On-site Access: Accessible by appointment in the Study Room / Height [cm]: 45

1. Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 x 11 1/8 inches (44.8 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 x 11 inches (44.8 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 17 1/2 x 11 inches (44.5 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Ink with traces of graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 x 14 inches (45.1 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Strolling Actresses Dressing in a Barn

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1738
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 17 5/8 × 22 3/8 inches (44.8 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

6. Night the First. On Life, Death and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. 'The vale of death! that hush'd cimmerian vale' (Page 54)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. 'But for the blessing wrestle not with heaven' (Page 88)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. 'When faith is virtue, reason makes it so' (Page 92)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. 'If angels tremble, 'tis at such a sight' (Page 93)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. 'Death! great proprietor of all! 'tis thine' (Page 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. 'Its favours here are trials, not rewards' (Page 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. 'Swift on his downy pinion flies from woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. 'As if the sun could envy, check'd his beam' (Page 49)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. 'This King of Terrors is the Prince of Peace' (Page 63)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. 'Till death, that mighty hunter, earths them all' (Page 70)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. 'That touch, with charm celestial heals the soul' (Page 90)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. 'The Sun beheld it – No, the shocking scene' (Page 75)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. 'The thunder, if in that the Almighty dwells' (Page 80)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. 'Is lost in love! thou great Philanthropist' (Page 87)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. 'The present moment terminates our sight' (Page 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. 'Time, in advance, behind him hides his wings' (Page 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. 'Oft bursts my song beyond the bounds of life' (Page 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. 'Measuring his motions by revolving spheres' (Page 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. 'O treacherous conscience! while she seems to sleep" (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. 'We censure nature for a span too short' (Page 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Study for a Destroying Deity

Creator:: William Blake, 1757–1827
Date:: 1820 to 1825
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 24 inches (45.1 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Classical Male Nude with a Rearing Horse

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Pen and brown ink with graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 7/8 x 13 7/8 inches (45.4 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

49. "The Indian Emperor" or "The Conquest of Mexico"

Creator:: Robert Dodd, 1748–1816
Date:: 1792
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 17 11/16 x 21 1/2in. (44.9 x 54.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of David Bindman

50. Man Standing Holding a Staff in His Left Hand, Full Length

Creator:: Allan Ramsay, 1713–1784
Date:: undated
Materials & Techniques:: Black chalk on medium, moderately textured, blue laid paper
Dimensions:: Sheet: 17 3/4 x 12 inches (45.1 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Artist and his Family

Creator:: Adam Buck, 1759–1833
Date:: 1813
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite, with gum arabic and scraping on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 17 9/16 × 16 11/16 inches (44.6 × 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Loch Coruisk, Isle of Skye, Dawn

Creator:: George Fennell Robson, 1788–1833
Date:: between 1826 and 1832
Materials & Techniques:: Watercolor, gouache, scraping out and gum on thick, moderately textured, cream wove paper mounted on card
Dimensions:: Sheet: 17 3/4 x 25 3/4 inches (45.1 x 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Phlomis herba-venti L. : outline of habit of plant

Creator:: James Bruce, 1730–1794
Date:: ca. 1769
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 13 1/2 inches (45.1 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Temples of Paestum

Creator:: Print made by John Pye, 1782–1874
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Portrait of the Short Horned Bull Patriot

Creator:: Print made by William Ward, 1766–1826
Date:: 1810
Materials & Techniques:: Mezzotint with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 × 23 5/8 inches (50.8 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Newbus Ox

Creator:: Print made by William Ward, 1766–1826
Date:: 1812
Materials & Techniques:: Mezzotint with hand coloring in watercolor on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/8 × 24 1/8 inches (51.1 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. A Red Parrot

Creator:: Sarah Stone, ca. 1760–1844
Date:: 1786
Materials & Techniques:: Watercolor and gouache on card on very thick, slightly textured, beige card
Dimensions:: Sheet: 17 7/8 x 13 7/8in. (45.4 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Fishermen

Creator:: George Morland, 1763–1804
Date:: 1793
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 17 13/16 x 21 15/16in. (45.2 x 55.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Young Dealer

Creator:: Thomas Williamson, active 1802
Date:: 1805
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 17 1/2 x 20 1/2in. (44.5 x 52.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Cottagers

Creator:: George Morland, 1763–1804
Date:: 1794
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 17 13/16 x 21 5/8in. (45.2 x 54.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Travellers

Creator:: George Morland, 1763–1804
Date:: 1794
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 17 13/16 x 21 5/8in. (45.2 x 54.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Mrs. Montagu

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1776
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 14 1/4 inches (51.4 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

63. Lady Charles Spencer

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1776
Materials & Techniques:: Mezzotint (first state) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

64. Hon. Mrs. Stanhope

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1783
Materials & Techniques:: Mezzotint (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 5/8 × 18 1/4 inches (65.1 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

65. Margaret Georgiana, Viscountess of Spencer and Her Daughter

Creator:: Print made by James Watson, 1740–1790
Date:: undated
Materials & Techniques:: Mezzotint (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 20 1/2 × 14 3/8 inches (52.1 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

