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On-site Access Accessible by appointment in the Study Room

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Creator Smith, John Thomas, 1766–1833

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Work Type drawing

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1. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Hogarth Engraving His Master's Shop-bill the Sign of the Angel
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Reconcilation

The Reconcilation
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Hogarth Drawing Sarah Malcolm

Hogarth Drawing Sarah Malcolm
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Hogarth at Old Slaughter's Hobbing with Highmore the Painter
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. A Family Cooking Under A Tree

A Family Cooking Under A Tree
Creator:
John Thomas Smith, 1766–1833
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 7/8 × 7 3/8 inches (27.6 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Vale of Health - Hampstead

Vale of Health - Hampstead
Creator:
John Thomas Smith, 1766–1833
Date:
1830
Materials & Techniques:
Watercolor, graphite, black ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 × 7 7/8 inches (12.1 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Joseph Nollekens R.A. and Mrs. Nollekens: The pair of compasses and the pair of callipers side by side

Joseph Nollekens R.A. and Mrs. Nollekens: The pair of compasses and the pair of callipers side by side
Creator:
John Thomas Smith, 1766–1833
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 5/8 × 3 1/8 inches (9.2 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Hogarth Sitting to Roubiliac for His Bust

Hogarth Sitting to Roubiliac for His Bust
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Eleventh Hour

The Eleventh Hour
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, gray wash over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 9/16 inches (32.9 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Man Beside a Stile

Man Beside a Stile
Creator:
John Thomas Smith, 1766–1833
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, gray wash, and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 9 1/2 inches (22.5 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Hogarth Declaring His Love to Miss Thornhill

Hogarth Declaring His Love to Miss Thornhill
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The Smock Exposed

The Smock Exposed
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Studies from the Bust of Samuel Johnson

Studies from the Bust of Samuel Johnson
Creator:
John Thomas Smith, 1766–1833
Date:
undated
Materials & Techniques:
Watercolor and pen and brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 5/8 × 4 1/2 inches (14.3 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Bindman and Frances Carey in Memory of Diana Vincent-Daviss

26. Original Drawings Illustrating the Life of Hogarth by J. T. Smith

Original Drawings Illustrating the Life of Hogarth by J. T. Smith
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink and brown ink on very thick, moderately textured, beige wove paper
Dimensions:
Portfolio: 13 3/16 × 10 3/16 inches (33.5 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Dr. Messenger Monsey of Chelsea Hospital, 1693-1788

Dr. Messenger Monsey of Chelsea Hospital, 1693-1788
Creator:
John Thomas Smith, 1766–1833
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 7/8 × 4 9/16 inches (14.9 × 11.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. James Boswell and His Family

James Boswell and His Family
Creator:
John Thomas Smith, 1766–1833
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 × 5 7/8 inches (12.7 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection