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Credit Line Yale Center for British Art, Paul Mellon Collection

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Height [cm] 21

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Subject Terms men

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William Anderson London Bridge, with St. Paul's Cathedral in the distance
William Anderson, 1757–1837
London Bridge, with St. Paul's Cathedral in the distance
1815
Not on view
William Daniell Windsor Castle from the Thames
William Daniell, 1769–1837
Windsor Castle from the Thames
ca. 1825
Not on view
John Linnell A Finished Study for 'Reaping'
John Linnell, 1792–1882
A Finished Study for 'Reaping'
1858
Not on view
Richard Dadd Caravanserai at Mylasa in Asia Minor
Richard Dadd, 1817–1886
Caravanserai at Mylasa in Asia Minor
1845
Not on view
Frederick Nash The Monument and London Bridge
Frederick Nash, 1782–1856
The Monument and London Bridge
ca. 1825
Not on view
Robert Polhill Bevan A Morning at Tattersalls (with further sketches in left margin folded over)
Robert Polhill Bevan, 1865–1925
A Morning at Tattersalls (with further sketches in left margin folded over)
undated
Robert Polhill Bevan The Horse Mart (with further sketches in the margin)
Robert Polhill Bevan, 1865–1925
The Horse Mart (with further sketches in the margin)
ca. 1918
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
William Blake Fettered Urizen Weeping (Plate 12)
Print made by William Blake, 1757–1827
Fettered Urizen Weeping (Plate 12)
1794
William Blake "Highgates heights & Hampsteads..." (Plate 84)
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake "Became a Space & an Allegory..." (Plate 85)
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
William Blake "Awake! Awake Jerusalem..." (Plate 97)
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
William Blake "It is easier to forgive an enemy..." (Plate 91)
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
William Blake "Albion cold lays on his Rock..." (Plate 94)
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
William Blake Frontispiece, Europe. A Prophecy
Print made by William Blake, 1757–1827
Frontispiece, Europe. A Prophecy
ca. 1820
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "And the Two that escaped..." (Plate 30)
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
William Blake "In Great Eternity every particular Form..." (Plate 54)
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
William Blake "Repose on me till the morning of the Grave..." (Plate 62)
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
William Blake "Reuben return'd to his place, in vain..." (Plate 36)
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
Sir David Wilkie Sketch for "Reading the Will"
Sir David Wilkie, 1785–1841
Sketch for "Reading the Will"
before 1820
Thomas Stothard Study for the Wellington Shield
Thomas Stothard, 1755–1834
Study for the Wellington Shield
undated
John Hamilton Mortimer Portrait of John Saxby
attributed to John Hamilton Mortimer, 1740–1779
Portrait of John Saxby
undated
Thomas Malton the Younger York Water Gate
Thomas Malton the Younger, 1748–1804
York Water Gate
1795
John Hamilton Mortimer Choir and Orchestra (A Choral Band)
John Hamilton Mortimer, 1740–1779
Choir and Orchestra (A Choral Band)
1776
unknown artist Boats and Men on Beach
unknown artist
Boats and Men on Beach
undated
Thomas Girtin Ruins of the Savoy Palace, London
Thomas Girtin, 1775–1802
Ruins of the Savoy Palace, London
undated
George Shepheard The Village of Aldbury, Hertfordshire
George Shepheard, ca. 1770–1842
The Village of Aldbury, Hertfordshire
1816
Thomas Girtin The Guildhall, Exeter
Thomas Girtin, 1775–1802
The Guildhall, Exeter
ca. 1797
George Shepheard Shepheard, Field and Haughton (fighting)
George Shepheard, ca. 1770–1842
Shepheard, Field and Haughton (fighting)
undated
Mauritius Lowe The Artist Assaulted by Time, Ignorance and Envy
Mauritius Lowe, 1746–1793
The Artist Assaulted by Time, Ignorance and Envy
between 1772 and 1790
John Hamilton Mortimer Literary Characters Assembled Around the Medallion of Shakespeare
John Hamilton Mortimer, 1740–1779
Literary Characters Assembled Around the Medallion of Shakespeare
1776
unknown artist A View of Several Palaces at Naples at Sun Rise
Print made by unknown artist
A View of Several Palaces at Naples at Sun Rise
undated
Sir David Wilkie Grace Before Meat
Sir David Wilkie, 1785–1841
Grace Before Meat
1839
William Angus West Hill in Surrey, the Seat of D. H. Rucker Esqr.
