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Period 18th century

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Height [cm] 41

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William Hogarth Hogarth Painting the Comic Muse
Print made by William Hogarth, 1697–1764
Hogarth Painting the Comic Muse
1764
George Romney David Playing the Harp
George Romney, 1734–1802
David Playing the Harp
undated
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake Pity
Print made by William Blake, 1757–1827
Pity
ca. 1795
James Bruce Elevation of Arch at Tripoli
James Bruce, 1730–1794
Elevation of Arch at Tripoli
undated
James Bruce Sterculia africana (Lour.) Fiori: finished drawing of stem with seed pods, some open showing seeds
James Bruce, 1730–1794
Sterculia africana (Lour.) Fiori: finished drawing of stem with seed pods, some open showing seeds
undated
James Bruce Coccinia abyssinica (Lam.): finished drawing, the tuber and detail of fruit
James Bruce, 1730–1794
Coccinia abyssinica (Lam.): finished drawing, the tuber and detail of fruit
undated
Luigi Balugani Jasminum dichotomun Vahl (African jasmine): finished drawing
Luigi Balugani, 1737–1770
Jasminum dichotomun Vahl (African jasmine): finished drawing
undated
James Bruce Mimusops kummel A. DC. : finished drawing with some flowers
James Bruce, 1730–1794
Mimusops kummel A. DC. : finished drawing with some flowers
undated
James Bruce Woodfordia uniflora (A. Rich.) Koehne: finished drawing of flowering shoot
James Bruce, 1730–1794
Woodfordia uniflora (A. Rich.) Koehne: finished drawing of flowering shoot
undated
Luigi Balugani Millettia ferruginea (Hochst.) Baker: finished drawing with a few details excluded
Luigi Balugani, 1737–1770
Millettia ferruginea (Hochst.) Baker: finished drawing with a few details excluded
undated
Luigi Balugani Acanthus Sennii Chiov. : finished drawing with added details
Luigi Balugani, 1737–1770
Acanthus Sennii Chiov. : finished drawing with added details
undated
James Bruce Mussaenda arcuata Lam. ex Poir. : finished drawing without details
James Bruce, 1730–1794
Mussaenda arcuata Lam. ex Poir. : finished drawing without details
undated
James Bruce Gardenia ternifolia Schum.& Thonn. (Wild Gardenia): finished drawing
James Bruce, 1730–1794
Gardenia ternifolia Schum.& Thonn. (Wild Gardenia): finished drawing
undated
James Bruce Gardenia ternifolia Schum.& Thonn. (Jovis-Tonantis): finished drawing with additional detail of fruit
James Bruce, 1730–1794
Gardenia ternifolia Schum.& Thonn. (Jovis-Tonantis): finished drawing with additional detail of fruit
undated
James Bruce Corvs crassirostris (Thick-Billed Raven)
James Bruce, 1730–1794
Corvs crassirostris (Thick-Billed Raven)
undated
Luigi Balugani Rhus ? retinorrhoea Oliver: finished drawing
Luigi Balugani, 1737–1770
Rhus ? retinorrhoea Oliver: finished drawing
undated
Luigi Balugani Alge indeterminate species (Seaweed): finished drawing of habit of weed
Luigi Balugani, 1737–1770
Alge indeterminate species (Seaweed): finished drawing of habit of weed
undated
James Watson Mrs. Henry Bunbury
Print made by James Watson, 1740–1790
Mrs. Henry Bunbury
1778
Joseph Grozer Viscountess Duncannon
Print made by Joseph Grozer, ca. 1755–1798
Viscountess Duncannon
ca. 1785
James Watson Miss Julia Bosville
Print made by James Watson, 1740–1790
Miss Julia Bosville
1775
Richard Earlom A Shepherd Boy
Print made by Richard Earlom, 1743–1822
A Shepherd Boy
1781
Giuseppe Marchi Mrs. Harriet Bouverie and Mrs. Frances Ann Crewe
Print made by Giuseppe Marchi, ca. 1735–1808
Mrs. Harriet Bouverie and Mrs. Frances Ann Crewe
1770
Andrew Miller Oliver Cromwell and General Lambert
Andrew Miller, Died 1763
Oliver Cromwell and General Lambert
1745
Thomas Watson Barbara Palmer (née Villiers) Countess of Castlemaine
Thomas Watson, 1743–1781
Barbara Palmer (née Villiers) Countess of Castlemaine
undated
Louis Marin Bonnet Head of a Young Girl turned toward the Left
Print made by Louis Marin Bonnet, 1736–1793
Head of a Young Girl turned toward the Left
1774
Thomas Watson Lucy Hardinge (née Long)
Thomas Watson, 1743–1781
Lucy Hardinge (née Long)
1780
Charles Howard Hodges Mrs. Williams Hope of Amsterdam
Charles Howard Hodges, 1764–1837
Mrs. Williams Hope of Amsterdam
1788
John Maurer Royal Exchange, London
John Maurer, active 1713–1761
Royal Exchange, London
1741
Thomas Watson Frances Teresa Stewart, Duchess of Richmond and Lennox
Thomas Watson, 1743–1781
Frances Teresa Stewart, Duchess of Richmond and Lennox
1779
Thomas Watson Henrietta, Countess of Rochester
Thomas Watson, 1743–1781
Henrietta, Countess of Rochester
1779
Charles Spooner George Kepple, 3rd Earl of Albermarle
Charles Spooner, c.1720–1767
George Kepple, 3rd Earl of Albermarle
1762
William Dickinson John Mudge M.D.
