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Collection
Prints and Drawings
39
Creator
Blake, William, 1757–1827
19
Edwards, Richard, active 1796–1797
19
Young, Edward, 1683–1765
19
Boydell, John, 1720–1804
3
Wright, John Massey, 1777–1866
3
Alexander, William, 1767–1816
2
Boydell, Josiah, 1752–1817
2
Browne, John, 1741–1801
2
Earlom, Richard, 1743–1822
2
Ellis, William, 1747–1810
2
Johnson, Joseph, 1738–1809
2
Sayer, Robert, 1725–1794
2
Witton, P. H. Jr., Active 1792
2
Zoffany, Johann, 1733–1810
2
Bell, John, 1745–1831
1
Cosway, Richard, 1742–1821
1
Eginton, John, active 1763–1800
1
Farington, Joseph, 1747–1821
1
Fittler, James, 1758–1835
1
Flaxman, John, 1755–1826
1
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Creator
»
Date
1772
67
1804
64
1797
61
1792
[remove]
39
1789
38
1794
35
1749
33
0
25
1807
24
1850
24
1800
23
1793
22
1825
22
1775
20
1819
20
1795
18
1821
18
1960
18
1767
17
1768
16
1770
16
1798
16
1808
16
1824
16
1700
15
1817
15
1835
15
1812
14
1873
14
1790
13
1818
13
1839
13
1780
12
1783
12
1791
12
1815
12
1822
12
1771
11
1820
11
1827
11
1855
11
1893
11
1784
10
1785
10
1802
10
1805
10
1813
10
1842
10
1901
10
1745
9
1801
9
1826
9
1830
9
1690
8
1715
8
1719
8
1754
8
1765
8
1773
8
1774
8
1782
8
1874
8
1907
8
1712
7
1740
7
1751
7
1761
7
1786
7
1810
7
1828
7
1832
7
1965
7
1748
6
1755
6
1762
6
1766
6
1776
6
1779
6
1787
6
1799
6
1809
6
1833
6
1922
6
1750
5
1759
5
1760
5
1778
5
1788
5
1816
5
1836
5
1838
5
1840
5
1894
5
1911
5
1924
5
1930
5
1674
4
1680
4
1717
4
1720
4
On-site Access
Accessible by appointment in the Study Room
[remove]
39
Image Use
Free to Use
39
Image Available
Available
39
Classification
Prints
29
Drawings & Watercolors
10
Creator Gender
male
39
Collective Title
Young's Night Thoughts
19
Views of the Ruins of the Principal Houses Destroyed During the Riots at Birmingham
2
Vues des ruines des principaux batiments qui ont souffert dans les emeutes de Birmingham
2
A Midsummer Night's Dream
1
British Theatre
1
The Merry Wives of Windsor
1
The Tragedy of Macbeth
1
The Winter's Tale
1
Views in the Province of Kiang Nan, China
1
Period
18th century
34
18th century-19th century
5
Materials & Techniques
wove paper
32
etching (printing process)
27
watercolor
25
line engraving
22
graphite
9
laid paper
7
brown ink
3
aquatint
2
black ink
2
colored ink
2
gouache
2
mezzotint
2
pen
2
brown wash
1
gray ink
1
hand coloring
1
red ink
1
stipple engraving
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
13
to
54
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
8
to
73
Work Type
intaglio print
29
drawing
26
watercolor
26
Genre
literary theme
24
genre subject
8
architectural subject
6
landscape
6
figure study
3
cityscape
2
historical subject
2
marine art
2
sporting art
2
portrait
1
religious and mythological subject
1
Subject Terms
women
[remove]
39
men
28
literary theme
24
text
18
children
9
hats
9
genre subject
8
nudes
8
architectural subject
6
dresses
6
trees
6
angels
5
costume
5
gowns
5
landscape
5
river
5
vines
5
chairs
4
dog (animal)
4
gesturing
4
more
Subject Terms
»
Associated Places
Asia
4
England
4
United Kingdom
4
Birmingham
2
China
2
Europe
2
India
2
Lucknow
2
Uttar Pradesh
2
Amsterdam
1
Berkshire
1
Boeotia
1
Bordesley
1
Bordesley Hall
1
Devon
1
Eton
1
Exeter
1
Greece
1
Netherlands
1
Sparkbrook
1
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
3
Asaf-ud-Daulah (1748–1797), nawab wazir of Oudh
2
Colonel Mordaunt (fl. 1786)
2
Humphry, Ozias (1742–1810), miniature and portrait painter
2
Zoffany, Johan Joseph (1733–1810), portrait painter
2
Anne Page (character in The Merry Wives of Windsor)
1
Apollo
1
Diana
1
Fenton (character in The Merry Wives of Windsor)
1
Herne the Hunter
1
Macbeth (character in The Tragedy of Macbeth)
1
Messr. Ford (character in The Merry Wives of Windsor)
1
Messr. Page (character in The Merry Wives of Windsor)
1
Mistress Ford (character in The Merry Wives of Windsor)
1
Mistress Page (character in The Merry Wives of Windsor)
1
Mistress Quickly (character in The Merry Wives of Windsor)
1
Niobe
1
Pistol (character in The Merry Wives of Windsor)
1
Sir Hugh Evans (character in The Merry Wives of Windsor)
1
Sir John Falstaff
1
more
Associated People
»
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
21
Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)
3
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
2
Company Culture (Yale Center for British Art, 2003-09-16 - 2004-01-05)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
Richard Wilson and the Transformation of European Landscape Painting (Yale Center for British Art, 2014-03-06 - 2014-06-01)
1
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
1
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
34
Yale Center for British Art, Paul Mellon Fund
3
Yale Center for British Art, Gift of Chauncey Brewster Tinker
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
1
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On-site Access
Accessible by appointment in the Study Room
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Date
1792
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Subject Terms
women
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1
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
2
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
3
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
4
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
5
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
6
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
7
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
8
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
9
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
10
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
11
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
12
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
13
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
14
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
15
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
16
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
17
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
18
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
19
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
20
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
21
Thomas Girtin, 1775–1802
The Guildhall, Exeter
ca. 1797
22
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
23
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
24
Julius Caesar Ibbetson, 1759–1817
Haymaking
1792
25
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792
26
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
27
Print made by John Browne, 1741–1801
Evening
ca. 1797
28
John Massey Wright, 1777–1866
The Rustics Perform from "A Midsummer Night's Dream"
undated
29
Print made by John Browne, 1741–1801
Evening
ca. 1797
30
John Eginton, active 1763–1800
The Affectionate Daughter
1792
31
Figures engraved by William Sharp, 1749–1824
Niobe
1792
32
William Ellis, 1747–1810
Bordesley Hall, the Seat of John Taylor, Esq
1792
33
William Ellis, 1747–1810
The House of George Humphrys, Esq., Spark Brook
1792
34
John Massey Wright, 1777–1866
Mrs. Martha Udney
undated
35
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
36
Print made by Joseph Farington, 1747–1821
Windsor Bridge
1792
37
William Alexander, 1767–1816
View in China: Figures with Pagoda and Mountain
1792 to 1794
38
William Alexander, 1767–1816
Natives of Cochin Playing Shuttlecock in China
1792 to 1794
39
John Flaxman, 1755–1826
Illustration to Pilgrim's Progress
1792