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Height [cm] 45

Image Use Free to Use

George Stubbs Human Skeleton, Lateral View

George Stubbs, 1724–1806

Human Skeleton, Lateral View

1795 to 1806

George Stubbs Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

George Stubbs, 1724–1806

Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

1795 to 1806

George Stubbs Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)

George Stubbs, 1724–1806

Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)

1795 to 1806

George Stubbs Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)

George Stubbs, 1724–1806

Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)

1795 to 1806

William Hogarth Strolling Actresses Dressing in a Barn

Print made by William Hogarth, 1697–1764

Strolling Actresses Dressing in a Barn

1738

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake Study for a Destroying Deity

William Blake, 1757–1827

Study for a Destroying Deity

1820 to 1825

George Romney Classical Male Nude with a Rearing Horse

George Romney, 1734–1802

Classical Male Nude with a Rearing Horse

undated

unknown artist Near Hackney

unknown artist

Near Hackney

undated

William Woollett Dido and Aeneas

William Woollett, 1735–1785

Dido and Aeneas

1787

John Raphael Smith The Lady in Milton's Comus

John Raphael Smith, 1752–1812

The Lady in Milton's Comus

1789

John Raphael Smith The Indian Widow

John Raphael Smith, 1752–1812

The Indian Widow

1789

Edward Rooker The Summit of Cader Idris Mountain

Edward Rooker, 1724–1774

The Summit of Cader Idris Mountain

1775

William Woollett Solitude

Print made by William Woollett, 1735–1785

Solitude

1778

James Mason Pembroke Town and Castle

James Mason, 1710–1783

Pembroke Town and Castle

1775

James Ward Rustic Felicity

James Ward, 1769–1859

Rustic Felicity

undated

Charles Howard Hodges The Amorous Sportsman

Print made by Charles Howard Hodges, 1764–1837

The Amorous Sportsman

1786

William Woollett Ceyx and Alcyone

William Woollett, 1735–1785

Ceyx and Alcyone

1769

William Woollett Meleager and Atalanta

Print made by William Woollett, 1735–1785

Meleager and Atalanta

1779

William Woollett Celadon and Amelia

Print made by William Woollett, 1735–1785

Celadon and Amelia

1766

William Byrne Carnarvon Castle

William Byrne, 1743–1805

Carnarvon Castle

1775

Pierre Charles Canot The Great Bridge over the Taafe

Pierre Charles Canot, ca. 1710–1777

The Great Bridge over the Taafe

1775

Johann Jacobus Haid Mr. Foote in the Character of Major Sturgeon in "The Mayor of Garratt"

Johann Jacobus Haid, 1704–1767

Mr. Foote in the Character of Major Sturgeon in "The Mayor of Garratt"

1765

Francesco Bartolozzi St. Nil

Print made by Francesco Bartolozzi, 1728–1815

St. Nil

1762

Francesco Bartolozzi Juvenis auscultans seni de divinis admonenti

Print made by Francesco Bartolozzi, 1728–1815

Juvenis auscultans seni de divinis admonenti

1764

George Cooke Part of Waterloo Bridge with the Shot Tower, &c.

Print made by George Cooke, 1781–1834

Part of Waterloo Bridge with the Shot Tower, &c

1832

John Watts Joseph Baretti. Secretary for Foreign Correspondence to the Royal Academy

John Watts, active 1766–1786

Joseph Baretti. Secretary for Foreign Correspondence to the Royal Academy

1780

William T. Annis The Cunning Gypsy

Print made by William T. Annis, active 1798–1811

The Cunning Gypsy

1802

William Ward The Citizens Retreat

William Ward, 1766–1826

The Citizens Retreat

1796

William Ward A Vegetable Market

William Ward, 1766–1826

A Vegetable Market

1803

William Daniell A View of the Firgates Stationed in the Hope under the Command of the Elder Brethren of the Trinity House

William Daniell, 1769–1837

A View of the Firgates Stationed in the Hope under the Command of the Elder Brethren of the Trinity House

