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Collection
Prints and Drawings
510
Rare Books and Manuscripts
57
Creator
Moore, James, 1762–1799
87
Unknown artist
50
Blake, William, 1757–1827
39
Edwards, Richard, active 1796–1797
39
Young, Edward, 1683–1765
39
Bartolozzi, Francesco, 1727–1815
34
Cruikshank, Isaac, 1764–1811
26
Newton, Richard, 1777–1798
26
Gillray, James, 1756–1815
25
Dent, William, active 1784–1793
23
Girtin, Thomas, 1775–1802
16
Ellis, William, 1747–1810
15
Bunbury, Henry William, 1750–1811
11
Reynolds, Joshua, Sir, 1723–1792
11
Thirtle, John, 1777–1839
11
Parish, Henry William, active 1792
10
Chamberlaine, John, 1745–1812
9
Holbein, Hans the Younger, ca. 1497–1543
9
Fores, S. W., 1761–1838
8
Boydell, John, 1720–1804
7
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Creator
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Date
1800
1,793
1791
1,230
1802
1,151
1834
857
1825
735
1830
729
1796
722
1827
683
1795
680
1835
676
1820
648
1832
642
1745
637
1793
612
1804
606
1789
598
1749
591
1826
582
1836
570
1792
[remove]
567
1771
565
1799
564
1790
561
1775
558
1814
548
1823
534
1794
529
1808
529
1797
523
1700
520
1833
520
1840
505
1803
501
1818
480
2004
480
1784
472
1801
459
1850
456
1772
455
0
451
1821
450
1807
442
1828
441
1812
422
1824
420
1867
418
1853
411
1810
407
1782
404
1819
400
1839
400
1815
394
1831
393
1813
392
1780
391
1805
387
1811
386
1817
382
1798
380
1785
378
1829
376
1809
375
1837
374
1855
368
1870
368
1768
365
1822
363
1960
353
1816
341
1838
327
1788
325
1767
322
1783
317
1851
316
1806
311
1787
307
1748
305
1900
304
1860
300
1845
295
1773
290
1770
289
1846
289
1786
284
1880
283
1752
282
1764
282
1854
280
1778
279
1841
267
1755
258
1739
256
1890
253
1546
250
1843
248
1842
247
1844
242
1877
235
1781
234
1857
229
On-site Access
Accessible by appointment in the Study Room
[remove]
567
Image Use
Free to Use
511
Under Certain Circumstances
56
Image Available
Available
502
Unavailable
65
Classification
Prints
322
Drawings & Watercolors
189
Books
44
Archives & Manuscripts
3
Three-Dimensional Artifacts
3
Drawing & Watercolors-Architectural
2
Drawings & Watercolors-Miniatures
2
Periodicals
2
Creator Gender
male
478
unknown
107
female
6
Collective Title
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
84
Young's Night Thoughts
39
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
9
Views in the South Seas 1776-1780
7
Views of the Ruins of the Principal Houses Destroyed During the Riots at Birmingham
6
Vues des ruines des principaux batiments qui ont souffert dans les emeutes de Birmingham
6
Iconographie Anglaise par Reynolds et Autres
5
A Long String of Resolutions for the New Year
2
The Winter's Tale
2
A Midsummer Night's Dream
1
Antiquities of London and Environs
1
British Theatre
1
The Merry Wives of Windsor
1
The Tragedy of Macbeth
1
Views in the Province of Kiang Nan, China
1
Period
18th century
535
18th century-19th century
26
19th century
9
20th century
1
21st century
1
Materials & Techniques
wove paper
208
graphite
173
watercolor
122
laid paper
83
etching (printing process)
75
line engraving
59
stipple engraving
43
black ink
21
brown ink
21
pen
17
mezzotint
14
aquatint
10
hand coloring
10
gouache
6
gray wash
6
gray ink
5
soft ground
5
brown wash
3
black chalk
2
colored ink
2
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
75
Unknown
104
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
160
Unknown
105
Work Type
drawing
215
intaglio print
139
watercolor
121
aquatint
11
ticket
4
auction catalog
3
engraving
3
ephemera
3
stipple engraving
3
travel literature
3
annotations (provenance)
2
armorial bookplates (provenance)
2
book illustration
2
etching
2
graphite drawing
2
miniature
2
panorama
2
sketchbook
2
accordion fold format (binding)
1
admission ticket
1
more
Work Type
»
Genre
architectural subject
131
landscape
78
literary theme
53
genre subject
47
portrait
44
marine art
24
figure study
12
religious and mythological subject
