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Credit Line Yale Center for British Art, Paul Mellon Collection

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Work Type watercolor

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Subject Terms gowns

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William Hogarth Study for the Foundlings
William Hogarth, 1697–1764
Study for the Foundlings
ca. 1739
William Blake Night the Second. On Time, Death and Friendship; Title Page
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
William Blake Title Page, The Book of Thel (Plate 2)
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake Night (Plate 30)
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
William Blake Night (Plate 16)
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
unknown artist Design for a Greenhouse at Kew Gardens
unknown artist
Design for a Greenhouse at Kew Gardens
undated
unknown artist The Long Minuet as Danced at Bath
unknown artist
The Long Minuet as Danced at Bath
after 1787
Lewis Vaslet The Spoiled Child, Scene II
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene II
ca. 1802
Lewis Vaslet The Spoiled Child, Scene I
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene I
ca. 1802
Thomas Stothard Girl, Full Length, Facing Front
Thomas Stothard, 1755–1834
Girl, Full Length, Facing Front
undated
unknown artist Design for the Parterre at Hampton Court
unknown artist
Design for the Parterre at Hampton Court
early 18th century
William Payne Private View of the Royal Academy
William Payne, active 1850s
Private View of the Royal Academy
1858
Thomas Rowlandson Bucks of the First Head
Thomas Rowlandson, 1756–1827
Bucks of the First Head
ca. 1785
Thomas Rowlandson The Undergraduate's Room
Thomas Rowlandson, 1756–1827
The Undergraduate's Room
undated
Thomas Stothard November 1st: Where is My Lord of Leicester (Vol. 3, p. 164) November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
Thomas Stothard, 1755–1834
November 1st: Where is My Lord of Leicester (Vol. 3, p. 164) November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
undated
unknown artist A Scene at Cambridge
unknown artist
A Scene at Cambridge
ca. 1820
Richard Dadd The Music Lesson or the Governess: a Sketch
Richard Dadd, 1817–1886
The Music Lesson or the Governess: a Sketch
1855
John Flaxman Study for a Monument to the Reverend John Clowes
John Flaxman, 1755–1826
Study for a Monument to the Reverend John Clowes
ca. 1820