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Height [cm] 45

George Stubbs Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)

George Stubbs, 1724–1806

Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)

1795 to 1806

George Stubbs Human Skeleton, Lateral View

George Stubbs, 1724–1806

Human Skeleton, Lateral View

1795 to 1806

George Stubbs Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)

George Stubbs, 1724–1806

Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)

1795 to 1806

George Stubbs Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

George Stubbs, 1724–1806

Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

1795 to 1806

William Hogarth Strolling Actresses Dressing in a Barn

Print made by William Hogarth, 1697–1764

Strolling Actresses Dressing in a Barn

1738

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake Study for a Destroying Deity

William Blake, 1757–1827

Study for a Destroying Deity

1820 to 1825

George Romney Classical Male Nude with a Rearing Horse

George Romney, 1734–1802

Classical Male Nude with a Rearing Horse

undated

Robert Dodd "The Indian Emperor" or "The Conquest of Mexico"

Robert Dodd, 1748–1816

"The Indian Emperor" or "The Conquest of Mexico"

1792

unknown artist Bambridge on Trial for Murder by a Committee of the House of Commons

unknown artist

Bambridge on Trial for Murder by a Committee of the House of Commons

1803

William Callow Walenstadt, from Weesen, Switzerland

William Callow, 1812–1908

Walenstadt, from Weesen, Switzerland

1842

unknown artist Lullingstone Castle

unknown artist

Lullingstone Castle

ca. 1670

Richard Henry Nibbs Greenwich Hospital

Richard Henry Nibbs, 1816–1893

Greenwich Hospital

undated

Robert Adam Headfort House, Ireland: Elevation of the Eating Parlor

Robert Adam, 1728–1792

Headfort House, Ireland: Elevation of the Eating Parlor

1775

unknown artist Elevations of a Room

unknown artist

Elevations of a Room

undated

Allan Ramsay Man Standing Holding a Staff in His Left Hand, Full Length

Allan Ramsay, 1713–1784

Man Standing Holding a Staff in His Left Hand, Full Length

undated

Adam Buck The Artist and his Family

Adam Buck, 1759–1833

The Artist and his Family

1813

John Glover St. Donat's Castle, Glamorganshire

John Glover, 1767–1849

St. Donat's Castle, Glamorganshire

undated

George Barret Landscape with Trees and Sheep (Park Landscape with Sheep)

George Barret, ca. 1728/32–1784

Landscape with Trees and Sheep (Park Landscape with Sheep)

undated

John Farey Jr. Machinery for the Manufacture of Paper

John Farey Jr., 1791–1851

Machinery for the Manufacture of Paper

ca. 1810

Henry Holland Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation

Henry Holland, 1745–1806

Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation

between 1783 and 1796

John Samuel Hayward Netley Abbey, the East Window

John Samuel Hayward, 1778–1822

Netley Abbey, the East Window

1804

John Frederick Lewis Study for the Proclamation of Don Carlos

John Frederick Lewis, 1804–1876

Study for the Proclamation of Don Carlos

between 1834 and 1838

Clarkson Stanfield Dutch Fishing Vessels by a Quay

Clarkson Stanfield, 1793–1867

Dutch Fishing Vessels by a Quay

undated

John Bounarotti Papworth Design for a Country House

John Bounarotti Papworth, 1775–1847

Design for a Country House

undated

Samuel Davis The Palace of the Deib Rajan at Tassisudon

Samuel Davis, 1760–1819

The Palace of the Deib Rajan at Tassisudon

undated

Samuel Davis Rocky River Scene with Sepoys

Samuel Davis, 1760–1819

Rocky River Scene with Sepoys

undated

Samuel Davis View in St. Helena

Samuel Davis, 1760–1819

View in St. Helena

1806

Samuel Davis The Former Winter Capital of Bhutan at Punakha Dzong

Samuel Davis, 1760–1819

The Former Winter Capital of Bhutan at Punakha Dzong

1783

unknown artist Sketch for the Oil Painting "The Conversion of St. Paul"

unknown artist

Sketch for the Oil Painting "The Conversion of St. Paul"

undated

George Townly Stubbs Children Dancing

George Townly Stubbs, 1748–1815

Children Dancing

1798

James C. Allen Lowestoffe Lighthouse

Print made by James C. Allen, active 1821–1831

Lowestoffe Lighthouse

ca. 1830

Daniel Lysons Stained Glass Window of St. Catherine from Heston Church

Attributed to Daniel Lysons, 1762–1834

Stained Glass Window of St. Catherine from Heston Church

between 1796 and 1811

Edward Goodall Galileo's Villa

Print made by Edward Goodall, 1795–1870

Galileo's Villa

1830

Alfred Gomersal Vickers Shipping Scene in the Harbor of Dunkerque

Alfred Gomersal Vickers, 1810–1837

Shipping Scene in the Harbor of Dunkerque

undated

Augustus Welby Northmore Pugin St. Giles' Catholic Church: Elevation of the Steeple

