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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1817

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Height [cm] 20

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Joseph Mallord William Turner A View of Boppart, with Figures on the River Bank
Joseph Mallord William Turner, 1775–1851
A View of Boppart, with Figures on the River Bank
1817
Joseph Mallord William Turner Rheinfels Looking to Katz and Goarhausen
Joseph Mallord William Turner, 1775–1851
Rheinfels Looking to Katz and Goarhausen
1817
Joseph Mallord William Turner Andernach
Joseph Mallord William Turner, 1775–1851
Andernach
1817
John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
John Thomas Smith The Reconcilation
John Thomas Smith, 1766–1833
The Reconcilation
1817
John Thomas Smith Hogarth at Old Slaughter's Hobbing with Highmore the Painter
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
John Thomas Smith Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
John Thomas Smith The Eleventh Hour
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
John Thomas Smith Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
Samuel Howitt Honey-Badger
Samuel Howitt, 1756–1822
Honey-Badger
1817
Richard Parkes Bonington A Wooded Stream and a Farmhouse in Normandy
Richard Parkes Bonington, 1802–1828
A Wooded Stream and a Farmhouse in Normandy
undated
John Thomas Smith The Smock Exposed
John Thomas Smith, 1766–1833
The Smock Exposed
1817
Isaac Weld "After Pinnelli" (Group of Peasants Outside a House)
Isaac Weld, 1774–1856
"After Pinnelli" (Group of Peasants Outside a House)
1817
William Bernard Cooke Bodiham Castle, Sussex
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1817
Robert Havell Shooting: Set of six with title-page and printed wrapper: Sporting Miseries, or Six Red Letter Days in the country
Robert Havell, 1769–1832
Shooting: Set of six with title-page and printed wrapper: Sporting Miseries, or Six Red Letter Days in the country
1817
John Frederick Tayler A Ploughboy Riding One of a Pair of Draught-horses Up a Hill
John Frederick Tayler, 1802–1889
A Ploughboy Riding One of a Pair of Draught-horses Up a Hill
undated
John Sell Cotman South-East View of the Church of Lery, near Pont-de-l'Arche, Normandy
John Sell Cotman, 1782–1842
South-East View of the Church of Lery, near Pont-de-l'Arche, Normandy
1817