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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSubject Terms wings
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1
- Jacob's Dream
- 1705
- Not on view
2
- A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
- between 1712 and 1713
- Not on view
3
- The Angel of Mercy
- ca. 1746
- Not on view
4
- The Angel Binding Satan
- ca. 1797
- Not on view
5
- The Mandrake: A Charm
- exhibited RA 1785
- Not on view
6
- St. George
- 1891 to 1896
- Not on view
7
- Owl Standing, Anterior View
- 1795 to 1806
8
- Owl Standing, Anterior View
- 1795 to 1806
9
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
10
- The Three Fatal Sisters (Design 67)
- between 1797 and 1798
11
- Night (Plate 16)
- 1789
12
- The Little Boy Lost (Plate 20)
- 1789
13
- The Lamb (Plate 8)
- 1789
14
- Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
- 1804 to 1820
15
- "Albion thy fear has made me tremble..." (Plate 22)
- 1804 to 1820
16
- "To the Public. After my three years slumber..." (Plate 3)
- 1804 to 1820
17
- "And the Two that escaped..." (Plate 30)
- 1804 to 1820
18
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
19
- "By Satan's Watch-fiends tho' they search..." (Plate 39)
- 1804 to 1820
20
- "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
- 1804 to 1820
21
- "These were his last words, and the merciful Saviour in his arms..." (Plate 48)
- 1804 to 1820
22
- "In beauty the Daughters of Albion divide..." (Plate 58)
- 1804 to 1820
23
- "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
- 1804 to 1820
24
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
25
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
26
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
27
- The Christian Triumph; Title Page
- 1797
28
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
29
- 'We censure nature for a span too short' (Page 23)
- 1797
30
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
31
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
32
- "To The Accuser who is The God of This World..." (Plate 19)
- 1826
33
- Aged Ignorance (Plate 13)
- 1826
34
- For the Sexes: The Gates of Paradise, Title Page (Plate 1)
- 1826
35
- "At length for hatching ripe he breaks the shell" (Plate 8)
- 1826
36
- Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
- 1794
37
- A Prophecy. "The deep of winter came..." (Plate 5)
- 1794
38
- "Albions Angel rose upon the Stone of Night..." (Plate 12)
- 1794
39
- "Now comes the night of Enitharmons joy!..." (Plate 7)
- 1794
40
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
41
- Frontispiece, Europe. A Prophecy
- ca. 1820
42
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
43
- "One hair nor particle of dust..." (Plate 14)
- 1804 to 1820
44
- "Bath, mild Physician of Eternity..." (Plate 46)
- 1804 to 1820
45
- "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
- 1804 to 1820
46
- "With one accord in love sublime..." (Plate 44)
- 1804 to 1820
47
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
48
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798
49
- "The Four Zoa's clouded rage..." (Plate 74)
- 1804 to 1820
50
- "And Rahab Babylon the Great..." (Plate 75)
- 1804 to 1820
51
- "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
- 1804 to 1820
52
- "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
- 1804 to 1820
53
- Infant Joy (Plate 28)
- 1789
54
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
55
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
56
- Aged Ignorance (Plate 13)
- 1793
57
- At Length for Hatching Ripe He Breaks the Shell (Plate 8)
- 1793
58
- 'O treacherous conscience!' (Page 27)
- ca. 1797
59
- The Christian Triumph; Title Page
- ca. 1797
60
- Night (Plate 30)
- 1789
61
- Songs of Experience, Frontispiece (Plate 32)
- 1794
62
- Spring (Plate 12)
- 1789
63
- The Little Boy Lost (Plate 16)
- 1789
64
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
65
- The Angel (Plate 40)
- 1794
66
- Infant Joy (Plate 14)
- 1789
67
- The Serpent who Girds the Earth (Design 77)
- between 1797 and 1798
68
- Spring (Plate 26)
- 1789
69
- Fame (Design 93)
- between 1797 and 1798
70
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
71
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
72
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
73
- 'Behold him, when past by; what then is seen' (Page 25)
- ca. 1797
74
- 'We censure nature for a span too short' (Page 23)
- ca. 1797
75
- Mary Magdalen at the Sepulchre
- ca. 1805
76
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
77
- Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
- 1853
78
- A Project for the Monument of the Apotheosis of Nelson
- 1806
79
- St. Michael and Lucifer
- undated
80
- One eagle, one owl and three owlets, a Pl. for 'A New Drawing Book...of Various Kinds of Birds Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)
- 1731
81
- Ticket to Westminster Abbey
- before 1791
82
- Ticket: Walker's Lectures
- 1794
83
- The Virgin
- 1778
84
- Venus Chiding Cupid
- 1784
85
- Ticket: For the Benefit of Mr. Salomon
- 1794
86
- Ticket: For the Benefit of Mr. Salpietro
- 1799
87
- Cupid Disarmed by Venus
- 1804
88
- Ticket: Mr. Cox's Museum
- 1772
89
- Hope Nursing Love
- 1771
90
- The Destruction of Job's Sons
- undated
91
- At Rome
- undated
92
- At the Minerva at Rome
- undated
93
- At the City of Albano
- undated
94
- From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
- ca. 1720
95
- Ornamental Ticket for Society of Painters
- 1690
96
- Iris
- 1808
97
- Allegorical Scene
- undated
98
- Figure Study of a Bacchanalia Celebration in a Wooded Landscape
- undated
99
- Study of a Woman, being Taken Away by a Winged Being
- undated
100
- Pan, Spying, From Behind a Tree, at Putti, Shooting Arrows
- undated