<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Height [cm] 41

Remove constraint Height [cm]: 41

Search Results

George Stubbs Newmarket Heath, with the King's stables rubbing house at the finish of the Beacon Course
George Stubbs, 1724–1806
Newmarket Heath, with the King's stables rubbing house at the finish of the Beacon Course
ca. 1765
Not on view
Joseph Mallord William Turner A Limekiln, Possibly at Briton Ferry in South Wales
Joseph Mallord William Turner, 1775–1851
A Limekiln, Possibly at Briton Ferry in South Wales
ca. 1795-96
On view
John R. Skeaping Shirley Heights
John R. Skeaping, 1901–1980
Shirley Heights
1978
Not on view
Dominic Serres An English Two-Decker Lying Hove to, with Other Ships and Vessels in a Fresh Breeze
Dominic Serres, 1722–1793
An English Two-Decker Lying Hove to, with Other Ships and Vessels in a Fresh Breeze
1770
Not on view
George Smith of Chichester A Winter Landscape
George Smith of Chichester, 1714–1776
A Winter Landscape
1752
Not on view
George Smith of Chichester A View Near Arundel, Sussex, with Ruins by Water
George Smith of Chichester, 1714–1776
A View Near Arundel, Sussex, with Ruins by Water
mid-18th century
Not on view
Harold Gilman Sylvia Darning
Harold Gilman, 1876–1919
Sylvia Darning
1917
Not on view
Joseph Wright of Derby The Prisoner
Joseph Wright of Derby, 1734–1797
The Prisoner
1787 to 1790
Not on view
John Inigo Richards A River Landscape, possibly a View from the West End of Rochester Bridge
John Inigo Richards, 1730/31?–1810
A River Landscape, possibly a View from the West End of Rochester Bridge
ca. 1805
Not on view
Francis Calcraft Turner The Berkeley Hunt, 1842: The Meet
Francis Calcraft Turner, active 1782–1846
The Berkeley Hunt, 1842: The Meet
1842
Not on view
Francis Calcraft Turner The Berkeley Hunt, 1842: The Chase
Francis Calcraft Turner, active 1782–1846
The Berkeley Hunt, 1842: The Chase
1842
Not on view
Francis Calcraft Turner The Berkeley Hunt, 1842: Full Cry
Francis Calcraft Turner, active 1782–1846
The Berkeley Hunt, 1842: Full Cry
1842
Not on view
Francis Calcraft Turner The Berkeley Hunt, 1842: The Death
Francis Calcraft Turner, active 1782–1846
The Berkeley Hunt, 1842: The Death
1842
Not on view
Paul-Lucien Dessau Studies of Household Cavalry seen during the Coronation of Queen Elizabeth II, 1953
Paul-Lucien Dessau, 1909–1999
Studies of Household Cavalry seen during the Coronation of Queen Elizabeth II, 1953
1953
Not on view
unknown artist The Old Parish Church and Village, Hampton-on-Thames, Middlesex, 18th century
unknown artist
The Old Parish Church and Village, Hampton-on-Thames, Middlesex, 18th century
late 18th century
Not on view
John Whessell A Boat Race on the River Isis, Oxford
John Whessell, 1760–ca. 1823
A Boat Race on the River Isis, Oxford
1822
Not on view
George Morland St. James's Park
George Morland, 1763–1804
St. James's Park
between 1788 and 1790
Not on view
James Inskipp Study of Poppies
James Inskipp, 1790–1868
Study of Poppies
1832
Not on view
Henry Calvert Portrait of Thomas Cholmondeley, first Lord Delamere, on His Hunter (study for "The Cheshire Hunt at Tatton Park")
Henry Calvert, 1798–1869
Portrait of Thomas Cholmondeley, first Lord Delamere, on His Hunter (study for "The Cheshire Hunt at Tatton Park")
ca. 1839
Not on view
Sir Augustus Wall Callcott Cottage by a country lane
Sir Augustus Wall Callcott, 1779–1844
Cottage by a country lane
ca. 1820
Not on view
Sir Alfred J. Munnings Going Out
Sir Alfred J. Munnings, 1878–1959
Going Out
1932
Not on view
Thomas Gainsborough Landscape with cottage and church
Thomas Gainsborough, 1727–1788
Landscape with cottage and church
between 1771 and 1772
Not on view
Peter Monamy Shipping in a Calm
Peter Monamy, 1681–1749
Shipping in a Calm
between 1700 and 1725
Not on view
Joseph Edgar Boehm Girl on Horseback with a Boy and a Dog
Joseph Edgar Boehm, 1834–1890
Girl on Horseback with a Boy and a Dog
1865
Not on view
George Stubbs Tiger, Lateral View, with the Connective Tissue Overlying the Muscles Removed (Finished Study for Table XIV)
George Stubbs, 1724–1806
Tiger, Lateral View, with the Connective Tissue Overlying the Muscles Removed (Finished Study for Table XIV)
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
between 1795 and 1806
George Stubbs Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
1795 to 1806
