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Collection
Prints and Drawings
47
Creator
Blake, William, 1757–1827
22
Gray, Thomas, 1716–1771
19
Cotman, John Sell, 1782–1842
8
Edwards, Richard, active 1796–1797
3
Rowlandson, Thomas, 1756–1827
3
Young, Edward, 1683–1765
3
Ferneley, John E., 1782–1860
2
Gainsborough, Thomas, 1727–1788
2
Baynes, James, 1766–1837
1
Boydell, Josiah, 1752–1817
1
Burke, Thomas, 1749–1815
1
Cosway, Richard, 1742–1821
1
Dunkarton, Robert, 1744–1811
1
Edridge, Henry, 1769–1821
1
Girtin, Thomas, 1775–1802
1
Havell, William, 1782–1857
1
Kauffmann, Angelica, 1741–1807
1
Macklin, Thomas, active 1779–1793
1
Sandby, Paul, 1731–1809
1
Smith, John, 1749–1831
1
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Date
1767
134
1800
115
1772
82
1764
72
1793
66
1745
65
1775
64
1789
61
1850
55
1762
51
1784
51
1791
51
1790
47
1797
[remove]
47
1799
44
1783
43
1792
42
1794
41
1814
37
1795
35
1859
35
1827
34
1860
34
1782
33
1804
33
1807
33
1830
33
1768
32
1778
32
1802
30
1813
30
1825
30
1805
29
1867
29
1771
28
1820
28
1841
28
1857
28
1810
27
1836
27
1787
26
1796
26
1780
25
1785
25
1786
25
1788
25
1821
24
1808
23
1826
23
1864
23
1770
22
1746
21
1774
21
1835
21
1674
20
1765
20
1759
19
1801
19
1817
19
1831
19
1742
18
1812
18
1840
18
1739
17
1749
17
1755
17
1818
17
1822
17
1855
17
1819
16
1823
16
1834
16
1863
16
1865
16
1917
16
1700
15
1740
15
1829
15
1861
15
1909
15
1773
14
1776
14
1779
14
1781
14
1803
14
1880
14
1748
13
1798
13
1815
13
1824
13
1811
12
1870
12
1877
12
1816
11
1915
11
1920
11
0
10
1747
10
1757
10
1828
10
On-site Access
Accessible by appointment in the Study Room
[remove]
47
Image Use
Free to Use
47
Image Available
Available
47
Classification
Drawings & Watercolors
38
Prints
8
Drawing & Watercolors-Architectural
1
Creator Gender
male
47
female
1
Collective Title
The Poems of Thomas Gray
19
Young's Night Thoughts
3
Period
18th century
32
18th century-19th century
11
19th century
4
Materials & Techniques
wove paper
41
graphite
36
watercolor
36
black ink
22
gouache
7
pen
7
brown ink
4
laid paper
4
etching (printing process)
3
gray ink
3
line engraving
3
gray wash
2
mezzotint
2
soft-ground etching
2
aquatint
1
board
1
brown wash
1
colored ink
1
drypoint
1
gum
1
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Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
11
to
52
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
13
to
65
Work Type
drawing
39
watercolor
36
intaglio print
8
Genre
literary theme
22
landscape
18
religious and mythological subject
14
genre subject
5
architectural subject
3
sporting art
2
cityscape
1
portrait
1
still life
1
Subject Terms
trees
[remove]
47
literary theme
22
text
21
men
20
landscape
18
man
15
religious and mythological subject
14
women
12
river
9
branches
7
leaf
7
water
7
castle
6
hat
6
beard
5
book
5
clouds
5
genre subject
5
horse (animal)
5
rocks (landforms)
5
more
Subject Terms
»
Associated Places
United Kingdom
12
Europe
9
England
7
Wales
5
Cymru
4
Gwynedd
2
Berkshire
1
Caernarfon
1
Caernarfon Castle
1
Caernarfonshire and Merionethshire
1
Caernarvon
1
Carnarvon Castle
1
Chepstow
1
Chepstow Castle
1
Cowes
1
Devon
1
Eton College
1
Ffestiniog
1
Isle of Wight
1
Kent
1
more
Associated Places
»
Associated People
Rebecca, Lady Northwick (nee Bowles, married Sir John Rushout; d. 1818)
1
Rushout, Anne (d. 1849)
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
5
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
5
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
3
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
3
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)
3
Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)
3
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
3
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
3
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
2
Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)
1
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
English Portrait Drawings & Miniatures (Yale Center for British Art, 1979-12-05 - 1980-02-17)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
1
Painting Networks - Romantic and Victorian Watercolors (Chazen Museum of Art, 2012-09-22 - 2012-12-02)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
The Art of Paul Sandby (Yale Center for British Art, 1985-04-10 - 1985-06-23)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
45
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
Yale Center for British Art, Paul Mellon Fund
1
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Date
1797
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Subject Terms
trees
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1
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
2
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
3
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
4
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
5
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
6
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
7
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
8
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
9
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
10
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
11
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
12
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
13
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
14
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
15
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
16
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
17
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
18
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
19
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
20
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
21
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
22
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
23
Attributed to William Havell, 1782–1857
Welsh Landscape
undated
24
John Ferneley, 1782–1860
A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire
undated
25
John Ferneley, 1782–1860
The Duke of Cumberland Riding With Mr. de Burgh's Hunt
undated
26
Francis Towne, 1740–1816
Vauxhall Stairs, from Millbank, July 5, 1797
1797
27
Paul Sandby, 1731–1809
The Entrance to Chepstow Castle
ca. 1802
28
John Sell Cotman, 1782–1842
A Group of Trees by a Fence
undated
29
James Baynes, 1766–1837
Rocks with Central Cavern Among Trees
1797
30
John Sell Cotman, 1782–1842
Castle in a Landscape
undated
31
John Sell Cotman, 1782–1842
The Norfolk Broads
undated
32
Print made by John Sell Cotman, 1782–1842
A Bridge
undated
33
Print made by Thomas Burke, 1749–1815
Content and Innocence
1797
34
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
1797
35
Robert Dunkarton, 1744–1811
The Soldier's Widow; or Schoolboys' Collection
ca. 1802
36
Print made by Thomas Gainsborough, 1727–1788
Wooded Upland Landscape with Riders and Packhorse
1797
37
John Warwick Smith, 1749–1831
River Landscape with a Single Arched Bridge
1797
38
Thomas Girtin, 1775–1802
The Old Bridge in Devon
between 1797 and 1801
39
Thomas Rowlandson, 1756–1827
Mr. Drummond's Cottage, East Cowes, Isle of Wight
between 1797 and 1800
40
Thomas Rowlandson, 1756–1827
Entrance to Festiniog, Wales
1797
41
Richard Cosway, 1742–1821
Portrait of a Lady Standing near a Lake
ca. 1802
42
John Sell Cotman, 1782–1842
Mountainous Landscape, North Wales
ca. 1802
43
Henry Edridge, 1769–1821
Michelham, Surrey
1797
44
pupil of John Sell Cotman, 1782–1842
Study of Trees
undated
45
attributed to John Sell Cotman, 1782–1842
Hever Castle, Kent
undated
46
John Sell Cotman, 1782–1842
River and Windmill
undated
47
Thomas Rowlandson, 1756–1827
Carnarvon Castle, North Wales
1797