Search Constraints
You searched for:
Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSubject Terms man
Remove constraint Subject Terms: manSearch Results
401
- Hymen
- ca. 1748
402
- Man with Horse and Cart Entering a Quarry
- ca. 1797
403
- A Great Tree
- ca. 1796
404
- Apuleia in Search of Apuleius
- between 1813 and 1823
405
- Christ and the Woman of Samaria
- 1819
406
- The Deluge
- between 1813 and 1823
407
- Procris and Cephalus
- 1812
408
- Jason
- 1807
409
- Study of the Head of a Young Man
- undated
410
- The Bath of Bath-sheba
- undated
411
- A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
- undated
412
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
413
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
414
- 'This King of Terrors is the Prince of Peace' (Page 63)
- 1797
415
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
416
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
417
- Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
- between 1797 and 1798
418
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
419
- Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
- between 1797 and 1798
420
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
421
- "A brace of warriors... rustling in their silks and tissues..."(Design 27)
- between 1797 and 1798
422
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
423
- "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
- between 1797 and 1798
424
- A Widower and Children (Design 35)
- between 1797 and 1798
425
- "And purple tyrants vainly groan..." (Design 37)
- between 1797 and 1798
426
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
427
- A Welch Bard (Design 53)
- between 1797 and 1798
428
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
429
- "Hie thee hence, and boast at home..." (Design 85)
- between 1797 and 1798
430
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
431
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
432
- Sigtryg with the Silken Beard (Design 69)
- between 1797 and 1798
433
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
434
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
435
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
436
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
437
- 'We censure nature for a span too short' (Page 23)
- 1797
438
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
439
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
440
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
441
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
442
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
443
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
444
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
445
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
446
- The Mourner at the Tomb (Design 103)
- between 1797 and 1798
447
- The Author Writing (Design 105)
- between 1797 and 1798
448
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
449
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
450
- "Him the dog of darkness spied..." (Design 79)
- between 1797 and 1798
451
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
452
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
453
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
454
- Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
- 1789-1794
455
- Moses Receiving the Law
- ca. 1780
456
- A Visionary Head
- 1819 to 1820
457
- An Angel with a Trumpet
- between 1805 and 1808
458
- Socrates, a Visionary Head
- ca. 1820
459
- The Widow Embracing Her Husband's Grave
- 1805 to 1808
460
- Study for a Destroying Deity
- 1820 to 1825
461
- Illustrations of Imitation of Eclogue I, Frontispiece
- 1821
462
- St. Julienne's Chapel
- 1834
463
- Brass Plate of a Kneeling Man
- between 1796 and 1811
464
- Portrait of a Monk
- 1857
465
- Bickshoo Moonee
- undated
466
- The Rustic Lover
- 1786
467
- Man Playing a Harp
- undated
468
- Rochester
- 1794
469
- Chepstow
- 1794
470
- Rochester
- 1794
471
- Bridgenorth
- 1795
472
- Birmingham
- 1795
473
- Chester
- 1796
474
- Matlock
- 1795
475
- Westminster Bridge
- 1797
476
- Flint, from Park-Gate
- 1797
477
- Carlisle
- 1797
478
- Hampton Court Palace, Herefordshire
- 1797
479
- The Tower of London
- 1795
480
- Sheffield
- 1798
481
- Wakefield
- 1798
482
- Chelsea Hospital
- 1795
483
- Ely
- 1797
484
- Elgin Cathedral, Morayshire
- 1797
485
- Oxford
- 1795
486
- Cambridge
- 1795
487
- Bath
- 1795
488
- Worcester
- 1795
489
- Windsor
- 1795
490
- Wallingford
- 1795
491
- Tunbridge
- 1795
492
- Flint
- 1795
493
- Neath
- 1795
494
- Guildford
- 1795
495
- Staines
- 1795
496
- Northampton
- 1796
497
- Bristol
- 1796
498
- Orchard Bay
- 1799
499
- Sleaford Church
- 1801
500
- Freshwater Bay
- 1799