66. Caroline, Countess of Carlisle

Creator:: Print made by James Walker, 1748–1808
Date:: 1781
Materials & Techniques:: Mezzotint (second state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 23 × 15 13/16 inches (58.4 × 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

67. Elizabeth, Countess of Derby

Creator:: Print made by John Dean, 1754–1798
Date:: 1780
Materials & Techniques:: Mezzotint (only state) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/8 × 14 3/8 inches (51.1 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

68. Shipping Scene in the Harbor of Dunkerque

Creator:: Alfred Gomersal Vickers, 1810–1837
Date:: undated
Materials & Techniques:: Watercolor, graphite and white gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 × 23 1/2 inches (45.1 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Pffeffen Bad/ Switzerland

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1817
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 17 7/8 × 12 3/16 inches (45.4 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Tired Gypsies

Creator:: Thomas Williamson, active 1802
Date:: 1805
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 17 1/2 x 20 1/2in. (44.5 x 52.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Miss Mary Palmer as "The Young Shepherdess"

Creator:: Print made by Joseph Grozer, ca. 1755–1798
Date:: ca. 1785
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 11/16 × 13 7/8 inches (44.9 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

72. A View of Petersham & Twickenham Meadows from Richmond Hill

Creator:: Print made by John Jones, ca. 1745–1797
Date:: published 1800
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 5/8 × 23 1/8 inches (52.4 × 58.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

73. St. John

Creator:: Print made by Joseph Grozer, ca. 1755–1798
Date:: c.1799
Materials & Techniques:: Mezzotint (first state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 3/8 × 16 1/4 inches (51.8 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

74. Celadon and Amelia

Creator:: Engraved by William Woollett, 1735–1785
Date:: 1766
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/4 x 22 3/8 inches (46.4 x 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

75. [Shooting] The Spanish Pointer

Creator:: William Woollett, 1735–1785
Date:: 1768
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 1/2 x 22 1/4in. (44.5 x 56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Ladies Amabel and Mary Jemina Yorke

Creator:: Print made by Edward Fisher, 1722–1785
Date:: 1762
Materials & Techniques:: Mezzotint (engraver's proof) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/8 × 17 inches (58.7 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

77. Lord George Germain

Creator:: Print made by Johann Jacobé, 1733–1797
Date:: 1780
Materials & Techniques:: Mezzotint (first state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 × 14 inches (50.8 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. Lady Charlotte Legge

Creator:: Print made by Joseph Grozer, ca. 1755–1798
Date:: 1794
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 19 1/4 × 14 inches (48.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

79. Mrs. Ann Warren

Creator:: Print made by Charles Howard Hodges, 1764–1837
Date:: undated
Materials & Techniques:: Mezzotint, touched proof, cut impression on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 9/16 × 13 3/8 inches (44.6 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

80. Mrs. Stables and Two Daughters Harriet & Maria

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1781
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 × 14 1/16 inches (45.7 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

81. The Honorable Mrs. Watson

Creator:: Print made by Thomas Park, ca. 1760–1834
Date:: ca. 1785
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 20 7/8 × 15 inches (53 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

82. Elizabeth Godden (née Houghton), Lady Taylor

Creator:: Print made by William Dickinson, 1746–1823
Date:: ca. 1775
Materials & Techniques:: Mezzotint (only state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/4 × 16 1/2 inches (54 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

83. Miss Wynyard

Creator:: Print made by John Finlayson, 1730–1776
Date:: 1771
Materials & Techniques:: Mezzotint (second state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 7/8 × 13 7/8 inches (50.5 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

84. The Rev. William Mason, M. A.

Creator:: Print made by William Doughty, 1757–1782
Date:: 1779
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 19 3/16 x 14 3/4 inches (48.8 x 37.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Frank Altschul, Yale BA 1908, Yale PhD (HON.) 1967

85. Sketch for the Oil Painting "The Conversion of St. Paul"

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brushed black ink, gray wash and gouache on medium, moderately textured, gray laid paper
Dimensions:: Sheet: 17 1/2 × 11 3/4 inches (44.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. View in St. Helena

Creator:: Samuel Davis, 1760–1819
Date:: 1806
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 21 1/16 × 29 3/8 inches (53.5 × 74.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Palace of the Deib Rajan at Tassisudon

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 20 1/8 × 30 1/4 inches (51.1 × 76.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Headfort House, Ireland: Elevation of the Eating Parlor

Creator:: Robert Adam, 1728–1792
Date:: 1775
Materials & Techniques:: Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 7/8 x 24 1/2 inches (45.4 x 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Landscape with Trees and Sheep (Park Landscape with Sheep)

Creator:: George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 17 3/4 × 23 3/4 inches (45.1 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Lullingstone Castle

Creator:: unknown artist
Date:: ca. 1670
Materials & Techniques:: Pen and brown ink with brown and gray wash, over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 31 7/8 inches (45.1 × 81 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Dutch Fishing Vessels by a Quay

