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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionHeight [cm] 13
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1
- Study for 'Calypso's Grotto'
- ca. 1843
- Not on view
2
- Dedham Lock
- between 1819 and 1820
- Not on view
3
- Coastal Scene with Cliffs
- ca. 1814
- Not on view
4
- Running Greyhound
- 1980
- Not on view
5
- Kensington Gardens
- between 1815 and 1816
- Not on view
6
- Two Hares: On a Hillside
- ca. 1805
- Not on view
7
- Study of a Greyhound
- ca. 1860
- Not on view
8
- Greyhound: Facing Left, with a Dead Hare at His Feet
- ca. 1805
- Not on view
9
- Springer: A Spaniel Bounding Over a Log to Spring a Snipe on the Left
- ca. 1805
- Not on view
10
- A Setter: Facing Left, with a Partridge Hiding among Burdocks on the Left
- ca. 1805
- Not on view
11
- Landscape
- between 1849 and 1855
- Not on view
12
- Landscape with Lake
- 1828 to 1829
- Not on view
13
- Foxhunting: Clearing a Bank
- ca. 1840
- Not on view
14
- Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840
- before 1841
- Not on view
15
- Foal
- ca. 1990
- Not on view
16
- Southdown Ewe: Sandringham Ewe
- cast 1963 (original model 1933)
- Not on view
17
- Dr. Syntax: Seated on a Bucket Sketching a Landscape
- undated
- Not on view
18
- Horse
- 1994
- Not on view
19
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
20
- The Homeward Star
- begun ca. 1880
21
- The Sepulchre
- etching begun ca. 1800; impression printed in 1924
22
- The Weary Ploughman
- 1858
23
- The Weary Ploughman
- 1858
24
- The Cypress Grove
- plate etched between ca. 1880 and 1883; impression printed in 1924
25
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
26
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
27
- The Herdsman's Cottage
- 1850
28
- Moeris and Galatea
- plate etched between 1880 and 1883; impression printed in 1924
29
- The Timber Wain
- between 1833 and 1834
30
- The Ruins of Netley Abbey
- 1826
31
- Suffolk Landscape
- undated
32
- A View on the Orwell
- undated
33
- View near Arundel
- between 1834 and 1835
34
- Landscape with Windmill
- between 1825 and 1830
35
- Rhodes
- between 1823 and 1824
36
- Fisherman's Cottage, Dover
- ca. 1790s
37
- North East View of Grantham Church, Lincolnshire
- ca. 1797
38
- Albania
- between 1848 and 1849
39
- The Pontine Marshes above Terracina
- ca. 1880
40
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
41
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
42
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
43
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
44
- IV. "None could have other than natural or organic thoughts..." (Plate 6)
- ca. 1788
45
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
46
- Caius Julius Cæsar
- 1821
47
- From Antique Coins
- 1821
48
- Introduction (Plate 34)
- 1794
49
- I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
- ca. 1788
50
- Frontispiece (Plate 1)
- ca. 1788
51
- II. "Reason or the ratio of all we have already known..." (Plate 11)
- ca. 1788
52
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
53
- V. "Mans desires are limited by his perceptions..." (Plate 7)
- ca. 1788
54
- A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
- 1804
55
- Lion Attacking a Stag
- undated
56
- A Lion Standing over a Wounded Leapard
- undated
57
- Fox and the Hedgehog (Porcupine)
- undated
58
- View at Mr. Sheppard's, The Ridge, Gloucestershire
- undated
59
- A View from St. Mary's, Southwark, Looking Towards Westminster
- ca. 1638
60
- Herstmonceux Castle, Sussex Pl. IV
- undated
61
- Herstmonceux Castle, Sussex Pl. 4
- undated
62
- West Hill, the seat of D.H. Rucker
- undated
63
- Landscape with Sheep
- undated
64
- Ryde, Isle of Wight
- undated
65
- The Needles, Isle of Wight
- undated
66
- Undercliff, Isle of Wight
- undated
67
- A Lane with Figures - Isle of Wight (?)
- undated
68
- A Woman of Fashion in Walking Dress
- undated
69
- View in Oxford
- undated
70
- Landscape by Moonlight
- undated
71
- Versailles
- between 1831 and 1837
72
- Dr. Syntax Made Free of the Cellar
- undated
73
- River Ferry with Many Passengers and Animals
- undated
74
- A Satyr's Head
- 1836
75
- Man Asleep in a Bunk on Board a Ship
- undated
76
- Shepherd, Shepherdess and Dog
- undated
77
- The Deep-Dene. The Seat of Thomas Hope, Esq
- undated
78
- St. Thomas's Terrace, Wells
- 1873
79
- Two Swans on a Lake
- 1836
80
- Three Seated Ladies
- undated
81
- Hay Barge in a Calm Sea
- undated
82
- Garden Stair, Haddon Hall
- 1849
83
- Soldiers and Country Women
- undated
84
- West Hill in Surrey, the Seat of D. H. Rucker Esqr
- 1810
85
- Harbor Scene
- between 1826 and 1866
86
- View from Greenwich Park
- undated
87
- A Bridal Pair (Figures copied from Hogarth's Rake's Progress)
- 1780
88
- Linlithgow Palace
- undated
89
- Pocket Sketchbook
- undated
90
- Preparatory drawing for the Title page, "Designs for Villas" (A Collection of Designs for Rural Retreats)
- undated
91
- Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
- 1802
92
- Composition: Hilly Country
- undated
93
- Cottage and Foot Bridge
- 1794
94
- The Encampment
- undated
95
- Mrs. Mary Cawse
- 1831
96
- Colonel James Griffin, Aged 15
- 1682
97
- Landscape with River and Cliffs
- undated
98
- A Fashionable Audience
- undated
99
- A Tiger Pierced with an Arrow
- undated
100
- The Fair Grounds
- undated