Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
3
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
4
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
5
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
6
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
7
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
8
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
9
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
10
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
11
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
12
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
13
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
14
William Blake, 1757–1827
The Mourner at the Tomb (Design 103)
between 1797 and 1798
15
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
16
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
17
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
18
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
19
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
20
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
21
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
22
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
23
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
24
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
25
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
26
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
27
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
28
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
29
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
30
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
31
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
32
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
33
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
34
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
35
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
36
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
37
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
38
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
39
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
40
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
41
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
42
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
43
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
44
William Blake, 1757–1827
Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
between 1797 and 1798
45
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
46
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
47
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
48
George Romney, 1734–1802
John Henderson as Falstaff
1780
49
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
50
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
51
Theodor von Holst, 1810–1844
Ferdinand Riding the Waves
ca. 1830
52
Theodor von Holst, 1810–1844
Faust and Margaret
undated
53
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
54
Philippe-Jacques de Loutherbourg, 1740–1812
Thomas Weston as Spy in Bates "The Rival Candidates"
undated
55
Alexander Runciman, 1736–1785
Celadon and Amelia from Thomson's 'The Seasons'
undated
56
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
57
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
58
Richard Parkes Bonington, 1802–1828
Studies for Shylock
1825
59
Robert Smirke, 1752–1845
Prospero and Ariel
1821
60
Print made by Edward Goodall, 1795–1870
St. Julienne's Chapel
1834
61
John Boyne, ca. 1750–1810
Malvolio: Possibly a Self-Portrait in the Role
undated
62
Robert Smirke, 1752–1845
Anne Page and Slender
1821
63
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
64
Robert Smirke, 1752–1845
Illustration for Don Quixote, Two Figures at a Table
undated
65
Robert Smirke, 1752–1845
She Never Told Her Love, But Sat Like Patience on a Monument
1827
66
Sir David Wilkie, 1785–1841
A Scene from "The Abbot"
1833
67
George Augustus Sala, 1828–1895
Adina and Dr. Dulcamara, Scene from Donigetti's Elisir d'Amore
undated
68
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
69
William Young Ottley, 1771–1836
Prospero Summoning Ariel
ca. 1800
70
Richard Westall, 1765–1836
Greatheart's Battle with Grim
undated
71
unknown artist
The Death of Cordelia
undated
72
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
73
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
74
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
75
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
76
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808, published 1813
77
Print made by Cornelis Apostool, 1762–1844
Here Nature List'ning Stood
1795
78
Print made by John Doyle ('H.B.'), 1797–1868
A Great Actor between Tragedy and Comedy
1834
79
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene IV
undated
80
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene III
undated
81
Sawrey Gilpin, 1733–1807
Study for "Gulliver's Travels"
undated
82
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
83
Isaac Taylor, 1730–1807
Scene from the play, "The Careless Husband"
undated
84
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
85
Print made by Robert Blyth, 1750–1784
The Captive
1781
86
Print made by Philip Dawe, ca.1750–ca.1790
Gadshill
1796
87
Valentine Green, 1739–1813
Rinaldo and Armida
1775
88
Valentine Green, 1739–1813
Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III
1776
89
Keith Vaughan, 1912–1977
Je Dus Voyager
1949
90
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
before 1786
91
Print made by Francesco Bartolozzi, 1728–1815
Celadon and Amelia
1782
92
Print made by Francesco Bartolozzi, 1728–1815
Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
1786
93
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1779
94
Print made by George Cruikshank, 1792–1878
Mr. Wood Offers to Adopt Little Jack Sheppard
1835
95
Print made by Sir Frank Short, 1857–1945
Procris and Cephalus
1885
96
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
97
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)