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Collection
Prints and Drawings
421
Paintings and Sculpture
11
Creator
Moore, James, 1762–1799
87
Unknown artist
44
Blake, William, 1757–1827
39
Edwards, Richard, active 1796–1797
39
Young, Edward, 1683–1765
39
Gillray, James, 1756–1815
25
Bartolozzi, Francesco, 1727–1815
23
Cruikshank, Isaac, 1764–1811
17
Girtin, Thomas, 1775–1802
16
Ellis, William, 1747–1810
15
Newton, Richard, 1777–1798
10
Parish, Henry William, active 1792
10
Thirtle, John, 1777–1839
10
Chamberlaine, John, 1745–1812
8
Holbein, Hans the Younger, ca. 1497–1543
8
Boydell, John, 1720–1804
7
Dent, William, active 1784–1793
7
Morland, George, 1763–1804
7
Reynolds, Joshua, Sir, 1723–1792
7
Walker, George, active 1792–died 1795
7
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Creator
»
Date
1800
1,379
1791
1,047
1802
1,004
1834
654
1745
597
1796
596
1795
569
1771
496
1826
467
1804
462
1827
458
1790
452
1789
449
1793
446
1792
[remove]
432
1835
428
1820
419
1799
408
1803
407
1772
406
1797
406
1825
403
1700
400
1832
390
1814
384
1830
384
1784
376
1775
375
1794
356
1808
349
1782
339
1785
325
1823
319
1780
309
1833
308
1818
306
1801
302
1836
297
1812
296
1767
286
1798
286
1853
268
1768
265
1821
257
1752
253
1807
249
1546
247
1748
245
1815
245
1787
242
1809
240
1811
236
1783
235
1805
233
1770
232
1817
231
1810
228
1828
228
1813
221
1840
219
1819
208
1739
207
1788
203
1755
198
1824
198
1837
196
1758
191
1816
189
1822
186
1778
183
1831
182
1839
181
1630
179
1786
177
1806
174
1855
173
1829
164
1765
159
1850
157
1781
153
1777
151
1754
150
1763
147
1776
139
1742
137
1870
134
1740
131
1762
124
1877
124
1774
122
1753
121
1838
121
1750
118
1841
118
0
116
1779
116
1760
112
1773
109
1730
108
1854
104
On-site Access
Accessible in the Study Room
421
Not on view
7
On view
4
Image Use
Free to Use
428
Under Certain Circumstances
4
Image Available
Available
422
Unavailable
10
Classification
Prints
238
Drawings & Watercolors
179
Paintings
10
Drawing & Watercolors-Architectural
2
Drawings & Watercolors-Miniatures
2
Sculptures
1
Creator Gender
male
403
unknown
44
female
3
Collective Title
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
84
Young's Night Thoughts
39
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
9
Views in the South Seas 1776-1780
7
Views of the Ruins of the Principal Houses Destroyed During the Riots at Birmingham
6
Vues des ruines des principaux batiments qui ont souffert dans les emeutes de Birmingham
6
Iconographie Anglaise par Reynolds et Autres
5
The Winter's Tale
1
Views in the Province of Kiang Nan, China
1
Period
18th century
406
18th century-19th century
22
19th century
4
Materials & Techniques
wove paper
192
graphite
162
watercolor
112
laid paper
64
etching (printing process)
61
line engraving
56
stipple engraving
33
black ink
22
brown ink
17
pen
17
aquatint
10
painting (technique)
10
oil paint
9
canvas
7
gray wash
7
mezzotint
7
gray ink
5
soft ground
5
gouache
4
hand coloring
4
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
6
to
166
Unknown
44
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
4
to
150
Unknown
45
Work Type
drawing
179
intaglio print
117
watercolor
116
relief print
40
painting
10
ticket
3
miniature
2
bust
1
sculpture
1
Genre
architectural subject
129
landscape
76
genre subject
48
literary theme
47
portrait
31
marine art
22
figure study
9
religious and mythological subject
9
sporting art
8
historical subject
7
cityscape
6
animal art
5
Subject Terms
architectural subject
57
men
53
landscape
50
literary theme
43
trees
38
women
38
text
37
genre subject
29
caricature
20
caricatures
20
clouds
20
man
20
satire
20
portrait
19
costume
18
ruins
18
river
17
nudes
16
marine art
15
woman
15
more
Subject Terms
»
Associated Places
England
46
United Kingdom
44
Europe
29
Asia
7
Northumberland
7
Scotland
7
Birmingham
6
Devon
6
India
6
China
4
Greater London
4
London
4
Thames
3
Wales
3
Bengal
2
Berkshire
2
Bristol
2
Cumbria
2
Cymru
2
Dartmouth
2
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
4
Asaf-ud-Daulah (1748–1797), nawab wazir of Oudh
2
Colonel Mordaunt (fl. 1786)
2
Humphry, Ozias (1742–1810), miniature and portrait painter
2
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
2
Pitt, William [known as Pitt the younger] (1759–1806), prime minister
2
Robinson, Mary (1756/1758?–1800), author and actress
2
Zoffany, Johan Joseph (1733–1810), portrait painter
2
Apollo
1
Charlotte (1744–1818), queen of the United Kingdom of Great Britain and Ireland, and queen of Hanover, consort of George III
1
Cleopas
1
Clinton, Henry Fiennes Pelham-, ninth earl of Lincoln and second duke of Newcastle under Lyme (1720–1794), politician
1
Diana
1
Dundas, Henry, first Viscount Melville (1742–1811), British politician and lawyer
1
Fitzherbert, [née Smythe; other married name Weld] Maria Anne (1756–1837), unlawful wife of George IV by a marriage invalid under the Royal Marriages Act of 1772
1
Fox, Charles James (1749–1806), politician
1
George III (1738–1820), king of the United Kingdom of Great Britain and Ireland, and king of Hanover
1
Hercules
1
Kauffmann, Angelica (1741–1807), history and portrait painter
1
Lennox, Charlotte (1730/31?–1804), novelist and writer
1
more
Associated People
»
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
40
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
15
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
10
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
7
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
6
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
5
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
5
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
5
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
4
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
3
In a New Light: 500 Years of British Art (Yale Center for British Art, 2025-04-01 - 2026-01-30)
3
Making History - Antiquaries in Britain 1707-2007 (Yale Center for British Art, 2012-02-02 - 2012-05-27)
3
