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On-site Access Accessible by appointment in the Study Room
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1
- Two Bottles and Glass
- 1967 (1973)
2
- The Meet
- 1898-1899
3
- Who-o-p!
- 1898-1899
4
- The Sepulchre
- etching begun ca. 1800; impression printed in 1924
5
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
6
- Opening the Fold
- 1880
7
- A Horse Affrighted by a Lion
- 1788
8
- Plate VII, Human Body, Lateral View
- 1804
9
- The Straw Yard
- 1808
10
- The Stork and Aqueduct
- between 1813 and 1823
11
- Sheep-Washing, Windsor
- between 1813 and 1823
12
- Mer de Glace, Valley of Chamouni, Savoy
- 1812
13
- Lorius Domicella / Black-capped Lorry (Plate 37)
- 1832
14
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
15
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797
16
- 'That touch, with charm celestial heals the soul' (Page 90)
- ca. 1797
17
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
18
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
19
- 'When faith is virtue, reason makes it so' (Page 92)
- ca. 1797
20
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
21
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
22
- 'And vapid; sense and reason shew the door' (Page 72)
- ca. 1797
23
- 'If angels tremble, 'tis at such a sight' (Page 93)
- ca. 1797
24
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
25
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
26
- Night the Third. Narcissa; Title Page
- ca. 1797
27
- The Complaint, and the Consolation; or, Night Thoughts
- ca. 1797
28
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
29
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
30
- 'We censure nature for a span too short' (Page 23)
- 1797
31
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
32
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
33
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
34
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
35
- 'Death! great proprietor of all! 'tis thine' (Page 8)
- 1797
36
- 'Disease invades the chastest temperence' (Page 10)
- 1797
37
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
38
- 'The present moment terminates our sight' (Page 13)
- 1797
39
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- 1797
40
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
41
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
42
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
43
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
44
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
45
- Night the Third. Narcissa; Title Page
- 1797
46
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
47
- The Christian Triumph; Title Page
- 1797
48
- Night the First. On Life, Death and Immortality; Title Page
- 1797
49
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
50
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
51
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
52
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
53
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
54
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
55
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
56
- 'That touch, with charm celestial heals the soul' (Page 90)
- 1797
57
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
58
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
59
- 'The goddess bursts in thunder and in flame' (Page 95)
- 1797
60
- 'The longest night though longer far, would fail' (Page 15)
- 1797
61
- The Baffled Devils Fighting (Plate 3)
- 1827
62
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- ca. 1797
63
- Orchard Bay
- 1799
64
- The Brides of Venice
- 1830
65
- Rome from Monte Mario
- 1820
66
- Rome from Monte Mario
- 1818-1820
67
- Naples, from the Mole
- 1820
68
- Naples, from the Mole
- 1819
69
- The Observatory at Rosehill, Sussex
- 1816
70
- The Watermill Above the Bridge at Charenton
- 1803
71
- Château d'Arc, near Dieppe
- 1836
72
- Florence, from the Chiesa al Monte
- 1820
73
- William Tell's Chapel
- 1830
74
- Straits of Dover
- 1827-1838
75
- Longships Lighthouse, Lands End
- 1836
76
- Rievaulx Abbey, Yorkshire
- 1827-1838
77
- Nantes
- 1828-1837
78
- Mrs. Henry Bunbury
- 1778
79
- Miss Sarah Campbell
- ca. 1779
80
- Tric-trac Players
- 1671
81
- John Henderson
- 1783
82
- Barbara Palmer (née Villiers) Countess of Castlemaine
- undated
83
- Samuel Dyer
- 1773
84
- Lucy Hardinge (née Long)
- 1780
85
- Mrs. Williams Hope of Amsterdam
- 1788
86
- Lady Caroline Howard
- 1778
87
- The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
- between 1720 and 1750
88
- St. Martin's Church
- between 1731 and 1754
89
- Frances Teresa Stewart, Duchess of Richmond and Lennox
- 1779
90
- Henrietta, Countess of Rochester
- 1779
91
- Washing the Blackamoor
- 1795
92
- The Right Reverent Thomas Newton, D.D
- 1776
93
- Miss Nelly O'Brien
- 1770
94
- The Right Honourable Spencer Perceval
- 1812
95
- Sir Home Popham
- 1807
96
- A Scene in the New Farce - as Performed at the Royalty Theatre!
- 1821
97
- Samuel Foote
- 1771
98
- "Mark your divorce young sir, whom son I dare not call"
- 1804
99
- Military Costumes of the Reign of King Henry VI, 1447
- 1812
100
- Specimens of Waltzing
- 1817