9
historical subject
7
sporting art
7
cityscape
6
animal art
4
military art
3
botanical subject
1
Subject Terms
architectural subject
59
men
53
landscape
51
literary theme
49
trees
42
women
39
text
37
genre subject
28
portrait
24
caricature
23
caricatures
20
satire
20
man
19
clouds
18
ruins
18
woman
17
costume
16
marine art
16
nudes
16
river
16
more
Subject Terms
»
Subject Period
18th century
3
19th century
3
Associated Places
England
49
United Kingdom
44
Europe
30
Great Britain
19
Scotland
10
Northumberland
7
Asia
6
Birmingham
6
Devon
6
India
5
London
5
Wales
5
China
4
Greater London
3
Lake District (England)
3
Berkshire
2
Bristol
2
Cumbria
2
Cymru
2
Dartmouth
2
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
18
Reynolds, Joshua, Sir, 1723–1792
3
Adam (Biblical figure)
2
Asaf-ud-Daulah (1748–1797), nawab wazir of Oudh
2
Colonel Mordaunt (fl. 1786)
2
Eve (Biblical figure)
2
Humphry, Ozias (1742–1810), miniature and portrait painter
2
Milton, John, 1608–1674
2
Robinson, Mary (1756/1758?–1800), author and actress
2
Zoffany, Johan Joseph (1733–1810), portrait painter
2
Affleck, Philip (b. after 1725?, d. 1799), naval officer
1
Anne Page (character in The Merry Wives of Windsor)
1
Apollo
1
Bligh, William, 1754–1817
1
Carl Bernhard Wadström (1746–1799), abolitionist
1
Charlotte, Queen, consort of George III, King of Great Britain, 1744–1818
1
Clinton, Henry Fiennes Pelham-, ninth earl of Lincoln and second duke of Newcastle under Lyme (1720–1794), politician
1
Daly, Denis, 1747–1791
1
Diana
1
Elizabeth
1
more
Associated People
»
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
40
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
15
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
10
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
7
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
6
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
5
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
4
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
4
Making History - Antiquaries in Britain 1707-2007 (Yale Center for British Art, 2012-02-02 - 2012-05-27)
3
Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)
3
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
3
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
2
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
2
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
2
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
2
Two Extraordinary Women : The Lives and Art of Maria Cosway (1760-1838) and Mary Darby Robinson (1757-1800) (The Fralin Museum of Art, University of Virginia, 2016-01-29 - 2016-05-01)
2
Wilde Americk - Discovery and Exploration of the New World, 1500-1850 (Yale Center for British Art, 2001-09-27 - 2001-09-27)
2
"Of Green Leaf, Bird, and Flower" : Artists' Books and the Natural World (Yale Center for British Art, May 15, 2014-August 10, 2014)
1
Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30)
1
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
419
Yale Center for British Art
36
Yale Center for British Art, Paul Mellon Fund
23
Yale Center for British Art, Gift of Paul F. Walter
4
Yale Center for British Art; Yale University Art Gallery Collection
4
Yale Center for British Art, Bequest of William S. Konecky
3
Yale Center for British Art, Gift of Frederick W. Hilles
3
Yale Center for British Art; Gift of Herman W. Liebert
3
Yale Center for British Art, Gift of Chauncey Brewster Tinker
2
Yale Center for British Art, Gift of Godfrey Pearlson
2
Yale Center for British Art, Gift of Herman W. Liebert
2
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
2
Yale Center for British Art, Gift of Neale Albert, Yale JD 1961, and Margaret Albert.
2
Yale Center for British Art, Yale University Art Gallery Collection
2
Yale Center for British Art, Gift of David Bindman in memory of Richard Godfrey
1
Yale Center for British Art, Gift of Lowell Libson Ltd.
