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Credit Line Yale Center for British Art, Paul Mellon Collection

Work Type intaglio print

Height [cm] 45

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Woollett Dido and Aeneas

William Woollett, 1735–1785

Dido and Aeneas

1787

Edward Rooker The Summit of Cader Idris Mountain

Edward Rooker, 1724–1774

The Summit of Cader Idris Mountain

1775

William Woollett Solitude

Print made by William Woollett, 1735–1785

Solitude

1778

James Mason Pembroke Town and Castle

James Mason, 1710–1783

Pembroke Town and Castle

1775

James Ward Rustic Felicity

James Ward, 1769–1859

Rustic Felicity

undated

Charles Howard Hodges The Amorous Sportsman

Print made by Charles Howard Hodges, 1764–1837

The Amorous Sportsman

1786

William Woollett Ceyx and Alcyone

William Woollett, 1735–1785

Ceyx and Alcyone

1769

William Woollett Meleager and Atalanta

Print made by William Woollett, 1735–1785

Meleager and Atalanta

1779

William Woollett Celadon and Amelia

Print made by William Woollett, 1735–1785

Celadon and Amelia

1766

William Byrne Carnarvon Castle

William Byrne, 1743–1805

Carnarvon Castle

1775

Pierre Charles Canot The Great Bridge over the Taafe

Pierre Charles Canot, ca. 1710–1777

The Great Bridge over the Taafe

1775

Johann Jacobus Haid Mr. Foote in the Character of Major Sturgeon in "The Mayor of Garratt"

Johann Jacobus Haid, 1704–1767

Mr. Foote in the Character of Major Sturgeon in "The Mayor of Garratt"

1765

Francesco Bartolozzi St. Nil

Print made by Francesco Bartolozzi, 1728–1815

St. Nil

1762

Francesco Bartolozzi Juvenis auscultans seni de divinis admonenti

Print made by Francesco Bartolozzi, 1728–1815

Juvenis auscultans seni de divinis admonenti

1764

George Cooke Part of Waterloo Bridge with the Shot Tower, &c.

Print made by George Cooke, 1781–1834

Part of Waterloo Bridge with the Shot Tower, &c

1832

William Ward The Citizens Retreat

William Ward, 1766–1826

The Citizens Retreat

1796

William Ward A Vegetable Market

William Ward, 1766–1826

A Vegetable Market

1803

Victor Marie Picot Winter

Victor Marie Picot, 1744–1805

Winter

1794

Samuel Middiman Shakespeare's Winter Tale Act III Scene III

Samuel Middiman, ca. 1750–1831

Shakespeare's Winter Tale Act III Scene III

1794

Francesco Bartolozzi Queen Katherine's Dream

Francesco Bartolozzi, 1728–1815

Queen Katherine's Dream

1788

Gerard van der Gucht The Cape of Good Hope

Print made by Gerard van der Gucht, 1696–1776

The Cape of Good Hope

1736

Archibald Robertson The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr.

Archibald Robertson, 1748–1788

The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr

1782

William Woollett The Rural Cott

William Woollett, 1735–1785

The Rural Cott

1797

William Ward Selling Rabbits

William Ward, 1766–1826

Selling Rabbits

1796

Robert Thew Shakespeare's Tempest Act IV Scene I. Prospero's Cell.

