15.6 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2568. Joseph and Potiphar's Wife

Joseph and Potiphar's Wife
Creator:
William Blake, 1757–1827
Date:
1803 to 1805
Materials & Techniques:
Watercolor, with pen, and black ink gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 1/16 × 12 1/2 inches (35.7 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2569. Copy of the Laocoön, for Rees's Cyclopædia

Copy of the Laocoön, for Rees's Cyclopædia
Creator:
William Blake, 1757–1827
Date:
1815
Materials & Techniques:
Graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 5/8 × 9 inches (32.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2570. Introduction to the Fables, The Shepherd and the Philosopher

Introduction to the Fables, The Shepherd and the Philosopher
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

2571. Fable XIII. The Tame Stag

Fable XIII. The Tame Stag
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

2572. Fable XVI. The Pin and the Needle

Fable XVI. The Pin and the Needle
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

2573. Fable XXII. The Goat Without a Beard

Fable XXII. The Goat Without a Beard
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

2574. 'Behold him, when past by; what then is seen' (Page 25)

'Behold him, when past by; what then is seen' (Page 25)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2575. Estuary Evening

Estuary Evening
Creator:
Louis Munro Grier, 1864–1920
Date:
ca. 1900
Materials & Techniques:
Oil on canvas
Dimensions:
Overall: 25 × 59 inches (63.5 × 149.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Lois Severini and Enrique Foster Gittes, Yale BA 1961

2576. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
Date:
1802
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2577. Dust Storm Coming On, near Jeypore, Rajpootana

Dust Storm Coming On, near Jeypore, Rajpootana
Creator:
William Simpson, 1823–1899
Date:
1863
Materials & Techniques:
Watercolor and gouache over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 × 20 inches (35.5 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2578. Study for the View of Cambridge from Castle Hill

Study for the View of Cambridge from Castle Hill
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Brown ink over graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 14 × 21 7/8 inches (35.6 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2579. Album of Landscape and Figure Studies: Sketch of Trees and Rocks

Album of Landscape and Figure Studies: Sketch of Trees and Rocks
Creator:
Thomas Bradshaw, Born 1767
Date:
1811 to 1813
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2580. Album of Landscape and Figure Studies: Study of Trees and Shrubs

Album of Landscape and Figure Studies: Study of Trees and Shrubs
Creator:
Thomas Bradshaw, Born 1767
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2581. Album of Landscape and Figure Studies: Sketch of Two Cows

Album of Landscape and Figure Studies: Sketch of Two Cows
Creator:
Thomas Bradshaw, Born 1767
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2582. Album of Landscape and Figure Studies: Rural Scene with Houses and a Hunter and His Dog

Album of Landscape and Figure Studies: Rural Scene with Houses and a Hunter and His Dog
Creator:
Thomas Bradshaw, Born 1767
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2583. Album of Landscape and Figure Studies: Rural Landscape with a Bridge

Album of Landscape and Figure Studies: Rural Landscape with a Bridge
Creator:
Thomas Bradshaw, Born 1767
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2584. Album of Landscapes and Figure Studies: Two Cows Resting

Album of Landscapes and Figure Studies: Two Cows Resting
Creator:
Thomas Bradshaw, Born 1767
Materials & Techniques:
Graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2585. Album of Landscape and Figure Studies: Rural Scene with Church

Album of Landscape and Figure Studies: Rural Scene with Church
Creator:
Thomas Bradshaw, Born 1767
Materials & Techniques:
Watercolor; verso: graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2586. A Cornfield

A Cornfield
Creator:
Paul Sandby Munn, 1773–1845
Date:
1823
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 9 1/4 inches (17.8 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2587. Rustic Scene: man fishing, left; cottage with water-mill and horses right

Rustic Scene: man fishing, left; cottage with water-mill and horses right
Creator:
Peter La Cave, active 1769–1810
Date:
undated
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, white wove paper
Dimensions:
Sheet: 7 1/2 × 14 7/8 inches (19.1 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2588. Composition: two travellers and a dog on a road passing cottages, with ruins on a hill

Composition: two travellers and a dog on a road passing cottages, with ruins on a hill
Creator:
Peter La Cave, active 1769–1810
Date:
1799
Materials & Techniques:
Watercolor, pen and black ink on medium, slightly textured, wove paper
Dimensions:
Sheet: 4 1/2 × 5 7/8 inches (11.4 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2589. Mountain Landscape: with cows and goats foreground and figures, left

Mountain Landscape: with cows and goats foreground and figures, left
Creator:
Peter La Cave, active 1769–1810
Date:
1801
Materials & Techniques:
Watercolor, pen and black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/2 × 10 1/8 inches (19.1 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2590. The Back of a Farm House

The Back of a Farm House
Creator:
Thomas Hearne, 1744–1817
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 x 7 inches (20.3 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2591. Landscape waith Figures, Cromach Water

Landscape waith Figures, Cromach Water
Creator:
Paul Sandby Munn, 1773–1845
Date:
1805
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 6 3/4 inches (21.3 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2592. The Ganges

The Ganges
Creator:
William Simpson, 1823–1899
Date:
1863
Materials & Techniques:
Watercolor and gouache over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 14 1/2 x 20 5/8 inches (36.8 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2593. Landscape at Beddgelert, North Wales

Landscape at Beddgelert, North Wales
Creator:
Paul Sandby Munn, 1773–1845
Date:
1832
Materials & Techniques:
Graphite and watercolor on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 7/8 × 9 1/2 inches (12.4 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2594. Dunster Castle, Somerset

Dunster Castle, Somerset
Creator:
Joseph Powell, 1780–1834
Date:
undated
Materials & Techniques:
Sepia wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 10 5/8 inches (17.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2595. St. John's College, Oxford

St. John's College, Oxford
Creator:
Alfred William Rich, 1856–1921
Date:
undated
Materials & Techniques:
Watercolor, graphite, and red pencil on thick, rough, cream wove paper
Dimensions:
Sheet: 9 1/2 × 11 7/8 inches (24.1 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2596. Landscape with a Distant View of London

Landscape with a Distant View of London
Creator:
John Henry Campbell, 1757–1829
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 x 9 1/8in. (17.8 x 23.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2597. Clare Castle, Suffolk

Clare Castle, Suffolk
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
between 1797 and 1800
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 1/4 x 8 3/8 inches (15.9 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2598. Maxstoke Priory, Warwickshire

Maxstoke Priory, Warwickshire
Creator:
John Inigo Richards, 1730/31?–1810
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/8 × 9 1/8 inches (14.9 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2599. Trees, with a Man Crossing a Footbridge

Trees, with a Man Crossing a Footbridge
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor on thick, slightly textured card
Dimensions:
Sheet: 9 5/8 x 7 1/8 inches (24.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2600. Brook End, Essex

Brook End, Essex
Creator:
Paul Sandby, 1731–1809
Date:
between 1795 and 1809
Materials & Techniques:
Watercolor, graphite and gouache on medium, slightly textured laid paper
Dimensions:
Sheet: 6 3/8 x 8 inches (16.2 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection