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Credit Line Yale Center for British Art, Paul Mellon Collection

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Height [cm] 41

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Subject Terms men

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Joseph Mallord William Turner A Limekiln, Possibly at Briton Ferry in South Wales
Joseph Mallord William Turner, 1775–1851
A Limekiln, Possibly at Briton Ferry in South Wales
ca. 1795-96
Not on view
Dominic Serres An English Two-Decker Lying Hove to, with Other Ships and Vessels in a Fresh Breeze
Dominic Serres, 1722–1793
An English Two-Decker Lying Hove to, with Other Ships and Vessels in a Fresh Breeze
1770
Not on view
John Inigo Richards A River Landscape, possibly a View from the West End of Rochester Bridge
John Inigo Richards, 1730/31?–1810
A River Landscape, possibly a View from the West End of Rochester Bridge
ca. 1805
Not on view
Francis Calcraft Turner The Berkeley Hunt, 1842: The Chase
Francis Calcraft Turner, active 1782–1846
The Berkeley Hunt, 1842: The Chase
1842
Not on view
Francis Calcraft Turner The Berkeley Hunt, 1842: Full Cry
Francis Calcraft Turner, active 1782–1846
The Berkeley Hunt, 1842: Full Cry
1842
Not on view
Francis Calcraft Turner The Berkeley Hunt, 1842: The Death
Francis Calcraft Turner, active 1782–1846
The Berkeley Hunt, 1842: The Death
1842
Not on view
Francis Calcraft Turner The Berkeley Hunt, 1842: The Meet
Francis Calcraft Turner, active 1782–1846
The Berkeley Hunt, 1842: The Meet
1842
Not on view
Peter Monamy Shipping in a Calm
Peter Monamy, 1681–1749
Shipping in a Calm
between 1700 and 1725
Not on view
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
Jacob More A View at Terracina
Jacob More, 1740–1793
A View at Terracina
1778
Charles Grignion A French Petit Maître and His Valet
Charles Grignion, 1717–1810
A French Petit Maître and His Valet
1771
Thomas Shotter Boys Hotel de Ville, Hague
Thomas Shotter Boys, 1803–1874
Hotel de Ville, Hague
1859
Edward Rooker The Magicians Marching off After the Success of their Incantations
Edward Rooker, 1724–1774
The Magicians Marching off After the Success of their Incantations
ca. 1763
unknown artist St. Vincent's Rocks, Clifton (Hotwell House and Baths)
Print made by unknown artist
St. Vincent's Rocks, Clifton (Hotwell House and Baths)
ca. 1840
George Baxter George Pritchard, Her Britannic Majesty's Consul
Print made by George Baxter, 1804–1867
George Pritchard, Her Britannic Majesty's Consul
1845
Sir James Thornhill A Design for a Ceiling
Sir James Thornhill, 1675–1734
A Design for a Ceiling
undated
W. R. Smith Dido and Aeneas; The Morning of the Chase
Print made by W. R. Smith, active 1819–1851
Dido and Aeneas; The Morning of the Chase
1842
Thomas Rowlandson Stag at Bay - Scene near Taplow, Berks.
Thomas Rowlandson, 1756–1827
Stag at Bay - Scene near Taplow, Berks
between 1795 and 1801
Jan Wyck A Hunting Party
Jan Wyck, ca. 1645–1700
A Hunting Party
undated
Simon François Ravenet The Pool of Bethesda
Simon François Ravenet, 1706–1774
The Pool of Bethesda
1772
Simon François Ravenet The Good Samaritan
Simon François Ravenet, 1706–1774
The Good Samaritan
1772
Hablot Knight Browne "You're Not Going to Follow, Belle, Are You?"
Hablot Knight Browne, 1815–1882
"You're Not Going to Follow, Belle, Are You?"
undated
Francesco Bartolozzi June
Print made by Francesco Bartolozzi, 1728–1815
June
1789
Francesco Bartolozzi February
Print made by Francesco Bartolozzi, 1728–1815
February
1793
Francesco Bartolozzi March
Print made by Francesco Bartolozzi, 1728–1815
March
1793