Robert Thew, 1758–1802

Shakespeare's Tempest Act IV Scene I. Prospero's Cell

1800

William Woollett The Fishery

Print made by William Woollett, 1735–1785

The Fishery

1768

William Ward Compassionate Children

William Ward, 1766–1826

Compassionate Children

1793

William Bernard Cooke Neptune's Trident

Print made by William Bernard Cooke, 1778–1855

Neptune's Trident

1824 to 1825

Edward Rooker The Magicians Marching off After the Success of their Incantations

Edward Rooker, 1724–1774

The Magicians Marching off After the Success of their Incantations

ca. 1763

Edward Rooker A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

Edward Rooker, 1724–1774

A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

ca. 1763

J. P. Quilley The Deluge

Print made by J. P. Quilley, active 1828

The Deluge

1828

John Raphael Smith Bellsane and Parcival under the Enchantment of Urma

John Raphael Smith, 1752–1812

Bellsane and Parcival under the Enchantment of Urma

1782

John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

John Dixon, ca. 1740–1811

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

1771

William Woolnoth A View of the House and Part of the Garden at West Wycomb

William Woolnoth, active 1806–1830

A View of the House and Part of the Garden at West Wycomb

1757

William Woollett A View of the Lake etc. at West Wycomb

William Woollett, 1735–1785

A View of the Lake etc. at West Wycomb

1757

William Woollett A View of the Casade etc. at West Wycomb

William Woollett, 1735–1785

A View of the Casade etc. at West Wycomb

1757

Charles Turner Robert Banks Jenkinson, 2nd Earl of Liverpool

Print made by Charles Turner, 1774–1857

Robert Banks Jenkinson, 2nd Earl of Liverpool

1827

William Ward A Visit to the Child at Nurse

William Ward, 1766–1826

A Visit to the Child at Nurse

1788

Charles Rosenberg Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol..

Charles Rosenberg, active 1828–1848

Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol.

1831

Francesco Bartolozzi Venus Attired By The Graces

Francesco Bartolozzi, 1728–1815

Venus Attired By The Graces

1784

James S. Storer Birmingham

Print made by James S. Storer, 1771–1853

Birmingham

1795

Robert Thew As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

Robert Thew, 1758–1802

As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

1803

John Blackmore Samuel Foote Esq.

Print made by John Blackmore, active 1740–1780

Samuel Foote Esq

1771

Valentine Green Sir Joshua Reynolds

Valentine Green, 1739–1813

Sir Joshua Reynolds

1780

Francesco Bartolozzi Perseus Relating to Andromeda the Power of Medusa's Head

Francesco Bartolozzi, 1728–1815

Perseus Relating to Andromeda the Power of Medusa's Head

1788

Henry Hulsberg Cobham Hall, Kent: First and Second Floor Plans

Print made by Henry Hulsberg, active 1700s–died 1729

Cobham Hall, Kent: First and Second Floor Plans

1715 to 1725

Robert Blyth John Hamilton Mortimer

Robert Blyth, 1750–1784

John Hamilton Mortimer

1782

Augustus Welby Northmore Pugin St. Giles' Catholic Church: Elevation of the Steeple

Print made by Augustus Welby Northmore Pugin, 1812–1852

St. Giles' Catholic Church: Elevation of the Steeple

undated

Edward Alfred Goodall A Tomb

Edward Alfred Goodall, 1819–1908

A Tomb

1830

Daniel Allen Cristina

Print made by Daniel Allen, active 1830s

Cristina

1830

John Henry Robinson The Tarentella

Print made by John Henry Robinson, 1796–1871

The Tarentella

1830

Frederick Christian Lewis the Elder Giovanni and Garcia De' Medici

Print made by Frederick Christian Lewis the Elder, 1779–1856

Giovanni and Garcia De' Medici

1830

Daniel Allen A Grecian Drinking Cup

Print made by Daniel Allen, active 1830s

A Grecian Drinking Cup

1830

Edward Goodall Galileo's Villa

Print made by Edward Goodall, 1795–1870

Galileo's Villa

1830

John Henry Robinson The Death of Raphael

Print made by John Henry Robinson, 1796–1871

The Death of Raphael

1830

Daniel Allen Funeral of a Doge in St. Mark's Place

Print made by Daniel Allen, active 1830s

Funeral of a Doge in St. Mark's Place

1830

Edward Goodall Venice

Print made by Edward Goodall, 1795–1870

Venice

1830

John Pye Temples of Paestum

Print made by John Pye, 1782–1874

Temples of Paestum

1830

William Finden The Pilgrim's Return

Print made by William Finden, 1787–1852

The Pilgrim's Return

1830