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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionDate 1793
Remove constraint Date: 1793Search Results
1
- The Wandering Sailor
- ca. 1798
- Not on view
2
- Hussars Embarking at Deptford
- 1793
- Not on view
3
- A Marmoset in Three Attitudes
- 1793
- Not on view
4
- Flowers in a Pitcher
- undated
5
- Christ Church Gate, Canterbury
- 1793 to 1794
6
- Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
- 1793
7
- I Found Him Beneath a Tree (Plate 3)
- 1793
8
- Does Thy God O Priest Take such Vengeance as This? (Plate 14)
- 1793
9
- Alas! (Plate 9)
- 1793
10
- I Want! I Want! (Plate 11)
- 1793
11
- My Son! My Son! (Plate 10)
- 1793
12
- Aged Ignorance (Plate 13)
- 1793
13
- Help! Help! (Plate 12)
- 1793
14
- Fear & Hope Are -- Vision (Plate 15)
- 1793
15
- Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
- 1793
16
- Title Page, For Children. The Gates of Paradise (Plate 2)
- 1793
17
- Water (Plate 4)
- 1793
18
- Air (Plate 6)
- 1793
19
- Earth (Plate 5)
- 1793
20
- Fire (Plate 7)
- 1793
21
- The Traveller Hasteth in the Evening (Plate 16)
- 1793
22
- Death's Door (Plate 17)
- 1793
23
- I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
- 1793
24
- What is Man!, Frontispiece (Plate 1)
- 1793
25
- At Length for Hatching Ripe He Breaks the Shell (Plate 8)
- 1793
26
- Frontispiece (Plate 1)
- 1793
27
- Title Page, Visions of the Daughters of Albion (Plate 2)
- 1793
28
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
29
- "But when the morn arose, her lamentation renewd..." (Plate 8)
- 1793
30
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
31
- "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
- 1793
32
- "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
- 1793
33
- "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
- 1793
34
- Title Page. America, A Prophecy (Plate 2)
- 1793
35
- Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
- 1793
36
- "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
- 1793
37
- "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
- 1793
38
- "Appear to the Americans upon the cloudy night..." (Plate 6)
- 1793
39
- "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
- 1793
40
- Frontispiece. Albion's Angel (Plate 1)
- 1793
41
- "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
- 1793
42
- "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
- 1793
43
- A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
- 1793
44
- "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
- 1793
45
- Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
- 1793
46
- "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
- 1793
47
- "What time the thirteen Governors that England sent convene..." (Plate 15)
- 1793
48
- "Silent as despairing love, and strong as jealousy..." (Plate 4)
- 1793
49
- For Children. The Gates of Paradise, London, by William Blake
- 1793
50
- Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
- 1793
51
- Europe. A Prophecy
- 1793, printed 1795
52
- Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793
- 1793
53
- Dismounted Cavalry
- undated
54
- River Landscape with Two Figures, Lake and Distant Mountains
- undated
55
- River, Trees and Distant Town
- undated
56
- Gateway of an Old Fort, Benares
- 1793 or 179(8)
57
- View on the Thames at Battersea
- undated
58
- A Tea Garden
- 1793
59
- Two Donkeys in a Landscape
- undated
60
- Inside View of Indur Subba
- between 1793 and 1795
61
- Seashore with Two Figures and a Distant Town
- undated
62
- The Hindostan at Anchor in the Strait of Mi-a-tau of the City of Ten-choo-fou at the Entrance to the Gulf of Pekin
- 1793
63
- Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793
- 1793
64
- Landscape with Cottage and Figures on Horseback
- 1793
65
- Joseph de Lautour
- 1793
66
- Amelia de Lautour
- 1793
67
- Peter de Lautour
- 1793
68
- Thomas Quincey
- 1793
69
- Two Bunches of Penny Primroses, Two Bunches a Penny
- 1793
70
- Milk below Maids
- 1793
71
- Two Men on a Country Road
- 1793
72
- Norwich
- undated
73
- Mountain Landscape with Castle Ruins on a Cliff
- undated
74
- Mountainous Landscape, with River Flowing to Bridge in Distance, a Figure Right
- undated
75
- Barnard Castle, County Durham
- undated
76
- Bamburgh Castle, Northumberland
- undated
77
- River Landscape
- undated
78
- Merida, Spain
- undated
79
- A Village Street
- undated
80
- Cattle Watering at Sunset
- undated
81
- River Landscape with Figures
- undated
82
- Boat Sailing to the Right with Mountains in the Background
- undated
83
- Architectural Drawing of a Building with Astrological Symbols
- undated
84
- The High Street of Edinburgh from the East
- 1793
85
- View of the High Street of Edinburgh and the Commissioner
- 1793
86
- Wooded Landscape with Figures Round a Cooking Pot
- 1793
87
- Landscape with a Boatshed
- undated
88
- Trinity Hall from the Garden, Cambridge
- undated
89
- Milton's Mulberry Tree, Christ's College Gardens, Cambridge
- undated
90
- Clare College, Cambridge
- undated
91
- A Young Woman Looking Down
- undated
92
- Landscape by Moonlight
- undated
93
- London from the Thames
- undated
94
- Trees Overhanging a River
- undated
95
- View of Rugged Coastline, Bamburgh, Northumberland
- undated
96
- The Fisherman
- undated
97
- A Romantic Landscape
- undated
98
- Study for Captain William George Fairfax for the Painting "The Victory of Lord Duncan"
- ca. 1798
99
- Ruins du Château du Heidelberg
- 1793
100
- Frederick Howard, fifth Earl of Carlisle
- undated