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Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Period 18th century

Remove constraint Period: 18th century

Height [cm] 40

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Search Results

George Smith A View Supposedly Near Arundel, Sussex, with Figures in a Lane
George Smith, 1714–1776
A View Supposedly Near Arundel, Sussex, with Figures in a Lane
mid-18th century
Not on view
Francis Towne Old Walton Bridge
Francis Towne, 1740–1816
Old Walton Bridge
1785
Not on view
John Vanderbank A Scene from Don Quixote (Vol.II, Ch.XXIII)
John Vanderbank, 1694–1739
A Scene from Don Quixote (Vol.II, Ch.XXIII)
between 1730 and 1736
Not on view
George Chinnery A Man Carrying Faggots
George Chinnery, 1774–1852
A Man Carrying Faggots
ca. 1799
Not on view
George Morland Pheasant Shooting
George Morland, 1763–1804
Pheasant Shooting
ca. 1790
Not on view
George Morland Partridge Shooting
George Morland, 1763–1804
Partridge Shooting
ca. 1790
Not on view
William Hogarth Chairing the Members, Plate IV
William Hogarth, 1697–1764
Chairing the Members, Plate IV
1758
William Hogarth An Election Entertainment, Plate I
William Hogarth, 1697–1764
An Election Entertainment, Plate I
1755-58
William Hogarth Hogarth Painting the Comic Muse
Print made by William Hogarth, 1697–1764
Hogarth Painting the Comic Muse
1764
William Blake Night the Second. On Time, Death and Friendship; Title Page
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
James Bruce Constantine
James Bruce, 1730–1794
Constantine
undated
James Bruce Graphite elevation of unidentified column with graphite and pen and ink dimensions
James Bruce, 1730–1794
Graphite elevation of unidentified column with graphite and pen and ink dimensions
undated
George Townly Stubbs 'Dungannon'
George Townly Stubbs, 1748–1815
'Dungannon'
1794
George Townly Stubbs 'Mambrino'
George Townly Stubbs, 1748–1815
'Mambrino'
1794
George Townly Stubbs 'Protector'
George Townly Stubbs, 1748–1815
'Protector'
1794
George Townly Stubbs Sharke
George Townly Stubbs, 1748–1815
Sharke
1794
George Townly Stubbs Sharke
George Townly Stubbs, 1748–1815
Sharke
1794
George Townly Stubbs 'Sweetwilliam'
George Townly Stubbs, 1748–1815
'Sweetwilliam'
1796
George Townly Stubbs 'Sweetwilliam'
George Townly Stubbs, 1748–1815
'Sweetwilliam'
1796
George Townly Stubbs 'Sweetbrier'
George Townly Stubbs, 1748–1815
'Sweetbrier'
1794
George Morland Rustic Employment
George Morland, 1763–1804
Rustic Employment
1788
George Morland Rural Amusement
George Morland, 1763–1804
Rural Amusement
1788
Julius Caesar Ibbetson Robbing the Mail
Julius Caesar Ibbetson, 1759–1817
Robbing the Mail
ca. 1790
Sir Richard Colt Hoare Church of S. Domenico near Sora built upon the ruins of Cicero's Villa
Sir Richard Colt Hoare, 1758–1838
Church of S. Domenico near Sora built upon the ruins of Cicero's Villa
1790
Sir Richard Colt Hoare Castle of Balzerrano, in Abbruzo
Sir Richard Colt Hoare, 1758–1838
Castle of Balzerrano, in Abbruzo
1791
Sir Richard Colt Hoare Castle of Balzerrano, and Vale of Roveto, in Abbruzzo
Sir Richard Colt Hoare, 1758–1838
Castle of Balzerrano, and Vale of Roveto, in Abbruzzo
1791
Sir Richard Colt Hoare View on the river Vulturnus, Sept.r 1790
Sir Richard Colt Hoare, 1758–1838
View on the river Vulturnus, Sept.r 1790
1790
Sir Richard Colt Hoare The Carthusian Convent at Trisulto
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto
1790
Sir Richard Colt Hoare The Carthusian Convent at Trisulto
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto
1790
Sir Richard Colt Hoare The Carthusian Convent at Trisulto, near Alatri
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto, near Alatri
1790
Sir Richard Colt Hoare Monastery of La Trappe, at Casamare
Sir Richard Colt Hoare, 1758–1838
Monastery of La Trappe, at Casamare
1790
Sir Richard Colt Hoare Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora
Sir Richard Colt Hoare, 1758–1838
Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora
1791
Sir Richard Colt Hoare Ducal Palace etc at Isola di Sora
Sir Richard Colt Hoare, 1758–1838
Ducal Palace etc at Isola di Sora
1791
Sir Richard Colt Hoare View on the Liris near Isola
