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Credit Line Yale Center for British Art, Paul Mellon Collection

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George Stubbs Lion and Lioness
George Stubbs, 1724–1806
Lion and Lioness
1770
Not on view
Joseph Mallord William Turner Stormy Sea Breaking on a Shore
Joseph Mallord William Turner, 1775–1851
Stormy Sea Breaking on a Shore
between 1840 and 1845
Not on view
Joseph Mallord William Turner Squally Weather
Joseph Mallord William Turner, 1775–1851
Squally Weather
between 1840 and 1845
Not on view
Richard Wilson Lago d'Agnano with Vesuvius in the distance
Richard Wilson, 1713/4–1782
Lago d'Agnano with Vesuvius in the distance
between 1770 and 1775
Not on view
Richard Wilson Lago d'Agnano with the Grotta del Cane
Richard Wilson, 1713/4–1782
Lago d'Agnano with the Grotta del Cane
between 1770 and 1775
Not on view
Paul Sandby An Unfinished View of the West Gate, Canterbury
Paul Sandby, 1731–1809
An Unfinished View of the West Gate, Canterbury
between 1780 and 1785
Not on view
Robert Smirke The Two Sons of Tipu Sahib, Sultan of Mysore, Being Handed over as Hostages to General Cornwallis
Robert Smirke, 1752–1845
The Two Sons of Tipu Sahib, Sultan of Mysore, Being Handed over as Hostages to General Cornwallis
ca. 1792
Not on view
Francis Wheatley Evening
Francis Wheatley, 1747–1801
Evening
1799
Not on view
Francis Wheatley Morning
Francis Wheatley, 1747–1801
Morning
1799
Not on view
Francis Wheatley Noon
Francis Wheatley, 1747–1801
Noon
1799
Not on view
Francis Wheatley Night
Francis Wheatley, 1747–1801
Night
1799
Not on view
James Ward Ryelands Sheep, the King's Ram, the King's Ewe and Lord Somerville's Wether
James Ward, 1769–1859
Ryelands Sheep, the King's Ram, the King's Ewe and Lord Somerville's Wether
between 1801 and 1807
Not on view
Arthur William Devis Grinding Corn
Arthur William Devis, 1762–1822
Grinding Corn
between 1792 and 1795
Not on view
Philip Reinagle The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)
Philip Reinagle, 1749–1833
The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)
1800
Not on view
Joseph Wright of Derby Philosopher Giving a Lecture on the Orrery
Joseph Wright of Derby, 1734–1797
Philosopher Giving a Lecture on the Orrery
ca. 1768
Not on view
Marcellus Laroon the Younger The Barber
Marcellus Laroon the Younger, 1679–1772
The Barber
between 1760 and 1769
Not on view
Joseph Highmore A Family Conversation Piece
Joseph Highmore, 1692–1780
A Family Conversation Piece
1730 to 1735
Not on view
Jan Griffier the Elder A view of Greenwich from the River with many Boats
Jan Griffier the Elder, ca. 1645–1718
A view of Greenwich from the River with many Boats
Between 1700-1710
Not on view
William Bell Scott Ailsa Craig
William Bell Scott, 1811–1890
Ailsa Craig
1860
Not on view
George Clint Harriet Smithson as Miss Dorillon, in "Wives as They Were, and Maids as They Are" by Elizabeth Inchbald
George Clint, 1770–1854
Harriet Smithson as Miss Dorillon, in "Wives as They Were, and Maids as They Are" by Elizabeth Inchbald
ca. 1822
Not on view
Philippe-Jacques de Loutherbourg The Angel Binding Satan
Philippe-Jacques de Loutherbourg, 1740–1812
The Angel Binding Satan
ca. 1797
Not on view
George Stubbs Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)
George Stubbs, 1724–1806
Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)
George Stubbs, 1724–1806
Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)
1795 to 1806
George Stubbs Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)
George Stubbs, 1724–1806
Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)
1795 to 1806
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake Study for a Destroying Deity
William Blake, 1757–1827
Study for a Destroying Deity
1820 to 1825
Richard Henry Nibbs Greenwich Hospital
Richard Henry Nibbs, 1816–1893
Greenwich Hospital
undated
James Bruce Phlomis herba-venti L. : outline of habit of plant