1
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
1
Yale Center for British Art; Gift of David Bindman
1
Yale Center for British Art; Yale University Art Gallery Collection; Gift of John Gerli, B.A. 1932
1
Language
English
53
French
1
German
1
Latin
1
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1792
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1
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
2
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
3
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
4
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
5
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
6
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
7
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
8
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
9
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
10
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
11
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
12
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
13
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
14
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
15
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
16
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
17
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
18
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
19
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
20
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
21
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
22
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
23
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
24
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
25
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
26
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
27
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
28
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
29
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
30
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
31
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
32
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
33
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
34
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
35
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
36
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
37
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
38
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
39
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
40
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
41
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
42
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
43
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
44
Robert Mabon, died 1798
A Durbar Scene, Poona, October 3, 1792
1792
45
John Thirtle, 1777–1839
An Old Fisherman Repairing Nets with a Cottage in the Background
undated
46
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
47
Print made by Francesco Bartolozzi, 1728–1815
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
48
John Thirtle, 1777–1839
Young Girl Sitting on a Bank outside a Church
undated
49
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
50
Print made by John Condé, 1765–1794
Mrs. Fitzherbert
1792
51
Print made by Francesco Bartolozzi, 1728–1815
Thais
1792
52
George Morland, 1763–1804
The Farmer's Stable
1792
53
John Massey Wright, 1777–1866
Mrs. Martha Udney
undated
54
John Webber, 1752–1793
View in the Island of Pulo Condore
1792
55
Henry William Parish, active 1792
Madiera, South East Extremity, 10 October
1792
56
Julius Caesar Ibbetson, 1759–1817
Haymaking
1792
57
Gangaram Chintaman Tambat, active 1790s
Two Jeyties
1792
58
George Townly Stubbs, 1748–1815
[Fox-hunting] Two Hunters / Belonging to Henry U. Reay of Burn Hall in the County of Durham ...
1792
59
unknown artist
Falstaff reproved by King Henry
1792
60
Janet Dick, active 1794–1806
An Indian Shrub with White Blossoms and Pointed Leaves
between 1792 and 1807
61
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
62
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
63
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
64
Print made by Thomas Cheesman, 1760–1834/35
Marchioness of Townshend and Child
1792
65
Print made by unknown artist
French Privateers, Cruising in the English Channel
1792
66
James Wales, ca.1747–1795
Krishna and Radha
1792 to 1795
67
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792
68
John Warwick Smith, 1749–1831
The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
July 14, 1792
69
John Jones, ca. 1745–1797
Reverend John Moore, Lord Archbishop of Canterbury
1792
70
Print made by William Birch, 1755–1834
Mrs. Robinson
1792
71
Thomas Trotter, ca. 1750–1803
Jonathan Shipley, Bishop of St. Asaph
1792
72
William Byrne, 1743–1805
Chinese Pavilion in European Landscape
1792
73
Print made by Thomas Cheesman, 1760–1834/35
The Supposed Death of Imogen, 'Cymbeline,' Act IV, Scene IV
1792
74
John Chapman, active ca. 1792–1823
Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II
1792
75
Francis Legat, 1755–1809
"King Lear", Act V, Scene III
1792
76
unknown artist
Falstaff Reproved by King Henry
1792
77
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
78
John Webber, 1752–1793
The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
1792
79
John Webber, 1752–1793
The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
1792
80
John Webber, 1752–1793
A Sailing Canoe of Otaheite
1792
81
John Webber, 1752–1793
A Sailing Canoe of Otaheite
1792
82
John Webber, 1752–1793
The Balagans or Summer Habitations, with the Method of Drying Fish, at St. Peter and Paul, Kamtschatka
1792
83
John Webber, 1752–1793
View in the Island of Pulo Condore
1792
84
Thomas Trotter, ca. 1750–1803
Dr. Samuel Johnson
1792
85
unknown artist
Macbeth and the Murderers - "Macbeth," Act III, Scene I
1792
86
John Chapman, active ca. 1792–1823
Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II
1792
87
William Gmelin, 1745–1821
Vue des Petites Cascatelles a Tivoli
1792
88
Rev. William Henry Barnard, 1767–1818
The River at Dusk, Oxford
1792
89
Rev. William Henry Barnard, 1767–1818
The Coal Wharf, Oxford
1792
90
John Glover, 1767–1849
River with Fishermen
1792
91
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
92
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Montagu
1792
93
John Young, 1755–1825
Philip Affleck, Esq
1792
94
unknown artist
Thomas Graves
c.1792
95
George Walker, active 1792–died 1795
Figure Sketches
undated
96
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
97
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
98
J. S. Barth, active 1797–1809
River Scene with Waterfall and High Trees
1792
99
Attributed to Gangaram Chintaman Tambat, active 1790s
View on the River Bhima at Deval Gaun, 28 Miles East of Poona
1792 to 1794
100
Christian von Mechel, 1737–1817
Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
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