William Dickinson, 1746–1823
John Mudge M.D
ca. 1780
James Watson The Right Reverent Thomas Newton, D.D.
James Watson, 1740–1790
The Right Reverent Thomas Newton, D.D
1776
Charles Phillips Miss Nelly O'Brien
Charles Phillips, 1737– after 1783
Miss Nelly O'Brien
1770
Caroline Kirkley Sir Joshua Reynolds
Print made by Caroline Kirkley, active 1796–1797
Sir Joshua Reynolds
1795
James Watson Lady Almiria Carpenter
James Watson, 1740–1790
Lady Almiria Carpenter
1768
John Blackmore Samuel Foote
John Blackmore, active 1740–1780
Samuel Foote
1771
John Raphael Smith Mrs. Morris
John Raphael Smith, 1752–1812
Mrs. Morris
1776
John Jones Lady Caroline Price (née Carpenter)
John Jones, ca. 1745–1797
Lady Caroline Price (née Carpenter)
1788
unknown artist Dick the Butcher and Smith the Weaver seizing the Clerk - "Henry VI," Part II, Act I, Scene II
unknown artist
Dick the Butcher and Smith the Weaver seizing the Clerk - "Henry VI," Part II, Act I, Scene II
1795
John Hamilton Mortimer Bardolph, "Henry IV", Part II, Act II, Scene IX
John Hamilton Mortimer, 1740–1779
Bardolph, "Henry IV", Part II, Act II, Scene IX
1775
Robert Mitchell Meadows Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
Robert Mitchell Meadows, Died before 1812
Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
1794
John Hamilton Mortimer Edgar, "King Lear", Act III, Scene III
John Hamilton Mortimer, 1740–1779
Edgar, "King Lear", Act III, Scene III
1775
John Hamilton Mortimer York, "Henry IV", Part II, Act V, Scene IV
John Hamilton Mortimer, 1740–1779
York, "Henry IV", Part II, Act V, Scene IV
1775
Joseph Grozer Frederick Ponsonby, Viscount Duncannon, 3rd Earl of Bessborough
Joseph Grozer, ca. 1755–1798
Frederick Ponsonby, Viscount Duncannon, 3rd Earl of Bessborough
1786
Charles Howard Hodges Henry Hope Esq. of Amsterdam
Charles Howard Hodges, 1764–1837
Henry Hope Esq. of Amsterdam
1788
unknown artist Falstaff at Hern's Oak - "Merry Wives of Windsor," Act V, Scene V
unknown artist
Falstaff at Hern's Oak - "Merry Wives of Windsor," Act V, Scene V
1793
Jan J. van den Bergh Romeo and Juliet in Friar Lawrence's Cell - "Romeo and Juliet," Act II, Scene VI
Jan J. van den Bergh, active 1793–1800
Romeo and Juliet in Friar Lawrence's Cell - "Romeo and Juliet," Act II, Scene VI
1794
unknown artist Macbeth and the Murderers - "Macbeth," Act III, Scene I
unknown artist
Macbeth and the Murderers - "Macbeth," Act III, Scene I
1792
William S. Leney Taming the Shrew, Act III, Scene II
William S. Leney, 1769–1831
Taming the Shrew, Act III, Scene II
1793
Peltro W. Tomkins Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
Sir Richard Colt Hoare The Carthusian Convent at Trisulto, near Alatri
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto, near Alatri
1790
Sir Richard Colt Hoare The Carthusian Convent at Trisulto
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto
1790
Sir Richard Colt Hoare View at Valmontone. November 1790
Sir Richard Colt Hoare, 1758–1838
View at Valmontone. November 1790
1790
Sir Richard Colt Hoare The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora
Sir Richard Colt Hoare, 1758–1838
The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora
1790
Sir Richard Colt Hoare Monastery of La Trappe, at Casamare
Sir Richard Colt Hoare, 1758–1838
Monastery of La Trappe, at Casamare
1790
Sir Richard Colt Hoare Ducal Palace at Isola di Sora
Sir Richard Colt Hoare, 1758–1838
Ducal Palace at Isola di Sora
1790
Sir Richard Colt Hoare Ducal Palace etc at Isola di Sora
Sir Richard Colt Hoare, 1758–1838
Ducal Palace etc at Isola di Sora
1791
Sir Richard Colt Hoare Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora
Sir Richard Colt Hoare, 1758–1838
Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora
1791
Sir Richard Colt Hoare Ducal Palace at Isola di Sora
Sir Richard Colt Hoare, 1758–1838
Ducal Palace at Isola di Sora
1791
Sir Richard Colt Hoare View on the river Liris, near Isola di Sora
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola di Sora
1790
Sir Richard Colt Hoare View on the River Liris, near Isola
Sir Richard Colt Hoare, 1758–1838
View on the River Liris, near Isola
1790
Sir Richard Colt Hoare Convento del Carmine, at Isola di Sora
Sir Richard Colt Hoare, 1758–1838
Convento del Carmine, at Isola di Sora
1790
Sir Richard Colt Hoare View on the Liris, near Isola di Sora
Sir Richard Colt Hoare, 1758–1838
View on the Liris, near Isola di Sora
1790