Print made by William Angus, 1752–1821
West Hill in Surrey, the Seat of D. H. Rucker Esqr
1810
John Glover Hilly Landscape with River and Cattle
John Glover, 1767–1849
Hilly Landscape with River and Cattle
ca. 1810
Theodor von Holst Theatrical Group
Theodor von Holst, 1810–1844
Theatrical Group
undated
John Henderson Lord Penryn's Slate Quarries
John Henderson, 1764–1843
Lord Penryn's Slate Quarries
undated
George Heriot Canadian Figure Studies
George Heriot, 1766–1844
Canadian Figure Studies
undated
Thomas Rowlandson A Pier at Amsterdam (Version A)
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792
James Ward Elijah Casting off His Mantle
James Ward, 1769–1859
Elijah Casting off His Mantle
undated
Thomas Rowlandson Harvesters Resting in a Corn Field
Thomas Rowlandson, 1756–1827
Harvesters Resting in a Corn Field
between 1805 and 1810
John White Abbott A View of Core's Library, Dawlish, Devon
John White Abbott, 1763–1851
A View of Core's Library, Dawlish, Devon
1837
William Beilby Brick Bridge
William Beilby, 1740–1819
Brick Bridge
undated
John Greenwood Various Shipping off the Coast
John Greenwood, 1727–1792
Various Shipping off the Coast
undated
Robert Isaac Cruikshank A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles
Print made by Robert Isaac Cruikshank, 1789–1856
A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles
1824
William Ellis The House of William Russell, Esq., Showell Green: English and French Text
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green: English and French Text
1792
Alexander Bannerman Robert White, P. Vansomer, Isaac Becket, John Start and William Elder
Alexander Bannerman, ca. 1730–1780
Robert White, P. Vansomer, Isaac Becket, John Start and William Elder
undated
John Cousen Manse and Church of Cults, the Birthplace of Wilkie
John Cousen, 1804–1880
Manse and Church of Cults, the Birthplace of Wilkie
undated
Jacob Bonneau One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
Thomas Mann Baynes The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835
Print made by Thomas Mann Baynes, 1794–1854
The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835
after 1835
John Vanderbank "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
Hablot Knight Browne "Hark": Startled Horse and Alert Rider
Hablot Knight Browne, 1815–1882
"Hark": Startled Horse and Alert Rider
undated
Henry William Bunbury Patience in a Punt
Henry William Bunbury, 1750–1811
Patience in a Punt
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
undated
James Seymour Riders and Hounds in an Open Landscape
James Seymour, 1702–1752
Riders and Hounds in an Open Landscape
undated
Henry Thomas Alken "Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
Henry Thomas Alken, 1785–1851
"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
undated
unknown artist Tattersall's Training School
unknown artist
Tattersall's Training School
1771
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
undated
Henry Thomas Alken Two Riders Taking a Double Fence
Henry Thomas Alken, 1785–1851
Two Riders Taking a Double Fence
undated
John Collet A Game of Bowls
John Collet, ca. 1725–1780
A Game of Bowls
undated
Michael "Angelo" Rooker A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire
Michael "Angelo" Rooker, 1746–1801
A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire
undated
Thomas Rowlandson The Return from the Hunt
Thomas Rowlandson, 1756–1827
The Return from the Hunt
1787
