On-site Access: Accessible by appointment in the Study Room / Date: 1797 / Work Type: intaglio print - YCBA Collections Search Search Results

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On-site Access Accessible by appointment in the Study Room

Date 1797

Work Type intaglio print

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

James Walker Westminster Bridge

Print made by James Walker, 1748–1808

Westminster Bridge

1797

John Walker Flint, from Park-Gate

Print made by John Walker, active 1792–1803

Flint, from Park-Gate

1797

James Walker Carlisle

Print made by James Walker, 1748–1808

Carlisle

1797

James Walker Hampton Court Palace, Herefordshire

Print made by James Walker, 1748–1808

Hampton Court Palace, Herefordshire

1797

James Walker Ely

Print made by James Walker, 1748–1808

Ely

1797

James Walker Elgin Cathedral, Morayshire

Print made by James Walker, 1748–1808

Elgin Cathedral, Morayshire

1797

Francis Haward Cymon and Iphigenia

Print made by Francis Haward, 1759–1797

Cymon and Iphigenia

1797

Charles Knight Lady Hamilton as a Bacchante

Print made by Charles Knight, 1743–c.1826

Lady Hamilton as a Bacchante

1797

Richard Earlom Vice Admiral Colpoys

Richard Earlom, 1743–1822

Vice Admiral Colpoys

1797

William Henry Brooke Herstmonceux Castle from the South

William Henry Brooke, 1772–1860

Herstmonceux Castle from the South

undated

Bartholomew Howlett Grantham Church

Print made by Bartholomew Howlett, 1767–1827

Grantham Church

1797

Thomas Gaugain Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)

1797

Thomas Gaugain Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)

1797

Thomas Gaugain Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)

1797

Thomas Gaugain Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)

1797

Thomas Gaugain Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)

1797

Thomas Gaugain Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)

1797

Thomas Gaugain Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)

Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)

1797

Thomas Gaugain Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)

1797

Thomas Gaugain Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)

1797

Thomas Gaugain Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)

1797

William Ward The Daughters of Sir Thomas Frankland

Print made by William Ward, 1766–1826

The Daughters of Sir Thomas Frankland

1797

Charles Wilkin The Right Honourable Lady Charlotte Duncombe

Print made by Charles Wilkin, 1750–1814

The Right Honourable Lady Charlotte Duncombe

1797

Charles Wilkin The Right Honourable Charlotte Viscountess St. Asaph

Print made by Charles Wilkin, 1750–1814

The Right Honourable Charlotte Viscountess St. Asaph

1797

William Evans Sir Henry Charles Englefield, 7th Baronet

William Evans, active 1797–1856

Sir Henry Charles Englefield, 7th Baronet

undated

Francesco Bartolozzi The Right Honorable Lady Jane Dundas

Print made by Francesco Bartolozzi, 1728–1815

The Right Honorable Lady Jane Dundas

ca. 1802

William Nelson Gardiner Mr. Kemble, of the Theatre Royal, Drury Lane

Print made by William Nelson Gardiner, 1766–1814

Mr. Kemble, of the Theatre Royal, Drury Lane

1797

Benjamin Smith "Tempest", Act I, Scene I

Benjamin Smith, 1775–1833

"Tempest", Act I, Scene I

1797

George Siegmund Facius John Smith, D.D.F.S.A.

