Search Constraints
You searched for:
Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionWork Type drawing
Remove constraint Work Type: drawingHeight [cm] 21
Remove constraint Height [cm]: 21Search Results
1
- Sketch of a Base for the Mill Reef statue, 1972: Base with Statue
- 1972
2
- Swiss Cottage, Hampstead
- between 1912 and 1913
3
- A Morning at Tattersalls (with further sketches in left margin folded over)
- undated
4
- The Horse Mart (with further sketches in the margin)
- ca. 1918
5
- Swiss Cottage, Hampstead
- between 1912 and 1913
6
- At Hailsham, Sussex: a Storm Approaching
- 1821
7
- St. Augustine's Gate, Canterbury
- between 1792 and 1793
8
- Man with Horse and Cart Entering a Quarry
- ca. 1797
9
- South Porch and Tower of an Unidentified Church
- between 1790 and 1795
10
- Windsor Castle and Park with Deer
- undated
11
- "I have mock'd those who refused cruelty..." (Plate 81)
- 1804 to 1820
12
- "Highgates heights & Hampsteads..." (Plate 84)
- 1804 to 1820
13
- "I see thy Form O lovely mild Jerusalem..." (Plate 86)
- 1804 to 1820
14
- Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- 1804 to 1820
15
- "Became a Space & an Allegory..." (Plate 85)
- 1804 to 1820
16
- "Repelling weeping Enion blind & age-bent..." (Plate 87)
- 1804 to 1820
17
- "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
- 1804 to 1820
18
- "The Feminine separates from the Masculine..." (Plate 90)
- 1804 to 1820
19
- "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
- 1804 to 1820
20
- "Awake! Awake Jerusalem..." (Plate 97)
- 1804 to 1820
21
- "It is easier to forgive an enemy..." (Plate 91)
- 1804 to 1820
22
- "Albion cold lays on his Rock..." (Plate 94)
- 1804 to 1820
23
- "Then each an Arrow flaming from his Quiver..." (Plate 98)
- 1804 to 1820
24
- Frontispiece, Europe. A Prophecy
- ca. 1820
25
- "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
- 1804 to 1820
26
- "Albion thy fear has made me tremble..." (Plate 22)
- 1804 to 1820
27
- "And the Two that escaped..." (Plate 30)
- 1804 to 1820
28
- "The secret coverts of Albion & the hidden places of America..." (Plate 49)
- 1804 to 1820
29
- "With one accord in love sublime..." (Plate 44)
- 1804 to 1820
30
- "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
- 1804 to 1820
31
- "In Great Eternity every particular Form..." (Plate 54)
- 1804 to 1820
32
- "When those who disregard all Mortal Things..." (Plate 55)
- 1804 to 1820
33
- "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
- 1804 to 1820
34
- "In beauty the Daughters of Albion divide..." (Plate 58)
- 1804 to 1820
35
- "The clouds of Albions Druid Temples..." (Plate 60)
- 1804 to 1820
36
- "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
- 1804 to 1820
37
- "By those who drink their blood & the blood of their Covenant..." (Plate 67)
- 1804 to 1820
38
- "Then all the Males conjoined into One Male..." (Plate 69)
- 1804 to 1820
39
- "Repose on me till the morning of the Grave..." (Plate 62)
- 1804 to 1820
40
- "O Skofield why art thou cruel?..." (Plate 68)
- 1804 to 1820
41
- "Elevate into the Region of Brotherhood..." (Plate 34)
- 1804 to 1820
42
- "Reuben return'd to his place, in vain..." (Plate 36)
- 1804 to 1820
43
- Design for London Bridge Approach
- between 1827 and 1835
44
- Landscape waith Figures, Cromach Water
- 1805
45
- Portrait of a Lady at a Drawing Table
- undated
46
- Sketch for "Reading the Will"
- before 1820
47
- Study of a Tree on a Grassy Bank
- 1866
48
- Plymouth Harbor
- undated
49
- Study for the Wellington Shield
- undated
50
- Self-Portrait with Two Young Men
- between 1730 and 1740
51
- The Broken Pipe
- undated
52
- The Assignation
- undated
53
- Sheet of Classical Figure Studies
- undated
54
- The Birth of Venus
- undated
55
- Looking Across Lake Como
- undated
56
- Chiaja of Naples from Posillipo
- ca. 1780
57
- View from Fairlight near Hastings
- 1823
58
- The Great Gate of St. Augustine's Monastery, Canterbury
- 1757
59
- House with Weathercock
- undated
60
- Houses by the Riverside
- undated
61
- Man Seated on a Bank
- undated
62
- Kielder Castle, Northumberland
- undated
63
- Design for a Tudoresque Villa
- undated
64
- Design for a Tudoresque Villa
- undated
65
- On the Road Between Salerno and Eboli
- undated
66
- Portrait of John Saxby
- undated
67
- Strand Gateway, Winchelsea
- undated
68
- Gateway to Battle Abbey
- after 1819
69
- Man Drinking from a Spout
- undated
70
- Landscape with Thatched Buildings
- 1809
71
- Woman with Square Hat
- undated
72
- Study of a Young Girl, Seated
- undated
73
- York Water Gate
- 1795
74
- Choir and Orchestra (A Choral Band)
- 1776
75
- On the Wye
- undated
76
- A Cave in Sunlight, with Figures
- 1825
77
- Smugglers
- undated
78
- Boats and Men on Beach
- undated
79
- Elevation of a Proposed Design for Cambridge Colleges
- ca. 1823
80
- Stowe House, Buckingham
- 1797
81
- Landscape with a Distant View of London
- undated
82
- A Sandpit
- undated
83
- Village of Arima and Mount Tamana
- 1851
84
- The Cottage, Mount Tamana
- 1851
85
- River Landscape
- undated
86
- View of Side Farm, Patterdale
- ca. 1802
87
- Ruins of the Savoy Palace, London
- undated
88
- Portrait of Samuel Palmer, February 5, 1828
- 1828
89
- Laying Storm Anchors
- undated
90
- A Village Street
- undated
91
- Study of Moored Boat with Seated Figure
- undated
92
- The Village of Aldbury, Hertfordshire
- 1816
93
- Tysoe Windmill and Church, Warwickshire
- 1849
94
- Figures in an eastern colonnade
- undated
95
- Lago Maggior, Italy
- undated
96
- The Guildhall, Exeter
- ca. 1797
97
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
98
- Page Boy Asleep
- undated
99
- A Bushy Lane with a Field Beyond
- 1866
100
- Eton College from the South
- undated