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Credit Line Yale Center for British Art, Paul Mellon Collection

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Height [cm] 21

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Joseph Mallord William Turner The Fifth Plague of Egypt
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
Joseph Mallord William Turner Dunstanborough Castle
Etched by Joseph Mallord William Turner, 1775–1851
Dunstanborough Castle
1808
Joseph Mallord William Turner Bridge and Cows
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
Joseph Mallord William Turner Pembury Mill, Kent
Etched by Joseph Mallord William Turner, 1775–1851
Pembury Mill, Kent
1808
Joseph Mallord William Turner Ben Arthur, Scotland
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
Joseph Mallord William Turner Isis
Etched by Joseph Mallord William Turner, 1775–1851
Isis
1819
Joseph Mallord William Turner St. Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
Joseph Mallord William Turner South Porch and Tower of an Unidentified Church
Joseph Mallord William Turner, 1775–1851
South Porch and Tower of an Unidentified Church
between 1790 and 1795
Joseph Mallord William Turner Flint Castle, Vessels Unloading
Etched by Joseph Mallord William Turner, 1775–1851
Flint Castle, Vessels Unloading
1807
Joseph Mallord William Turner Windmill and Lock
Etched by Joseph Mallord William Turner, 1775–1851
Windmill and Lock
1811
Joseph Mallord William Turner London from Greenwich
Etched by Joseph Mallord William Turner, 1775–1851
London from Greenwich
1811
Joseph Mallord William Turner London from Greenwich
Etched by Joseph Mallord William Turner, 1775–1851
London from Greenwich
1811
Joseph Mallord William Turner Chain of Alps from Grenoble to Chamberi
Etched by Joseph Mallord William Turner, 1775–1851
Chain of Alps from Grenoble to Chamberi
1812
Joseph Mallord William Turner Solitude
Etched by Joseph Mallord William Turner, 1775–1851
Solitude
1814
Joseph Mallord William Turner Solitude
Etched by Joseph Mallord William Turner, 1775–1851
Solitude
1814
Joseph Mallord William Turner Dumblain Abbey, Scotland
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
Joseph Mallord William Turner Tenth Plague of Egypt
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
Joseph Mallord William Turner The Alcove, Isleworth
Etched by Joseph Mallord William Turner, 1775–1851
The Alcove, Isleworth
1819
Joseph Mallord William Turner Aesacus and Hesperie
Etched by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
Joseph Mallord William Turner St. Michael's Mount
Print made by Joseph Mallord William Turner, 1775–1851
St. Michael's Mount
1820 to 1826
Joseph Mallord William Turner Glaucus and Scylla
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
1813 to 1823
Joseph Mallord William Turner Glaucus and Scylla
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
Joseph Mallord William Turner Glaucus and Scylla
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
Joseph Mallord William Turner Crowhurst
Print made by Joseph Mallord William Turner, 1775–1851
Crowhurst
between 1813 and 1823
Joseph Mallord William Turner The Temple of Jupiter in the Island of Aegina
Attributed to Joseph Mallord William Turner, 1775–1851
The Temple of Jupiter in the Island of Aegina
between 1813 and 1823
Joseph Mallord William Turner Ploughing, Eton
Etched by Joseph Mallord William Turner, 1775–1851
Ploughing, Eton
1813 to 1823
Joseph Mallord William Turner Via Mala
Attributed to Joseph Mallord William Turner, 1775–1851
Via Mala
between 1813 and 1823
Joseph Mallord William Turner The Stork and Aqueduct
Etched by Joseph Mallord William Turner, 1775–1851
The Stork and Aqueduct
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Sheep-Washing, Windsor
Etched by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
between 1813 and 1823
Joseph Mallord William Turner Sheep-Washing, Windsor
Etched by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
between 1813 and 1823
Joseph Mallord William Turner Sheep-Washing, Windsor
Etched by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
1813 to 1823
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Original Sketch of a Picture for W. Leader, Esq.
