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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1792

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Joseph Mallord William Turner A Limekiln, Possibly at Briton Ferry in South Wales
Joseph Mallord William Turner, 1775–1851
A Limekiln, Possibly at Briton Ferry in South Wales
ca. 1795-96
On view
Arthur William Devis Grinding Corn
Arthur William Devis, 1762–1822
Grinding Corn
between 1792 and 1795
On view
Francis Wheatley Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
Francis Wheatley, 1747–1801
Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
1792
Not on view
Henry Fuseli Christ Disappearing at Emmaus
Henry Fuseli, 1741–1825
Christ Disappearing at Emmaus
1792
Not on view
Sawrey Gilpin A Horse Frightened by a Snake
Sawrey Gilpin, 1733–1807
A Horse Frightened by a Snake
1792
Not on view
William Redmore Bigg The Benevolent Heir or the Tenant Restored to his Family
William Redmore Bigg, 1755–1828
The Benevolent Heir or the Tenant Restored to his Family
ca. 1797
Not on view
Philippe-Jacques de Loutherbourg The Angel Binding Satan
Philippe-Jacques de Loutherbourg, 1740–1812
The Angel Binding Satan
ca. 1797
On view
George Morland Foxhunting in Hilly Country
George Morland, 1763–1804
Foxhunting in Hilly Country
1792
Not on view
Philippe-Jacques de Loutherbourg The Great Fire of London
Philippe-Jacques de Loutherbourg, 1740–1812
The Great Fire of London
ca. 1797
Not on view
Julius Caesar Ibbetson A Stage Coach on a Country Road
Julius Caesar Ibbetson, 1759–1817
A Stage Coach on a Country Road
1792
Not on view
Joseph Nollekens Charles James Fox
Joseph Nollekens, 1737–1823
Charles James Fox
1792
On view
Joseph Mallord William Turner North East View of Grantham Church, Lincolnshire
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
Joseph Mallord William Turner St. Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
William Blake Night the First. On Life, Death, and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
ca. 1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
William Blake The Complaint, and the Consolation; or, Night Thoughts
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
Rev. William Henry Barnard The Coal Wharf, Oxford
Rev. William Henry Barnard, 1767–1818
The Coal Wharf, Oxford
1792
Rev. William Henry Barnard The River at Dusk, Oxford
Rev. William Henry Barnard, 1767–1818
The River at Dusk, Oxford
1792
John Webber The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
John Webber, 1752–1793
The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
1792
John Webber A Sailing Canoe of Otaheite
John Webber, 1752–1793
A Sailing Canoe of Otaheite
1792
John Webber A Sailing Canoe of Otaheite
John Webber, 1752–1793
A Sailing Canoe of Otaheite
1792
John Webber The Balagans or Summer Habitations, with the Method of Drying Fish, at St. Peter and Paul, Kamtschatka
John Webber, 1752–1793
The Balagans or Summer Habitations, with the Method of Drying Fish, at St. Peter and Paul, Kamtschatka
1792
Robert Mabon A Durbar Scene, Poona, October 3, 1792
Robert Mabon, died 1798
A Durbar Scene, Poona, October 3, 1792
1792
Gangaram Chintaman Navgire Tambat Two Jeyties Wrestling
Gangaram Chintaman Navgire Tambat, active 1790s
Two Jeyties Wrestling
1792
John Thirtle Castle Acre Priory
John Thirtle, 1777–1839
Castle Acre Priory
undated
J. S. Barth River Scene with Waterfall and High Trees
J. S. Barth, active 1797–1809
River Scene with Waterfall and High Trees
1792
Joseph Constantine Stadler The Farm House
Joseph Constantine Stadler, active 1780–1812
The Farm House
1792
John Thirtle Near the Ferry going to Gott's, Leeds
attributed to John Thirtle, 1777–1839
Near the Ferry going to Gott's, Leeds
undated
Sir Robert Ker Porter Near Mallwyd on the Dovey
Sir Robert Ker Porter, 1777–1842
Near Mallwyd on the Dovey
undated
John Thirtle A Church Porch
John Thirtle, 1777–1839
A Church Porch
undated
John Thirtle Fye Bridge, Norwich
John Thirtle, 1777–1839
Fye Bridge, Norwich
undated
George Townly Stubbs [Fox-hunting] Two Hunters / Belonging to Henry U. Reay of Burn Hall in the County of Durham ....