George Stubbs Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)
1795 to 1806
George Stubbs Tiger Body, Lateral View (Finished Drawing for Unpublished Table; Shows the Third Stage in Dissection)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Finished Drawing for Unpublished Table; Shows the Third Stage in Dissection)
1795 to 1806
George Stubbs Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)
George Stubbs, 1724–1806
Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)
between 1795 and 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
George Stubbs, 1724–1806
Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
between 1795 and 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
John Flaxman Get Thee Behind Me, Satan
John Flaxman, 1755–1826
Get Thee Behind Me, Satan
between 1783 and 1787
On view at YUAG
William Hogarth Hogarth Painting the Comic Muse
Print made by William Hogarth, 1697–1764
Hogarth Painting the Comic Muse
1764
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake Illustrations of The Book of Job; Title Page
Print made by William Blake, 1757–1827
Illustrations of The Book of Job; Title Page
1826
William Blake Job's Despair
Print made by William Blake, 1757–1827
Job's Despair
1826
William Blake Job's Evil Dreams
Print made by William Blake, 1757–1827
Job's Evil Dreams
1826
William Blake The Wrath of Elihu
Print made by William Blake, 1757–1827
The Wrath of Elihu
1826
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake The Lord Answering Job out of the Whirlwind
Print made by William Blake, 1757–1827
The Lord Answering Job out of the Whirlwind
1826
William Blake Every One also Gave Him a Piece of Money
Print made by William Blake, 1757–1827
Every One also Gave Him a Piece of Money
1826
William Blake Job and His Daughters
Print made by William Blake, 1757–1827
Job and His Daughters
1826
William Blake Job and His Family Restored to Prosperity
Print made by William Blake, 1757–1827
Job and His Family Restored to Prosperity
1826
William Blake When the Morning Stars Sang Together
Print made by William Blake, 1757–1827
When the Morning Stars Sang Together
1826
William Blake Behemoth and Leviathan
Print made by William Blake, 1757–1827
Behemoth and Leviathan
1826
William Blake The Fall of Satan
Print made by William Blake, 1757–1827
The Fall of Satan
1826
William Blake The Vision of Christ
Print made by William Blake, 1757–1827
The Vision of Christ
1826
William Blake Job's Sacrifice
Print made by William Blake, 1757–1827
Job's Sacrifice
1826
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
William Blake Job and His Family
Print made by William Blake, 1757–1827
Job and His Family
1826
William Blake Satan before the Throne of God
Print made by William Blake, 1757–1827
Satan before the Throne of God
1826
William Blake Job's Sons and Daughters Overwhelmed by Satan
Print made by William Blake, 1757–1827
Job's Sons and Daughters Overwhelmed by Satan
1826
William Blake The Messengers Tell Job of His Misfortunes
Print made by William Blake, 1757–1827
The Messengers Tell Job of His Misfortunes
1826
William Blake Satan Going Forth from the Presence of the Lord and Job's Charity
Print made by William Blake, 1757–1827
Satan Going Forth from the Presence of the Lord and Job's Charity
1826
William Blake Satan Smiting Job with Sore Boils
Print made by William Blake, 1757–1827
Satan Smiting Job with Sore Boils
1826
William Blake Job's Comforters
Print made by William Blake, 1757–1827
Job's Comforters
1826
William Blake The Vision of Eliphaz
Print made by William Blake, 1757–1827
The Vision of Eliphaz
1826
William Blake Pity
Print made by William Blake, 1757–1827
Pity
ca. 1795
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake Job Rebuked by His Friends
Print made by William Blake, 1757–1827
Job Rebuked by His Friends
1826
William Miller Abbotsford
Print made by William Miller, 1796–1882
Abbotsford
1841
Frederick Sandys Study of two girls, with a study of a hand to the right
Frederick Sandys, 1829–1904
Study of two girls, with a study of a hand to the right
undated
Charles Hamilton Smith Views of Spain, Volume I
Charles Hamilton Smith, 1776–1859
Views of Spain, Volume I
undated
Charles Hamilton Smith Views of Polar Regions
Charles Hamilton Smith, 1776–1859
Views of Polar Regions
undated
James Sowerby A Dove
James Sowerby, 1756–1822
A Dove
undated