Henry Thomas Alken "The National Sports of Great Britain," 1821: Owling
Henry Thomas Alken, 1785–1851
"The National Sports of Great Britain," 1821: Owling
1821
Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page
undated
Samuel Henry Gordon Alken Foxhunting: Hunt Servants Leading Out Hounds
Samuel Henry Gordon Alken, 1810–1894
Foxhunting: Hunt Servants Leading Out Hounds
undated
Samuel Henry Gordon Alken Riders Taking a Fence
Samuel Henry Gordon Alken, 1810–1894
Riders Taking a Fence
undated
Sawrey Gilpin Hunting: The Meet
Sawrey Gilpin, 1733–1807
Hunting: The Meet
undated
Charles Turner A Race Meeting (Weighing In)
Charles Turner, 1774–1857
A Race Meeting (Weighing In)
undated
Thomas Rowlandson Studies of George III and Statesmen
Thomas Rowlandson, 1756–1827
Studies of George III and Statesmen
undated
Thomas Rowlandson Quakers' Meeting
Thomas Rowlandson, 1756–1827
Quakers' Meeting
ca. 1810
James Fittler Mail Coach
James Fittler, 1758–1835
Mail Coach
ca. 1787
John Crome Back of the New Mills, Norwich
Print made by John Crome, 1768–1821
Back of the New Mills, Norwich
1812
Henry William Bunbury The Battle of the Cataplasm
Print made by Henry William Bunbury, 1750–1811
The Battle of the Cataplasm
between 1773 and 1817
Henry William Bunbury The Damnation of Obadiah
Print made by Henry William Bunbury, 1750–1811
The Damnation of Obadiah
between 1773 and 1817
William Bradford Pass in the Mountains Between Nisa and Villa Velha
William Bradford, active 1809
Pass in the Mountains Between Nisa and Villa Velha
1809
William Alexander The Hindostan at Anchor in the Strait of Mi-a-tau of the City of Ten-choo-fou at the Entrance to the Gulf of Pekin
William Alexander, 1767–1816
The Hindostan at Anchor in the Strait of Mi-a-tau of the City of Ten-choo-fou at the Entrance to the Gulf of Pekin
1793
Thomas Rowlandson The Market Place, Brackley, Northamptonshire
Thomas Rowlandson, 1756–1827
The Market Place, Brackley, Northamptonshire
undated
Thomas Rowlandson A Summer Idyll
Thomas Rowlandson, 1756–1827
A Summer Idyll
between 1810 and 1815
Thomas Rowlandson Loading a Waggon
Thomas Rowlandson, 1756–1827
Loading a Waggon
undated
Thomas Rowlandson Covent Garden Market
Thomas Rowlandson, 1756–1827
Covent Garden Market
between 1795 and 1810
George Baxter The Healing of the Lame Man
after George Baxter, 1804–1867
The Healing of the Lame Man
after 1855
unknown artist A View of the Sea from the Palace of the Vice Roy at Naples
Print made by unknown artist
A View of the Sea from the Palace of the Vice Roy at Naples
undated
unknown artist Spanish Palace at Naples
Print made by unknown artist
Spanish Palace at Naples
undated
unknown artist A View of the Mole and the New Castle at Naples
Print made by unknown artist
A View of the Mole and the New Castle at Naples
undated
unknown artist A View of Part of the Royal Gardens at Naples Towards the Sea
Print made by unknown artist
A View of Part of the Royal Gardens at Naples Towards the Sea
undated
unknown artist The Palace of Mont Alto at Naples
Print made by unknown artist
The Palace of Mont Alto at Naples
undated
John Doyle ('H.B.') A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume.
Print made by John Doyle ('H.B.'), 1797–1868
A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume
1846
George Baxter Gems of the Great Exhibition No. 4: The Foreign Department
Print made by George Baxter, 1804–1867
Gems of the Great Exhibition No. 4: The Foreign Department
1852 or 1854