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Collection
Prints and Drawings
108
Creator
Blake, William, 1757–1827
41
Edwards, Richard, active 1796–1797
41
Young, Edward, 1683–1765
41
Bartolozzi, Francesco, 1727–1815
14
Gillray, James, 1756–1815
11
Turner, J. M. W. (Joseph Mallord William), 1775–1851
9
Walker, James, 1748–1808
7
Ward, William, 1766–1826
5
Wheatley, Francis, 1747–1801
5
Unknown artist
4
Cotman, John Sell, 1782–1842
3
Reynolds, Joshua, Sir, 1723–1792
3
Carracci, Lodovico, 1555–1619
2
Cosway, Richard, 1742–1821
2
Dunkarton, Robert, 1744–1811
2
Gainsborough, Thomas, 1727–1788
2
Gaugain, Thomas, 1748–1812
2
Morland, George, 1763–1804
2
Pollard, Robert, 1755–1838
2
Whessell, John, 1760–ca. 1823
2
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Creator
»
Date
1834
470
1546
247
1835
222
1782
201
1827
195
1830
189
1630
177
1833
172
1836
163
1800
131
1797
[remove]
108
1808
106
1837
106
1795
104
1792
103
1832
102
1803
101
1814
93
1802
92
1818
91
1828
87
1820
80
1816
79
1789
77
1788
76
1812
75
1793
74
1811
74
1826
72
1850
71
1825
68
1780
66
1859
66
1550
65
1831
65
1745
63
1790
63
1796
62
1799
62
1819
62
1823
61
1785
59
1773
58
1776
58
1762
56
1794
56
1783
54
1787
54
1813
54
1772
52
1784
52
1824
52
1779
51
1809
51
1791
50
1810
50
1775
46
1821
46
1755
45
1700
44
1807
44
1739
43
1798
41
1822
41
1838
41
1801
40
1806
40
1769
39
1771
38
1829
38
1765
36
1839
36
1896
36
1563
35
1786
35
1842
35
1743
34
1770
34
1804
34
1778
33
1760
32
1777
32
1781
32
1568
30
1805
30
1764
27
1817
27
1757
25
1768
25
1815
25
1767
24
1855
24
1553
23
1559
23
1642
23
1763
23
1774
23
1715
20
1735
20
1750
20
On-site Access
Accessible by appointment in the Study Room
108
Image Use
Free to Use
108
Image Available
Available
106
Unavailable
2
Classification
Prints
108
Creator Gender
male
108
unknown
4
female
3
Collective Title
Young's Night Thoughts
41
'The Copper-Plate Magazine' and 'The Itinerant,' 1794-1798
7
Iconographie Anglaise par Reynolds et Autres
4
Cries of London
1
Howlett's 'Selection of Views in the County of Lincoln,' 1797-1801
1
The Copper-Plate Magazine and The Itinerant
1
The Cries of London
1
Period
18th century
99
18th century-19th century
5
19th century
4
Materials & Techniques
wove paper
61
line engraving
58
etching (printing process)
49
watercolor
42
stipple engraving
20
mezzotint
13
aquatint
8
laid paper
4
soft-ground etching
4
colored ink
2
hand coloring
2
Engraving
1
brown ink
1
chine collé
1
color printing
1
drypoint
1
proofs: prints
1
Height [cm]
Height [cm] range begin
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Current results range from
6
to
66
Unknown
11
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
8
to
80
Unknown
11
Work Type
intaglio print
[remove]
108
watercolor
41
ticket
2
Genre
religious and mythological subject
47
literary theme
44
portrait
17
genre subject
15
architectural subject
12
landscape
10
cityscape
5
historical subject
5
marine art
4
military art
3
animal art
1
Subject Terms
literary theme
41
religious and mythological subject
41
text
37
men
30
man
25
women
22
nudes
13
beard
12
clouds
11
caricature
10
landscape
10
nude
10
river
10
satire
10
caricatures
9
grass
9
woman
9
children
8
portrait
8
trees
8
more
Subject Terms
»
Associated Places
United Kingdom
12
England
10
Greater London
2
Hampton Court
2
Hereford and Worcester
2
Herefordshire
2
Leominster
2
London
2
Lugg
2
Thames
2
Wales
2
Westminster
2
Westminster bridge
2
Caernarfonshire and Merionethshire
1
Cambridgeshire
1
Carlisle
1
Carlisle Cathedral
1
Cumbria
1
Cymru
1
Dee
1
more
Associated Places
»
Associated People
Fox, Charles James (1749–1806), politician
6
Pitt, William [known as Pitt the younger] (1759–1806), prime minister
3
Dundas, Henry, first Viscount Melville (1742–1811), British politician and lawyer
1
Dyck, Sir Anthony Van (1599–1641), painter and etcher
1
Erskine, Thomas, first Baron Erskine (1750–1823), British politician
1
Frederick, Prince William Duke of Gloucester and Edinburgh (1776–1834)
1
Grey, Charles, 2nd Earl Grey (1764–1845), politician/statesman
1
Medina, Sir John Baptiste de (1659–1710), painter
1
Rebecca, Lady Northwick (nee Bowles, married Sir John Rushout; d. 1818)
1
Rushout, Anne (d. 1849)
1
Sheridan, Richard Brinsley (1751–1816), playwright and politician
1
Taylor, Right Hon Michael Angelo (1757–1834), English politician and member of Parliament
1
Wilberforce, William (1759–1833), politician and philanthropist
1
angel
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)
1
Crown Pictorial - Art and the British Monarchy (Yale Center for British Art, 1990-12-05 - 1991-02-17)
1
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
1
Thomas Gainsborough (Tate) (Musée du Louvre, 1981-02-07 - 1981-04-26)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
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108
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Yale Center for British Art, Paul Mellon Collection
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Date
1797
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Work Type
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1
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
2
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
3
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
4
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
5
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
6
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
7
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
8
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
9
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
10
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
11
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
12
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
13
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
14
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