George Townly Stubbs, 1748–1815
[Fox-hunting] Two Hunters / Belonging to Henry U. Reay of Burn Hall in the County of Durham ...
1792
George Morland The Farmer's Stable
George Morland, 1763–1804
The Farmer's Stable
1792
Francesco Bartolozzi To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
Print made by Francesco Bartolozzi, 1728–1815
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
John Thirtle An Old Fisherman Repairing Nets with a Cottage in the Background
John Thirtle, 1777–1839
An Old Fisherman Repairing Nets with a Cottage in the Background
undated
John Thirtle A View of Waltham Abbey, Herts, Essex
John Thirtle, 1777–1839
A View of Waltham Abbey, Herts, Essex
undated
John Thirtle Young Girl Sitting on a Bank outside a Church
John Thirtle, 1777–1839
Young Girl Sitting on a Bank outside a Church
undated
Richard Earlom Colonel Mordaunt's Cock Match
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match
1792
Richard Earlom Colonel Mordaunt's Cock Match
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match
1792
John Browne Morning
Print made by John Browne, 1741–1801
Morning
ca. 1797
John Browne Evening
Print made by John Browne, 1741–1801
Evening
ca. 1797
John Browne After Sun-Set
Print made by John Browne, 1741–1801
After Sun-Set
ca. 1797
John Browne Evening
Print made by John Browne, 1741–1801
Evening
ca. 1797
John Browne Moon-Light
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
John Thirtle Shore Scene with Sailing Ship at Quay
John Thirtle, 1777–1839
Shore Scene with Sailing Ship at Quay
undated
Christian von Mechel Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
John Bogle Robert Graham of Gartmore, later Cunninghame Graham
John Bogle, 1746–1804
Robert Graham of Gartmore, later Cunninghame Graham
1792
John Thirtle Richmond Castle, Yorkshire
follower of John Thirtle, 1777–1839
Richmond Castle, Yorkshire
undated
Robert Mabon William Lee, October 1, 1792
Robert Mabon, died 1798
William Lee, October 1, 1792
1792
William Byrne Chinese Pavilion in European Landscape
William Byrne, 1743–1805
Chinese Pavilion in European Landscape
1792
William Gmelin Vue des Petites Cascatelles a Tivoli
William Gmelin, 1745–1821
Vue des Petites Cascatelles a Tivoli
1792
Thomas Trotter Jonathan Shipley, Bishop of St. Asaph
Thomas Trotter, ca. 1750–1803
Jonathan Shipley, Bishop of St. Asaph
1792
John Jones Reverend John Moore, Lord Archbishop of Canterbury
John Jones, ca. 1745–1797
Reverend John Moore, Lord Archbishop of Canterbury
1792
William Birch Mrs. Robinson
Print made by William Birch, 1755–1834
Mrs. Robinson
1792
Gangaram Chintaman Navgire Tambat Two Jeyties
Gangaram Chintaman Navgire Tambat, active 1790s
Two Jeyties
1792
Robert Mabon Sketch of Nana Fadnavis
Robert Mabon, died 1798
Sketch of Nana Fadnavis
between 1792 and 1798
Gangaram Chintaman Navgire Tambat View on the River Bhima at Dhawalgadh, 28 Miles East of Poona
Gangaram Chintaman Navgire Tambat, active 1790s
View on the River Bhima at Dhawalgadh, 28 Miles East of Poona
1792 to 1794
John Webber The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
John Webber, 1752–1793
The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
1792
John Webber View in the Island of Pulo Condore
John Webber, 1752–1793
View in the Island of Pulo Condore
1792
John Webber View in the Island of Pulo Condore
John Webber, 1752–1793
View in the Island of Pulo Condore
1792
John Warwick Smith The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
John Warwick Smith, 1749–1831
The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
July 14, 1792