Print made by Augustus Welby Northmore Pugin, 1812–1852

St. Giles' Catholic Church: Elevation of the Steeple

undated

Robert Blyth John Hamilton Mortimer

Robert Blyth, 1750–1784

John Hamilton Mortimer

1782

Roger Morris Whitton House, Middlesex: Two Alternate Elevations of the Court Front and Corresponding Ground Floor Plans

Roger Morris, 1695–1749

Whitton House, Middlesex: Two Alternate Elevations of the Court Front and Corresponding Ground Floor Plans

between 1732 and 1739

John Webber Rocks in Derbyshire

John Webber, 1752–1793

Rocks in Derbyshire

1789

William Townesend Queen's College, Oxford: Plan and Elevation of Hall and Chapel

William Townesend, 1676–1739

Queen's College, Oxford: Plan and Elevation of Hall and Chapel

undated

Colen Campbell Lowther House, Westmorland: Lower Ground Floor Plan

Colen Campbell, 1676–1729

Lowther House, Westmorland: Lower Ground Floor Plan

between 1718 and 1729

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

1850

Thomas Leeson Rowbotham A View of Rouen from the River

Thomas Leeson Rowbotham, 1783–1853

A View of Rouen from the River

undated

Henry Hulsberg Cobham Hall, Kent: First and Second Floor Plans

Print made by Henry Hulsberg, active 1700s–died 1729

Cobham Hall, Kent: First and Second Floor Plans

1715 to 1725

George Fennell Robson Loch Coruisk, Isle of Skye, Dawn

George Fennell Robson, 1788–1833

Loch Coruisk, Isle of Skye, Dawn

between 1826 and 1832

Edward Francis Finden Scio (Fontana de Melek, Mehmet Pasha)

Print made by Edward Francis Finden, 1791–1857

Scio (Fontana de Melek, Mehmet Pasha)

1832-1834

Paul Sandby Bothwell Castle, from the South

Paul Sandby, 1731–1809

Bothwell Castle, from the South

ca. 1777

Raphael Lamar West Distant View of Windsor Castle in a Storm (The Great Oak, Windsor Castle in the Distance)

Raphael Lamar West, 1769–1850

Distant View of Windsor Castle in a Storm (The Great Oak, Windsor Castle in the Distance)

undated

Daniel Allen Cristina

Print made by Daniel Allen, active 1830s

Cristina

1830

Edward Alfred Goodall A Tomb

Edward Alfred Goodall, 1819–1908

A Tomb

1830

William Finden The Pilgrim's Return

Print made by William Finden, 1787–1852

The Pilgrim's Return

1830

John Henry Robinson The Death of Raphael

Print made by John Henry Robinson, 1796–1871

The Death of Raphael

1830

Edward Goodall A Tempest – Voyage of Columbus

Print made by Edward Goodall, 1795–1870

A Tempest – Voyage of Columbus

1834

James Bruce Plan of upright of the Tabernacle above the Niche of Temple at Baalbec

James Bruce, 1730–1794

Plan of upright of the Tabernacle above the Niche of Temple at Baalbec

undated

W. R. Smith Hannibal Passing the Alps

Print made by W. R. Smith, active 1819–1851

Hannibal Passing the Alps

1830

Edward Goodall Galileo's Villa

Print made by Edward Goodall, 1795–1870

Galileo's Villa

1830

Edward Goodall Lake of Como, I

Print made by Edward Goodall, 1795–1870

Lake of Como, I

1830

Edward Goodall Venice

Print made by Edward Goodall, 1795–1870

Venice

1830

John Pye Ehrenbreitstein, During the Demolition of the Fortress in 1817

Print made by John Pye, 1782–1874

Ehrenbreitstein, During the Demolition of the Fortress in 1817

1828

Henry Moore Ideas for Metal Sculpture I

Print made by Henry Moore, 1898–1986

Ideas for Metal Sculpture I

1981