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On-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomPeriod 18th century
Remove constraint Period: 18th centuryWidth [cm] 33
Remove constraint Width [cm]: 33Search Results
1
- A Horse Affrighted by a Lion
- 1788
2
- The First Stage of Cruelty
- ca. 1750
3
- Autumn Sowing of the Grain
- ca. 1794
4
- Night the Third. Narcissa; Title Page
- ca. 1797
5
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
6
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
7
- 'And vapid; sense and reason shew the door' (Page 72)
- ca. 1797
8
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
9
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
10
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
11
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
12
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
13
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797
14
- 'If angels tremble, 'tis at such a sight' (Page 93)
- ca. 1797
15
- 'That touch, with charm celestial heals the soul' (Page 90)
- ca. 1797
16
- 'When faith is virtue, reason makes it so' (Page 92)
- ca. 1797
17
- The Complaint, and the Consolation; or, Night Thoughts
- ca. 1797
18
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
19
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
20
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
21
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
22
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
23
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
24
- 'That touch, with charm celestial heals the soul' (Page 90)
- 1797
25
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
26
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
27
- Night the Third. Narcissa; Title Page
- 1797
28
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
29
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
30
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
31
- The Christian Triumph; Title Page
- 1797
32
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
33
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
34
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
35
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
36
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
37
- 'The goddess bursts in thunder and in flame' (Page 95)
- 1797
38
- 'The present moment terminates our sight' (Page 13)
- 1797
39
- 'The longest night though longer far, would fail' (Page 15)
- 1797
40
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
41
- Night the First. On Life, Death and Immortality; Title Page
- 1797
42
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- 1797
43
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
44
- 'We censure nature for a span too short' (Page 23)
- 1797
45
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
46
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
47
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
48
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
49
- 'Death! great proprietor of all! 'tis thine' (Page 8)
- 1797
50
- 'Disease invades the chastest temperence' (Page 10)
- 1797
51
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- ca. 1797
52
- Anger, Envy, and Fear
- undated
53
- Goodwood, West Sussex: Ceiling Design
- undated
54
- Sarsden House and Gardens, Oxfordshire: Bird's-eye View
- ca. 1795
55
- John Flaxman
- 1778
56
- The Chapel of the Foundling Hospital, London
- undated
57
- A Crane
- 1791
58
- The River at Dusk, Oxford
- 1792
59
- King's Mews, Charing Cross, London: Section
- 1731
60
- Sigismonda
- between 1769 and 1771
61
- A School of Girls
- 1739
62
- A Scene in "The Recruiting Officer"
- ca. 1739
63
- Kitty Clive as Lady Easy in "The Careless Husband"
- 1739
64
- The Morning Rose, What Shall Poor Harpax Do!
- 1744
65
- Cobham Hall, Kent: Sketch of Stables
- ca. 1790
66
- Apollo and the Muses
- undated
67
- Bridgenorth Bridge
- 1775
68
- Saberna
- 1786
69
- A Scene in the Recruiting Officer
- undated
70
- Old Chairs to Mend
- 1795
71
- L'Antiquaire
- undated
72
- Sweet China Oranges, Sweet China
- 1794
73
- Fresh Gathered Peas, Young Hastings
- 1795
74
- Knives, Scissars, and Razors to Grind
- 1795
75
- A New Love Song, Only ha'Penny a Piece
- 1796
76
- Der Geiz sucht Fäden
- undated
77
- A School of Girls
- 1739
78
- A School of Boys
- 1739
79
- Venus and Cupid
- ca. 1768
80
- La gouvernante
- undated
81
- La benedicite
- undated
82
- Strawberrys, Scarlet Strawberries
- 1795
83
- Chamaeler Chamaeleon
- undated
84
- Orchard Bay
- 1799
85
- Alum Bay and the Needles
- 1799
86
- Characters in the Streets of London
- 1799
87
- Cobham Hall, Kent: Drawings of Windows for Parlor Floor
- ca. 1790
88
- Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785
- 1785
89
- Freshwater Bay
- 1799
90
- Design for a Church. Elevation of West Front
- undated
91
- Juniperus procera Endl. (African Pencil Cedar): finished drawing of trees's habit
- undated
92
- Miss Nelly O'Brien
- 1770
93
- James Paine and his Son
- 1767
94
- Right Hon. John Hely Hutchinson, LL.D
- 1778
95
- Le Moment de la Reflexion
- 1784
96
- Thais
- 1792
97
- Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert
- 1771
98
- Elizabeth, Countess of Derby
- 1780
99
- John Henderson
- 1783
100
- Miss Sarah Campbell
- ca. 1779