Sir Richard Colt Hoare, 1758–1838
View on the Liris near Isola
1790
Sir Richard Colt Hoare View on the River Liris near Isola
Sir Richard Colt Hoare, 1758–1838
View on the River Liris near Isola
1790
Sir Richard Colt Hoare View near Sora on the Liris
Sir Richard Colt Hoare, 1758–1838
View near Sora on the Liris
1790
Sir Richard Colt Hoare View on the Liris at Isola di Sora
Sir Richard Colt Hoare, 1758–1838
View on the Liris at Isola di Sora
1790
Sir Richard Colt Hoare The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora
Sir Richard Colt Hoare, 1758–1838
The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora
1790
Sir Richard Colt Hoare Ducal Palace at Isola di Sora
Sir Richard Colt Hoare, 1758–1838
Ducal Palace at Isola di Sora
1790
Sir Richard Colt Hoare View on the river Liris, near Isola
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola
1790
Sir Richard Colt Hoare View on the river Liris, near Isola di Sora
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola di Sora
1790
Sir Richard Colt Hoare View on the river Liris, near Isola
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola
1790
Sir Richard Colt Hoare Ducal Palace at Isola di Sora
Sir Richard Colt Hoare, 1758–1838
Ducal Palace at Isola di Sora
1791
Sir Richard Colt Hoare View on the Liris, near Isola di Sora
Sir Richard Colt Hoare, 1758–1838
View on the Liris, near Isola di Sora
1790
Sir Richard Colt Hoare View on the River Liris
Sir Richard Colt Hoare, 1758–1838
View on the River Liris
1790
Sir Richard Colt Hoare Convento del Carmine, at Isola di Sora
Sir Richard Colt Hoare, 1758–1838
Convento del Carmine, at Isola di Sora
1790
Sir Richard Colt Hoare View at Isola di Sora
Sir Richard Colt Hoare, 1758–1838
View at Isola di Sora
1790
Sir Richard Colt Hoare View on the River Liris, near Isola
Sir Richard Colt Hoare, 1758–1838
View on the River Liris, near Isola
1790
George Townly Stubbs 'Baronet'
George Townly Stubbs, 1748–1815
'Baronet'
1794
George Townly Stubbs 'Baronet'
George Townly Stubbs, 1748–1815
'Baronet'
1794
Charles Howard Hodges Henry Hope Esq. of Amsterdam
Charles Howard Hodges, 1764–1837
Henry Hope Esq. of Amsterdam
1788
John Browne The Sportsman
Print made by John Browne, 1741–1801
The Sportsman
1775
George Vertue James Craggs the Elder
George Vertue, 1684–1756
James Craggs the Elder
1728
Giuseppe Marchi Samuel Dyer
Giuseppe Marchi, ca. 1735–1808
Samuel Dyer
1773
Charles Grignion A French Petit Maître and His Valet
Charles Grignion, 1717–1810
A French Petit Maître and His Valet
1771
John Boydell Night
Print made by John Boydell, 1720–1804
Night
1756
Paul Sandby The Victor Conducted in Triumph
Paul Sandby, 1731–1809
The Victor Conducted in Triumph
ca. 1781
John Boydell The Wreck of the Nuestra Senora de los Remedios
Print made by John Boydell, 1720–1804
The Wreck of the Nuestra Senora de los Remedios
1753
James Bruce No. 29 sketch of temple remains at Baalbec or Palmyra
James Bruce, 1730–1794
No. 29 sketch of temple remains at Baalbec or Palmyra
undated
James Bruce Plate XV Back of Temple at Sheitla [sic]
James Bruce, 1730–1794
Plate XV Back of Temple at Sheitla [sic]
undated
James Bruce Lower Arch at Makther on Back
James Bruce, 1730–1794
Lower Arch at Makther on Back
undated
James Bruce Architectural Details of Arch at Makther
James Bruce, 1730–1794
Architectural Details of Arch at Makther
undated
James Bruce Trajans Arch, Makter
James Bruce, 1730–1794
Trajans Arch, Makter
undated
James Bruce XVLL Arch at Makther
James Bruce, 1730–1794
XVLL Arch at Makther
undated
James Bruce Entrance Gate, Zaghouan
James Bruce, 1730–1794
Entrance Gate, Zaghouan
ca. 1768
James Bruce Sketch of Arches in Perspective
James Bruce, 1730–1794
Sketch of Arches in Perspective
ca. 1768
James Bruce Arch and Corinthian Temple of Assuras mod. Zanfour
James Bruce, 1730–1794
Arch and Corinthian Temple of Assuras mod. Zanfour
undated
James Bruce Plan of the circular temple at Baalbec
James Bruce, 1730–1794
Plan of the circular temple at Baalbec
undated
James Bruce Back view of the same circular temple in its present state
James Bruce, 1730–1794
Back view of the same circular temple in its present state
undated