James Bruce, 1730–1794
Phlomis herba-venti L. : outline of habit of plant
ca. 1769
James Bruce St. Agnes (after Domenichino)
James Bruce, 1730–1794
St. Agnes (after Domenichino)
undated
Edward Francis Finden Cologne
Print made by Edward Francis Finden, 1791–1857
Cologne
1832-1834
Edward Francis Finden Scio (Fontana de Melek, Mehmet Pasha)
Print made by Edward Francis Finden, 1791–1857
Scio (Fontana de Melek, Mehmet Pasha)
1832-1834
W. R. Smith Hospice of the Great St. Bernard II (The Dead-House)
Print made by W. R. Smith, active 1819–1851
Hospice of the Great St. Bernard II (The Dead-House)
1829
James Bruce Drawing of Temple Ruins and Figures
James Bruce, 1730–1794
Drawing of Temple Ruins and Figures
ca. 1768
Thomas Leeson Rowbotham A View of Rouen from the River
Thomas Leeson Rowbotham, 1783–1853
A View of Rouen from the River
undated
Colen Campbell Lowther House, Westmorland: Lower Ground Floor Plan
Colen Campbell, 1676–1729
Lowther House, Westmorland: Lower Ground Floor Plan
between 1718 and 1729
John Webber Rocks in Derbyshire
John Webber, 1752–1793
Rocks in Derbyshire
1789
William Dickinson Lady Charles Spencer
William Dickinson, 1746–1823
Lady Charles Spencer
1776
John Raphael Smith Honorable Mrs. Stanhope
John Raphael Smith, 1752–1812
Honorable Mrs. Stanhope
1783
Charles Turner Elizabeth, Marchioness of Stafford
Charles Turner, 1774–1857
Elizabeth, Marchioness of Stafford
1810
Charles Turner Field Marshal, The Duke of Wellington
Print made by Charles Turner, 1774–1857
Field Marshal, The Duke of Wellington
1816
William Bernard Cooke Neptune's Trident
Print made by William Bernard Cooke, 1778–1855
Neptune's Trident
1824 to 1825
George Clint General James Stuart
George Clint, 1770–1854
General James Stuart
1802
Thomas Park Dr. John Thomas, Lord Bishop of Rochester
Thomas Park, ca. 1760–1834
Dr. John Thomas, Lord Bishop of Rochester
1788
Thomas Watson Resignation
Thomas Watson, 1743–1781
Resignation
1772
Joseph Grozer Shepherdess (Miss Mary Palmer as the Young Shepherdess)
Joseph Grozer, ca. 1755–1798
Shepherdess (Miss Mary Palmer as the Young Shepherdess)
1799
John Jones George James Cholmondeley, 1st Marquess of Cholmondeley
John Jones, ca. 1745–1797
George James Cholmondeley, 1st Marquess of Cholmondeley
1790
Giuseppe Marchi Samuel Dyer
Giuseppe Marchi, ca. 1735–1808
Samuel Dyer
1773
James Ward Sir William Fawcett
James Ward, 1769–1859
Sir William Fawcett
1801
Robert Dunkarton Reverend John Fisher, Bishop of Salisbury
Robert Dunkarton, 1744–1811
Reverend John Fisher, Bishop of Salisbury
1811
unknown artist The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
Print made by unknown artist
The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
between 1720 and 1750
Thomas Watson Henrietta, Countess of Rochester
Thomas Watson, 1743–1781
Henrietta, Countess of Rochester
1779
Edward Rooker The Magicians Marching off After the Success of their Incantations
Edward Rooker, 1724–1774
The Magicians Marching off After the Success of their Incantations
ca. 1763
William Woolnoth A View of the House and Part of the Garden at West Wycomb
William Woolnoth, active 1806–1830
A View of the House and Part of the Garden at West Wycomb
1757
Edward Duncan The 'Jessie' and 'Eliza Jane' in Table Bay, Cape of Good Hope, 1829
Edward Duncan, 1803–1882
The 'Jessie' and 'Eliza Jane' in Table Bay, Cape of Good Hope, 1829
1829
Edward Duncan Launch of the 'Edinburgh', Blackwall, Nov. 9, 1825
Edward Duncan, 1803–1882
Launch of the 'Edinburgh', Blackwall, Nov. 9, 1825
1825
William Ward Sailors Carousing
William Ward, 1766–1826
Sailors Carousing
1807
Charles Turner Robert Banks Jenkinson, 2nd Earl of Liverpool
Print made by Charles Turner, 1774–1857
Robert Banks Jenkinson, 2nd Earl of Liverpool
1827
unknown artist The Villagers Charm to Lure the Bees
unknown artist
The Villagers Charm to Lure the Bees
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771