Creator:: Clarkson Stanfield, 1793–1867
Date:: undated
Materials & Techniques:: Watercolor over graphite with scrapping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 12 3/4 inches (44.5 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Sailor

Creator:: William Finden, 1787–1852
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/2 × 12 1/16 inches (44.5 × 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. St. Cecilia

Creator:: James Henry Watt, 1799–1867
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Cologne

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 × 12 inches (44.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Lowestoffe Lighthouse

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Creator:: Print made by John Pye, 1782–1874
Date:: 1828
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 9/16 × 12 1/8 inches (44.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Design for the Roof Truss, Rampisham Rectory

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: between 1846 and 1848
Materials & Techniques:: Graphite and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 × 12 inches (45.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Cologne on the Rhine

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching and line engraving, with graphite and white chalk; early touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 25 1/2 inches (45.1 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Ideas for Metal Sculpture I

Creator:: Print made by Henry Moore, 1898–1986
Date:: 1981
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 17 5/8 x 17 11/16in. (44.8 x 44.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Lillian Heidenberg Reitman

100. The Magicians Marching off After the Success of their Incantations

Creator:: Edward Rooker, 1724–1774
Date:: ca. 1763
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 7/8 x 20 3/8 inches (45.4 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)

2. Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

3. Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)

4. Human Skeleton, Lateral View

5. Strolling Actresses Dressing in a Barn

6. Night the First. On Life, Death and Immortality; Title Page

7. 'Tis greatly wise to talk with our past hours' (Page 31)

8. 'Like that, the dial speaks; and points to thee' (Page 33)

9. Night the Third. Narcissa; Title Page

10. 'The vale of death! that hush'd cimmerian vale' (Page 54)

11. 'But for the blessing wrestle not with heaven' (Page 88)

12. 'Till at Death's toll, whose restless iron tongue' (Page 7)

13. 'When faith is virtue, reason makes it so' (Page 92)

14. 'If angels tremble, 'tis at such a sight' (Page 93)

15. 'Death! great proprietor of all! 'tis thine' (Page 8)

16. 'Its favours here are trials, not rewards' (Page 12)

17. 'Swift on his downy pinion flies from woe' (Page 1)

18. 'Teaching, we learn; and giving, we retain' (Page 35)

19. 'Love, and love only, is the loan for love' (Page 37)

20. 'Angels should paint it, angels ever there' (Page 40)

21. 'One radiant mark, – the death-bed of the just' (Page 41)

22. 'As if the sun could envy, check'd his beam' (Page 49)

23. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

24. 'This King of Terrors is the Prince of Peace' (Page 63)

25. 'What, though my soul fantastick measures trod' (Page 4)

26. The Christian Triumph; Title Page

27. 'Till death, that mighty hunter, earths them all' (Page 70)

28. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

29. 'That touch, with charm celestial heals the soul' (Page 90)

30. 'The goddess bursts in thunder and in flame' (Page 95)

31. 'Disease invades the chastest temperence' (Page 10)

32. 'The longest night though longer far, would fail' (Page 15)

33. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

34. 'The Sun beheld it – No, the shocking scene' (Page 75)

35. 'The thunder, if in that the Almighty dwells' (Page 80)

36. 'His hand the good man fastens on the skies' (Page 86)

37. 'Is lost in love! thou great Philanthropist' (Page 87)

38. 'The present moment terminates our sight' (Page 13)

39. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

40. 'Emblem of that which shall awake the dead' (Page 19)

41. 'Time, in advance, behind him hides his wings' (Page 24)

42. 'Behold him, when past by; what then is seen' (Page 25)

43. 'Oft bursts my song beyond the bounds of life' (Page 16)

44. 'Measuring his motions by revolving spheres' (Page 26)

45. 'O treacherous conscience! while she seems to sleep" (Page 27)

46. 'We censure nature for a span too short' (Page 23)

47. Study for a Destroying Deity

48. Classical Male Nude with a Rearing Horse

49. "The Indian Emperor" or "The Conquest of Mexico"

50. Man Standing Holding a Staff in His Left Hand, Full Length

51. The Artist and his Family

52. Loch Coruisk, Isle of Skye, Dawn

53. Phlomis herba-venti L. : outline of habit of plant

54. Temples of Paestum

55. Portrait of the Short Horned Bull Patriot

56. The Newbus Ox

57. A Red Parrot

58. Fishermen

59. The Young Dealer

60. Cottagers

61. Travellers

62. Mrs. Montagu

63. Lady Charles Spencer

64. Hon. Mrs. Stanhope

65. Margaret Georgiana, Viscountess of Spencer and Her Daughter

66. Caroline, Countess of Carlisle

67. Elizabeth, Countess of Derby

68. Shipping Scene in the Harbor of Dunkerque

69. Pffeffen Bad/ Switzerland

70. Tired Gypsies

71. Miss Mary Palmer as "The Young Shepherdess"

72. A View of Petersham & Twickenham Meadows from Richmond Hill

73. St. John

74. Celadon and Amelia