1804

Victor Marie Picot Winter

Victor Marie Picot, 1744–1805

Winter

1794

John Bluck A Southwest View of Lancaster Castle, part of St. George's Quay. The Aqueduct Bridge and Muntains of Ingleborough

John Bluck, active 1791–1831

A Southwest View of Lancaster Castle, part of St. George's Quay. The Aqueduct Bridge and Muntains of Ingleborough

1802

Samuel Middiman Shakespeare's Winter Tale Act III Scene III

Samuel Middiman, ca. 1750–1831

Shakespeare's Winter Tale Act III Scene III

1794

Francesco Bartolozzi Queen Katherine's Dream

Francesco Bartolozzi, 1728–1815

Queen Katherine's Dream

1788

Gerard van der Gucht The Cape of Good Hope

Print made by Gerard van der Gucht, 1696–1776

The Cape of Good Hope

1736

Joseph Constantine Stadler The Royal Review in Hatfield Park

Joseph Constantine Stadler, active 1780–1812

The Royal Review in Hatfield Park

1802

Archibald Robertson The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr.

Archibald Robertson, 1748–1788

The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr

1782

William Woollett The Rural Cott

William Woollett, 1735–1785

The Rural Cott

1797

William Ward Selling Rabbits

William Ward, 1766–1826

Selling Rabbits

1796

Robert Thew Shakespeare's Tempest Act IV Scene I. Prospero's Cell.

Robert Thew, 1758–1802

Shakespeare's Tempest Act IV Scene I. Prospero's Cell

1800

Richard Newton Prelude to Crim Con and The Finale

Richard Newton, 1777–1798

Prelude to Crim Con and The Finale

1793

William Woollett The Fishery

Print made by William Woollett, 1735–1785

The Fishery

1768

John Farey Jr. Machinery for the Manufacture of Paper

John Farey Jr., 1791–1851

Machinery for the Manufacture of Paper

ca. 1810

Henry Holland Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation

Henry Holland, 1745–1806

Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation

between 1783 and 1796

John Frederick Lewis Study for the Proclamation of Don Carlos

John Frederick Lewis, 1804–1876

Study for the Proclamation of Don Carlos

between 1834 and 1838

William Ward Compassionate Children

William Ward, 1766–1826

Compassionate Children

1793

Sir Richard Colt Hoare View at Valmontone. November 1790

Sir Richard Colt Hoare, 1758–1838

View at Valmontone. November 1790

1790

William Bernard Cooke Neptune's Trident

Print made by William Bernard Cooke, 1778–1855

Neptune's Trident

1824 to 1825

unknown artist The Villagers Charm to Lure the Bees

unknown artist

The Villagers Charm to Lure the Bees

John Bluck The New Buildings on the West Front of Lancaster Castle

John Bluck, active 1791–1831

The New Buildings on the West Front of Lancaster Castle

Edward Rooker The Magicians Marching off After the Success of their Incantations

Edward Rooker, 1724–1774

The Magicians Marching off After the Success of their Incantations

ca. 1763

Edward Rooker A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

Edward Rooker, 1724–1774

A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

ca. 1763

J. P. Quilley The Deluge

Print made by J. P. Quilley, active 1828

The Deluge

1828

John Raphael Smith Bellsane and Parcival under the Enchantment of Urma

John Raphael Smith, 1752–1812

Bellsane and Parcival under the Enchantment of Urma

1782

John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

John Dixon, ca. 1740–1811

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

1771

William Woolnoth A View of the House and Part of the Garden at West Wycomb

William Woolnoth, active 1806–1830

A View of the House and Part of the Garden at West Wycomb

1757

William Woollett A View of the Lake etc. at West Wycomb

William Woollett, 1735–1785

A View of the Lake etc. at West Wycomb

1757

William Woollett A View of the Casade etc. at West Wycomb

William Woollett, 1735–1785

A View of the Casade etc. at West Wycomb

1757

Edward Duncan The 'Jessie' and 'Eliza Jane' in Table Bay, Cape of Good Hope, 1829

Edward Duncan, 1803–1882

The 'Jessie' and 'Eliza Jane' in Table Bay, Cape of Good Hope, 1829

1829