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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionDate 1792
Remove constraint Date: 1792Work Type watercolor
Remove constraint Work Type: watercolorSearch Results
1
- Man with Horse and Cart Entering a Quarry
- ca. 1797
2
- St. Augustine's Gate, Canterbury
- between 1792 and 1793
3
- North East View of Grantham Church, Lincolnshire
- ca. 1797
4
- 'And vapid; sense and reason shew the door' (Page 72)
- ca. 1797
5
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797
6
- 'When faith is virtue, reason makes it so' (Page 92)
- ca. 1797
7
- 'This King of Terrors is the Prince of Peace' (Page 63)
- ca. 1797
8
- The Christian Triumph; Title Page
- ca. 1797
9
- 'If angels tremble, 'tis at such a sight' (Page 93)
- ca. 1797
10
- 'The goddess bursts in thunder and in flame' (Page 95)
- ca. 1797
11
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
12
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
13
- Night the Third. Narcissa; Title Page
- ca. 1797
14
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
15
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
16
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
17
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
18
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
19
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
20
- 'Where sense runs savage broke from reason's chain' (Page 46)
- ca. 1797
21
- 'O treacherous conscience!' (Page 27)
- ca. 1797
22
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
23
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- ca. 1797
24
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
25
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
26
- 'That touch, with charm celestial heals the soul' (Page 90)
- ca. 1797
27
- Night the First. On Life, Death and Immortality; Title Page
- ca. 1797
28
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
29
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
30
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
31
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
32
- Night the Second. On Time, Death and Friendship; Title Page
- ca. 1797
33
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
34
- 'Emblem of that which shall awake the dead' (Page 19)
- ca. 1797
35
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- ca. 1797
36
- 'Till death, that mighty hunter, earths them all' (Page 70)
- ca. 1797
37
- 'The thunder if in that the Almighty dwells' (Page 80)
- ca. 1797
38
- 'We censure nature for a span too short' (Page 23)
- ca. 1797
39
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- ca. 1797
40
- 'The longest night though longer far, would fail' (Page 15)
- ca. 1797
41
- 'Behold him, when past by; what then is seen' (Page 25)
- ca. 1797
42
- Industrious Jenny
- undated
43
- Scotsman with Sword; Modern Dress of a Highland Chieftan
- undated
44
- Uncle George in the Dress of a Highland Herdsman
- undated
45
- Bridgnorth
- undated
46
- Shore Scene with Sailing Ship at Quay
- undated
47
- A Church Porch
- undated
48
- Near the Ferry going to Gott's, Leeds
- undated
49
- Near Mallwyd on the Dovey
- undated
50
- A View of Waltham Abbey, Herts, Essex
- undated
51
- Pirates
- undated
52
- Richmond Castle, Yorkshire
- undated
53
- River Scene with Waterfall and High Trees
- 1792
54
- William Lee, October 1, 1792
- 1792
55
- A Durbar Scene, Poona, October 3, 1792
- 1792
56
- Two Jeyties Wrestling
- 1792
57
- Two Jeyties
- 1792
58
- View on the River Bhima at Deval Gaun, 28 Miles East of Poona
- 1792 to 1794
59
- Krishna and Radha
- 1792 to 1795
60
- The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
- July 14, 1792
61
- Tipu Sultan's Summer Palace
- 1792
62
- Robert Graham of Gartmore, later Cunninghame Graham
- 1792
63
- Corsham Court, Wiltshire: Elevation of the North Front
- ca. 1797
64
- Lady Bective
- undated
65
- Castle Acre Priory
- undated
66
- The River at Dusk, Oxford
- 1792
67
- River with Fishermen
- 1792
68
- The Coal Wharf, Oxford
- 1792
69
- A Raree Show
- between 1792 and 1793
70
- A Pier at Amsterdam (Version A)
- 1792
71
- An Old Fisherman Repairing Nets with a Cottage in the Background
- undated
72
- Racing Scene
- 1792
73
- Man Toasting Another Man . .
- undated
74
- The Kill
- 1792
75
- Madiera, South East Extremity, 10 October
- 1792
76
- Haymaking
- 1792
77
- Young Girl Sitting on a Bank outside a Church
- undated
78
- An Indian Shrub with White Blossoms and Pointed Leaves
- between 1792 and 1807
79
- Dunnottar Castle
- 1792
80
- Cottage near Newcastle, Northumberland
- ca. 1797
81
- Sharpham, near Totnes, Devon
- ca. 1797
82
- St. Alban's Cathedral, Hertfordshire
- ca. 1797
83
- Cawdor Castle, Scotland
- 1792
84
- Lyme Regis, Dorset
- ca. 1797
85
- Fort Santa Cruz, Rio de Janeiro
- 1792
86
- Island of Mayo, Cape de Verde, 2 November
- 1792
87
- Off Rio de Janeiro
- 1792
88
- London from Highgate Hill
- 1792
89
- Country House
- ca. 1797
90
- Kingswear Seen from Dartmouth, Devon
- ca. 1797
91
- Marine sketch
- 1792
92
- The Elopement
- 1792
93
- Findlater Castle, Banff
- between 1792 and 1793
94
- Estuary on the River Taw, Devon
- ca. 1797
95
- Teneriffe, to the East of Santa Cruz, 22 October
- 1792
96
- St. Jago, Cape de Verde, 3 November
- 1792
97
- Elgin Cathedral, Moray
- 1792
98
- The Northern Boundary of St. Bride's Bay
- 1792
99
- Ullswater, Looking toward Patterdale
- 1792
100
- Village of Stonethwaite and Eagle Cragg, Borrowdale
- 1792