George Siegmund Facius, 1750–1804

John Smith, D.D.F.S.A

1797

unknown artist North Front of the Bank

unknown artist

North Front of the Bank

1797

John Raphael Smith Sir Brooke Boothby, 6th Baronet Boothby of Broadlow Ash

John Raphael Smith, 1752–1812

Sir Brooke Boothby, 6th Baronet Boothby of Broadlow Ash

1797

Thomas Gaugain Turnips & Carrots ho

Print made by Thomas Gaugain, 1748–1812

Turnips & Carrots ho

1797

Thomas Gaugain Turnips & Carrots ho

Print made by Thomas Gaugain, 1748–1812

Turnips & Carrots ho

1797

Francesco Bartolozzi Jacob's Vision, Genesis 28, v. II

Francesco Bartolozzi, 1728–1815

Jacob's Vision, Genesis 28, v. II

1797

Francesco Bartolozzi The Birth of Pyrrhus

Francesco Bartolozzi, 1728–1815

The Birth of Pyrrhus

1797

Francesco Bartolozzi Luís Pinto De Sousa Coutinho, Visconde De Balsemão

Print made by Francesco Bartolozzi, 1728–1815

Luís Pinto De Sousa Coutinho, Visconde De Balsemão

1797

Francesco Bartolozzi Luís Pinto De Sousa Coutinho, Visconde De Balsemão

Print made by Francesco Bartolozzi, 1728–1815

Luís Pinto De Sousa Coutinho, Visconde De Balsemão

1797

Francesco Bartolozzi Princess Charlotte Augusta

Francesco Bartolozzi, 1728–1815

Princess Charlotte Augusta

1797

unknown artist Portrait de Van-Dyck

Print made by unknown artist

Portrait de Van-Dyck

undated

Robert Dunkarton The Soldier's Widow; or Schoolboys' Collection

Robert Dunkarton, 1744–1811

The Soldier's Widow; or Schoolboys' Collection

ca. 1802

Robert Dunkarton Abraham Offering up His Son

Robert Dunkarton, 1744–1811

Abraham Offering up His Son

1797

John Sell Cotman A Bridge

Print made by John Sell Cotman, 1782–1842

A Bridge

undated

John Sell Cotman Castle Above a Rocky Gorge

Print made by John Sell Cotman, 1782–1842

Castle Above a Rocky Gorge

undated

John Sell Cotman Harlech Castle

Print made by John Sell Cotman, 1782–1842

Harlech Castle

undated

John Whessell The Itinerant Potters

John Whessell, 1760–ca. 1823

The Itinerant Potters

1797

Thomas Burke Content and Innocence

Print made by Thomas Burke, 1749–1815

Content and Innocence

1797

Thomas Gainsborough Wooded Landscape with Herdsman and Cows

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Herdsman and Cows

1797

Robert Pollard A North East View of the Tuesday Market Place of Lynn Regis

Robert Pollard, 1755–1838

A North East View of the Tuesday Market Place of Lynn Regis

1797

William Woollett The Rural Cott

William Woollett, 1735–1785

The Rural Cott

1797

Francesco Bartolozzi Abraham Entertaining Three Angels, Genesis 18, v. 1

Francesco Bartolozzi, 1728–1815

Abraham Entertaining Three Angels, Genesis 18, v. 1

1797

James Walker Westminster Bridge

Print made by James Walker, 1748–1808

Westminster Bridge

1797

Francesco Bartolozzi Flight Into Egypt

Francesco Bartolozzi, 1728–1815

Flight Into Egypt

1797

James Walker Hampton Court Palace, Herefordshire

Print made by James Walker, 1748–1808

Hampton Court Palace, Herefordshire

1797

James Gillray Le Coup de Maitre

James Gillray, 1756–1815

Le Coup de Maitre

1797

Samuel William Reynolds Hawking: The Falconer. Mr. Sam'l. Northcote of Plymouth

Print made by Samuel William Reynolds, 1773–1835

Hawking: The Falconer. Mr. Sam'l. Northcote of Plymouth

1797

Thomas Gainsborough Wooded Upland Landscape with Riders and Packhorse

Print made by Thomas Gainsborough, 1727–1788

Wooded Upland Landscape with Riders and Packhorse

1797

Francesco Bartolozzi Ticket for the Benefit of Madame Banti

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Madame Banti

1797

Francesco Bartolozzi Ticket for the Benefit of Madame Banti

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Madame Banti

1797

Francesco Bartolozzi Their Royal Highnesses, The Prince & Princess Of Wales

Print made by Francesco Bartolozzi, 1728–1815

Their Royal Highnesses, The Prince & Princess Of Wales

1797