15
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
16
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
17
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
18
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
19
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
20
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
21
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
22
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
23
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
24
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
25
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
26
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
27
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
28
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
29
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
30
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
31
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
32
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
33
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
34
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
35
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
36
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
37
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
38
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
39
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
40
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
41
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
42
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
43
Print made by John Sell Cotman, 1782–1842
Harlech Castle
undated
44
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
1797
45
Print made by John Sell Cotman, 1782–1842
Castle Above a Rocky Gorge
undated
46
Print made by Thomas Burke, 1749–1815
Content and Innocence
1797
47
Robert Dunkarton, 1744–1811
The Soldier's Widow; or Schoolboys' Collection
ca. 1802
48
Robert Dunkarton, 1744–1811
Abraham Offering up His Son
1797
49
Print made by John Sell Cotman, 1782–1842
A Bridge
undated
50
William Ward, 1766–1826
Daughters of Sir Thomas Frankland
1797
51
William Ward, 1766–1826
Daughters of Sir Thomas Frankland
1797
52
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Madame Banti
1797
53
William Woollett, 1735–1785
The Rural Cott
1797
54
Robert Pollard, 1755–1838
A North East View of the Tuesday Market Place of Lynn Regis
1797
55
Print made by Francesco Bartolozzi, 1728–1815
Luís Pinto De Sousa Coutinho, Visconde De Balsemão
1797
56
Print made by James Walker, 1748–1808
Hampton Court Palace, Herefordshire
1797
57
Print made by James Walker, 1748–1808
Westminster Bridge
1797
58
Print made by Francesco Bartolozzi, 1728–1815
Their Royal Highnesses, The Prince & Princess Of Wales
1797
59
Francesco Bartolozzi, 1728–1815
Princess Charlotte Augusta
1797
60
Print made by Joseph Stannard, 1797–1830
Fisherfolk Mending Their Nets
undated
61
Francesco Bartolozzi, 1728–1815
Princess Charlotte Augusta
1797
62
Francesco Bartolozzi, 1728–1815
Flight Into Egypt
1797
63
Print made by Francesco Bartolozzi, 1728–1815
Luís Pinto De Sousa Coutinho, Visconde De Balsemão
1797
64
Print made by Francesco Bartolozzi, 1728–1815
Queen Catherine Howard
1797
65
John Murphy, ca. 1748–1820
The Encampment at Brighton
1797
66
John Whessell, 1760–ca. 1823
The Itinerant Potters
1797
67
John Whessell, 1760–ca. 1823
The Woodman's Return
1797
68
John William Edy, 1760–1820
View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795
1797
69
Francesco Bartolozzi, 1728–1815
The Birth of Pyrrhus
1797
70
Francesco Bartolozzi, 1728–1815
Abraham Entertaining Three Angels, Genesis 18, v. 1
1797
71
Francesco Bartolozzi, 1728–1815
Jacob's Vision, Genesis 28, v. II
1797
72
Print made by Thomas Gainsborough, 1727–1788
Wooded Upland Landscape with Riders and Packhorse
1797
73
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Madame Banti
1797
74
William Evans, active 1797–1856
Sir Henry Charles Englefield, 7th Baronet
undated
75
William Henry Brooke, 1772–1860
Herstmonceux Castle from the South
undated
76
Print made by Robert Pollard, 1755–1838
His Majesty Reviewing His Troops on Black Heath
1797
77
unknown artist
North Front of the Bank
1797
78
Francesco Bartolozzi, 1728–1815
The Apotheosis of A Beautiful Female
1797
79
John Raphael Smith, 1752–1812
Sir Brooke Boothby, 6th Baronet Boothby of Broadlow Ash
1797
80
George Siegmund Facius, 1750–1804
John Smith, D.D.F.S.A
1797
81
William Ward, 1766–1826
[Fox-hunting] Outside of a Country Alehouse
1797
82
Print made by James Walker, 1748–1808
Carlisle
1797
83
Print made by John Walker, active 1792–1803
Flint, from Park-Gate
1797
84
Print made by James Walker, 1748–1808
Westminster Bridge
1797
85
Print made by James Walker, 1748–1808
Hampton Court Palace, Herefordshire
1797
86
Print made by James Walker, 1748–1808
Ely
1797
87
Print made by James Walker, 1748–1808
Elgin Cathedral, Morayshire
1797
88
William Ward, 1766–1826
Inside of a Country Alehouse
1797
89
George Morland, 1763–1804
The Horse Feeder
1797
90
Print made by Bartholomew Howlett, 1767–1827
Grantham Church
1797
91
Edward Harding, 1755–1840
Sir John Medina
1797
92
Print made by unknown artist
Portrait de Van-Dyck
undated
93
James Gillray, 1756–1815
A Dash Up St. James's Street
1797
94
James Gillray, 1756–1815
Pylades & Orestes (Stadtholder & His Secretary)
1797
95
James Gillray, 1756–1815
Patern-Staff - Weymouth
1797
96
James Gillray, 1756–1815
Le Coup de Maitre
1797
97
James Gillray, 1756–1815
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing
1797
98
James Gillray, 1756–1815
The Salute, - Vide, The Parade
1797
99
James Gillray, 1756–1815
The Tree of Liberty
1797
100
James Gillray, 1756–1815
Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined
1797
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