Etched by Joseph Mallord William Turner, 1775–1851
Original Sketch of a Picture for W. Leader, Esq
1809
Joseph Mallord William Turner Juvenile Tricks
Etched by Joseph Mallord William Turner, 1775–1851
Juvenile Tricks
1811
Joseph Mallord William Turner Hind Head Hill
Etched by Joseph Mallord William Turner, 1775–1851
Hind Head Hill
1811
Joseph Mallord William Turner Coast of Yorkshire
Etched by Joseph Mallord William Turner, 1775–1851
Coast of Yorkshire
1811
Joseph Mallord William Turner Windmill and Lock
Etched by Joseph Mallord William Turner, 1775–1851
Windmill and Lock
1811
Joseph Mallord William Turner Martello Towers near Bexhill, Sussex
Etched by Joseph Mallord William Turner, 1775–1851
Martello Towers near Bexhill, Sussex
1811
Joseph Mallord William Turner Young Anglers
Etched by Joseph Mallord William Turner, 1775–1851
Young Anglers
1811
Joseph Mallord William Turner Near Blair Athol, Scotland
Etched by Joseph Mallord William Turner, 1775–1851
Near Blair Athol, Scotland
1811
Joseph Mallord William Turner From Spenser's Fairy Queen
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
Joseph Mallord William Turner The Mildmay Sea-Piece
Etched by Joseph Mallord William Turner, 1775–1851
The Mildmay Sea-Piece
1812
Joseph Mallord William Turner The Bridge and Goats
Etched by Joseph Mallord William Turner, 1775–1851
The Bridge and Goats
1812
Joseph Mallord William Turner Winchelsea, Sussex
Etched by Joseph Mallord William Turner, 1775–1851
Winchelsea, Sussex
1812
Joseph Mallord William Turner Hedging and Ditching
Etched by Joseph Mallord William Turner, 1775–1851
Hedging and Ditching
1812
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner Windsor Castle and Park with Deer
Joseph Mallord William Turner, 1775–1851
Windsor Castle and Park with Deer
undated
Joseph Mallord William Turner Ville de Thun, Switzerland
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
Joseph Mallord William Turner Norham Castle on the Tweed
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
Joseph Mallord William Turner Bonneville, Savoy
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
Joseph Mallord William Turner Bonneville, Savoy
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
Joseph Mallord William Turner Inverary Castle and Town, Scotland
Etched by Joseph Mallord William Turner, 1775–1851
Inverary Castle and Town, Scotland
1816
Joseph Mallord William Turner Isis
Etched by Joseph Mallord William Turner, 1775–1851
Isis
1819
Joseph Mallord William Turner Ben Arthur, Scotland
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
Joseph Mallord William Turner Jason
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
Joseph Mallord William Turner London from Greenwich
Etched by Joseph Mallord William Turner, 1775–1851
London from Greenwich
1811
William Blake Fettered Urizen Weeping (Plate 12)
Print made by William Blake, 1757–1827
Fettered Urizen Weeping (Plate 12)
1794
William Blake "I have mock'd those who refused cruelty..." (Plate 81)
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)
1804 to 1820
William Blake "Highgates heights & Hampsteads..." (Plate 84)
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
William Blake "I see thy Form O lovely mild Jerusalem..." (Plate 86)
Print made by William Blake, 1757–1827
"I see thy Form O lovely mild Jerusalem..." (Plate 86)
1804 to 1820
William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake "Became a Space & an Allegory..." (Plate 85)
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
William Blake "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
Print made by William Blake, 1757–1827
"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
1804 to 1820
William Blake "The Feminine separates from the Masculine..." (Plate 90)
Print made by William Blake, 1757–1827
"The Feminine separates from the Masculine..." (Plate 90)
1804 to 1820
William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
William Blake "Awake! Awake Jerusalem..." (Plate 97)
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
William Blake "It is easier to forgive an enemy..." (Plate 91)
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
William Blake "Albion cold lays on his Rock..." (Plate 94)
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
William Blake "Then each an Arrow flaming from his Quiver..." (Plate 98)
Print made by William Blake, 1757–1827
"Then each an Arrow flaming from his Quiver..." (Plate 98)
1804 to 1820
William Blake Frontispiece, Europe. A Prophecy
Print made by William Blake, 1757–1827
Frontispiece, Europe. A Prophecy
ca. 1820
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
William Blake "And the Two that escaped..." (Plate 30)
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
William Blake "With one accord in love sublime..." (Plate 44)
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
William Blake "In Great Eternity every particular Form..." (Plate 54)
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
William Blake "When those who disregard all Mortal Things..." (Plate 55)
Print made by William Blake, 1757–1827
"When those who disregard all Mortal Things..." (Plate 55)
1804 to 1820
William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
William Blake "In beauty the Daughters of Albion divide..." (Plate 58)
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
William Blake "The clouds of Albions Druid Temples..." (Plate 60)
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
Print made by William Blake, 1757–1827
"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
1804 to 1820
William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
William Blake "Repose on me till the morning of the Grave..." (Plate 62)
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
William Blake "O Skofield why art thou cruel?..." (Plate 68)
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
William Blake Title Page, Illustrations of The Book of Job
Print made by William Blake, 1757–1827
Title Page, Illustrations of The Book of Job
1825
William Blake Job and His Daughters
Print made by William Blake, 1757–1827
Job and His Daughters
1825
William Blake "Elevate into the Region of Brotherhood..." (Plate 34)
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
William Blake "Reuben return'd to his place, in vain..." (Plate 36)
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
William Blake Job's Evil Dreams
Print made by William Blake, 1757–1827
Job's Evil Dreams
1825
William Blake Behemoth and Leviathan
Print made by William Blake, 1757–1827
Behemoth and Leviathan
1825
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
Paul Sandby Munn Landscape waith Figures, Cromach Water
Paul Sandby Munn, 1773–1845
Landscape waith Figures, Cromach Water
1805
Paul Sandby Portrait of a Lady at a Drawing Table
Paul Sandby, 1731–1809
Portrait of a Lady at a Drawing Table
undated
Sir David Wilkie Sketch for "Reading the Will"
Sir David Wilkie, 1785–1841
Sketch for "Reading the Will"
before 1820