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William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake A Poison Tree (Plate 41)
Print made by William Blake, 1757–1827
A Poison Tree (Plate 41)
1794
William Blake I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
Print made by William Blake, 1757–1827
I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
1793
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake Holy Thursday (Plate 38)
Print made by William Blake, 1757–1827
Holy Thursday (Plate 38)
1794
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "His Children exil'd from his breast..." (Plate 19)
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
William Blake "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
William Blake Title Page. America, A Prophecy (Plate 2)
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
William Blake Chapter IV, "Los smitten with astonishment..." (Plate 12)
Print made by William Blake, 1757–1827
Chapter IV, "Los smitten with astonishment..." (Plate 12)
1794
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake "I have said to the Worm: Thou art my mother & my sister" (Plate 18)
Print made by William Blake, 1757–1827
"I have said to the Worm: Thou art my mother & my sister" (Plate 18)
1826
William Blake "Condens'd his Emanations..." (Plate 9)
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
William Blake A Welch Bard (Design 53)
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
William Blake "What time the thirteen Governors that England sent convene..." (Plate 15)
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
William Blake A Standard Bearer Fainting in the Routed Battle (Design 87)
William Blake, 1757–1827
A Standard Bearer Fainting in the Routed Battle (Design 87)
between 1797 and 1798
William Blake The Bard Singing Owen's Praise (Design 89)
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
William Blake "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
William Blake "Hurry, hurry, to the field!" Design 75)
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
William Blake "We the reins to slaughter give..." (Design 73)
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
William Blake "Albion cold lays on his Rock..." (Plate 94)
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
Robert Mabon Flamingo
Robert Mabon, died 1798
Flamingo
undated
Myles Birket Foster Study of Fish, Venice
Myles Birket Foster, 1825–1899
Study of Fish, Venice
1874
John Martin The Raising of Lazarus
attributed to John Martin, 1789–1854
The Raising of Lazarus
undated
William Henry Hunt A Dead Hare and a Cooked Lobster on a Bench
William Henry Hunt, 1790–1864
A Dead Hare and a Cooked Lobster on a Bench
ca. 1827
William Henry Hunt A Fallen Oak
attributed to William Henry Hunt, 1790–1864
A Fallen Oak
ca. 1815
James Northcote Study for Burying the Royal Children
James Northcote, 1746–1831
Study for Burying the Royal Children
ca. 1790
Henry William Bunbury Falstaff Carrying Dead Hotspur
Henry William Bunbury, 1750–1811
Falstaff Carrying Dead Hotspur
undated
Gavin Hamilton Andromache Mourning the Death of Hector
Gavin Hamilton, 1723–1798
Andromache Mourning the Death of Hector
between 1760 and 1763
Richard Bentley A Prospect of Vapourland
Richard Bentley, 1708–1782
A Prospect of Vapourland
1759
Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act II, Scene IV
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene IV
undated
Jake Chapman Untitled
Jake Chapman, born 1966
Untitled
1999
Simon François Ravenet Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
Simon François Ravenet, 1706–1774
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
1753
William Woollett Ceyx and Alcyone
William Woollett, 1735–1785
Ceyx and Alcyone
1769
unknown artist The Battle of Taniers, Part Second
Print made by unknown artist
The Battle of Taniers, Part Second
undated
Thomas Stothard December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
Thomas Stothard, 1755–1834
December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
undated
John Bell The City of the Pestilence
Print made by John Bell, 1811–1895
The City of the Pestilence
between 1826 and 1852
Richard Parkes Bonington Les Pendus
Print made by Richard Parkes Bonington, 1802–1828
Les Pendus
ca. 1826
William Woollett Celadon and Amelia
Print made by William Woollett, 1735–1785
Celadon and Amelia
1766
William Skelton Richard III: Act IV, Scene III, Tower of London
Print made by William Skelton, 1763–1848
Richard III: Act IV, Scene III, Tower of London
1795
Benjamin Robert Haydon The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
Benjamin Robert Haydon The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
between 1809 and 1811
Benjamin Robert Haydon The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
between 1809 and 1811
Benjamin Robert Haydon The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
unknown artist The Battle of Ramillies MDCCVI
Print made by unknown artist
The Battle of Ramillies MDCCVI
undated
Thomas Rowlandson A Gibbet
Thomas Rowlandson, 1756–1827
A Gibbet
undated
Robert Hills The Fallen Tree
Robert Hills, 1769–1844
The Fallen Tree
1804
Edward J. Portbury The Hindoo Mother
Print made by Edward J. Portbury, 1795–1885
The Hindoo Mother
1858
Sawrey Gilpin Study of a Dead Woodcock and Another Bird
Sawrey Gilpin, 1733–1807
Study of a Dead Woodcock and Another Bird
undated
Yinka Shonibare CBE Fake Death Picture (Death of Chatterton - Henry Wallis)
Yinka Shonibare CBE, born 1962
Fake Death Picture (Death of Chatterton - Henry Wallis)
2011
Mary Hoare Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
Mary Hoare, 1744–1820
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
1780
Andrew Geddes Dead Hare
Andrew Geddes, 1783–1844
Dead Hare
undated