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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionDate 1792
Remove constraint Date: 1792Work Type intaglio print
Remove constraint Work Type: intaglio printSearch Results
1
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
2
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
3
- 'O treacherous conscience!' (Page 27)
- ca. 1797
4
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
5
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
6
- 'This King of Terrors is the Prince of Peace' (Page 63)
- ca. 1797
7
- 'And vapid; sense and reason shew the door' (Page 72)
- ca. 1797
8
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
9
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
10
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
11
- Night the Third. Narcissa; Title Page
- ca. 1797
12
- 'Where sense runs savage broke from reason's chain' (Page 46)
- ca. 1797
13
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
14
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
15
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- ca. 1797
16
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
17
- 'The thunder if in that the Almighty dwells' (Page 80)
- ca. 1797
18
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
19
- 'That touch, with charm celestial heals the soul' (Page 90)
- ca. 1797
20
- 'When faith is virtue, reason makes it so' (Page 92)
- ca. 1797
21
- Night the First. On Life, Death and Immortality; Title Page
- ca. 1797
22
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
23
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
24
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
25
- 'If angels tremble, 'tis at such a sight' (Page 93)
- ca. 1797
26
- 'The goddess bursts in thunder and in flame' (Page 95)
- ca. 1797
27
- Night the Second. On Time, Death and Friendship; Title Page
- ca. 1797
28
- 'Emblem of that which shall awake the dead' (Page 19)
- ca. 1797
29
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
30
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
31
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- ca. 1797
32
- The Christian Triumph; Title Page
- ca. 1797
33
- 'Till death, that mighty hunter, earths them all' (Page 70)
- ca. 1797
34
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797
35
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- ca. 1797
36
- 'The longest night though longer far, would fail' (Page 15)
- ca. 1797
37
- 'We censure nature for a span too short' (Page 23)
- ca. 1797
38
- 'Behold him, when past by; what then is seen' (Page 25)
- ca. 1797
39
- Colonel Mordaunt's Cock Match at Lucknow
- 1792
40
- To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
- 1792
41
- Colonel Mordaunt's Cock Match at Lucknow
- 1792
42
- The Farmer's Stable
- 1792
43
- Reverend John Moore, Lord Archbishop of Canterbury
- 1792
44
- Mrs. Robinson
- 1792
45
- Jonathan Shipley, Bishop of St. Asaph
- 1792
46
- Chinese Pavilion in European Landscape
- 1792
47
- Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
- 1792
48
- Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
- 1792
49
- Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
- 1792
50
- Andrew Kippis
- 1792
51
- Georgius Johannes Commes, Spencer
- 1792
52
- Moon-Light
- ca. 1797
53
- Evening
- ca. 1797
54
- Meditation
- 1792
55
- Admiration
- 1792
56
- The Freeing of Amoret
- 1792
57
- Lodona
- 1792
58
- Thais
- 1792
59
- His Royal Highness George, Prince of Wales
- 1792
60
- The Bank
- 1792
61
- Jane, Lady Lister
- 1792
62
- The House of William Russell, Esq., Showell Green
- 1792
63
- King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
- 1792
64
- Ticket for the Brandenbourg House Masquerade
- ca. 1797
65
- The House of George Humphrys, Esq., Spark Brook
- 1792
66
- Beddington
- 1792
67
- The New Meeting
- 1792
68
- The Dagger Scene: - or - The Plot Discover'd
- 1792
69
- Vices overlook'd in the New Proclamation
- 1792
70
- After Sun-Set
- ca. 1797
71
- Moon-Light
- ca. 1797
72
- Evening
- ca. 1797
73
- Arundel House in London 1646
- 1792
74
- The Murder of James First, King of Scotland
- 1792
75
- Windsor Bridge
- 1792
76
- Morning
- ca. 1797
77
- Britannia Rewarding Music and Literature
- 1792
78
- Eloisa
- 1792
79
- Sir John More
- 1792
80
- Sir John More
- 1792
81
- Katherine, Duchess of Suffolk
- 1792
82
- The Fairings
- 1792
83
- Margaret, Lady Elyot
- 1792
84
- Baskerville House, the Residence of John Ryland, Esq
- 1792
85
- Bordesley Hall, the Seat of John Taylor, Esq
- 1792
86
- Taking Physick; - or - The News of Shooting the King of Sweden!
- 1792
87
- The Sportsman's Return
- 1792 (re-issue of 1791)
88
- John Bull Bother'd; - or - The Geese Alarming the Capitol
- 1792
89
- Mrs. Fitzherbert
- 1792
90
- Melania
- 1792
91
- Mrs. Lenox
- 1792
92
- Miss Price
- 1792
93
- Ticket for the Benefit of Mr. Dragonetti
- 1792
94
- Ticket for the Brandenbourg House Masquerade
- ca. 1797
95
- The Murder of James I, King of Scotland
- 1792
96
- The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
- 1792
97
- French Liberty - British Slavery
- 1792
98
- Angelica Kauffmann
- undated
99
- Katherine, Duchess of Suffolk
- 1792
100
- Jane, Lady Lister
- 1792