From Merchants to Emperors - British Artists in India 1757-1930 (Los Angeles County Museum of Art, 1986-10-02 - 1987-01-04)
2
From Merchants to Emperors - British Artists in India 1757-1930 (The Morgan Library & Museum, 1986-05-01 - 1986-07-31)
2
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (The Huntington Library, Art Collections, and Botanical Gardens, 2006-02-11 - 2006-05-14)
2
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (Yale Center for British Art, 2005-10-06 - 2005-12-31)
2
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
2
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
2
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
2
Two Extraordinary Women : The Lives and Art of Maria Cosway (1760-1838) and Mary Darby Robinson (1757-1800) (The Fralin Museum of Art, University of Virginia, 2016-01-29 - 2016-05-01)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
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Date
1792
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1
Joseph Mallord William Turner, 1775–1851
A Limekiln, Possibly at Briton Ferry in South Wales
ca. 1795-96
On view
2
Arthur William Devis, 1762–1822
Grinding Corn
between 1792 and 1795
On view
3
Philippe-Jacques de Loutherbourg, 1740–1812
The Great Fire of London
ca. 1797
Not on view
4
Sawrey Gilpin, 1733–1807
A Horse Frightened by a Snake
1792
Not on view
5
George Morland, 1763–1804
Foxhunting in Hilly Country
1792
Not on view
6
Francis Wheatley, 1747–1801
Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
1792
Not on view
7
Henry Fuseli, 1741–1825
Christ Disappearing at Emmaus
1792
Not on view
8
Julius Caesar Ibbetson, 1759–1817
A Stage Coach on a Country Road
1792
Not on view
9
William Redmore Bigg, 1755–1828
The Benevolent Heir or the Tenant Restored to his Family
ca. 1797
Not on view
10
Philippe-Jacques de Loutherbourg, 1740–1812
The Angel Binding Satan
ca. 1797
On view
11
Joseph Nollekens, 1737–1823
Charles James Fox
1792
On view
12
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
13
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
14
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
15
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
16
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
17
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
ca. 1797
18
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
19
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
20
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
21
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
22
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
23
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
24
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
25
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
26
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
27
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
ca. 1797
28
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
ca. 1797
29
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
30
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
31
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
32
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
33
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
34
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
35
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
36
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
37
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
38
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
39
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
40
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
41
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
42
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
43
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
44
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
45
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
ca. 1797
46
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
47
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
48
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
49
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
50
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
51
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
52
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
53
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
54
George Walker, active 1792–died 1795
Figure Sketches
undated
55
John Thirtle, 1777–1839
Bridgnorth
undated
56
Rev. William Henry Barnard, 1767–1818
The River at Dusk, Oxford
1792
57
Rev. William Henry Barnard, 1767–1818
The Coal Wharf, Oxford
1792
58
John Glover, 1767–1849
River with Fishermen
1792
59
attributed to John Thirtle, 1777–1839
Near the Ferry going to Gott's, Leeds
undated
60
Sir Robert Ker Porter, 1777–1842
Near Mallwyd on the Dovey
undated
61
John Thirtle, 1777–1839
A Church Porch
undated
62
John Thirtle, 1777–1839
Fye Bridge, Norwich
undated
63
J. S. Barth, active 1797–1809
River Scene with Waterfall and High Trees
1792
64
Christian von Mechel, 1737–1817
Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
65
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
66
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
67
John Thirtle, 1777–1839
Castle Acre Priory
undated
68
John Bogle, 1746–1804
Robert Graham of Gartmore, later Cunninghame Graham
1792
69
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
70
John Nash, 1752–1835
Corsham Court, Wiltshire: Elevation of the North Front
ca. 1797
71
Andrew Robertson, 1777–1845
Lady Bective
undated
72
Lieutenant James Hunter, died 1792
Tipu Sultan's Summer Palace
1792
73
unknown artist
Monument in St. Botolph's Bishopsgate
1792
74
unknown artist
The Parish Church of St. Botolph without Aldgate
1792
75
William Ellis, 1747–1810
Islington Church
1792
76
William Ellis, 1747–1810
Islington
1792
77
unknown artist
Lord Southampton's Lodge at Highgate, Middlesex
1792
78
unknown artist
The Earl of Mansfield's at Caen Wood near Hampstead
1792
79
Print made by John Browne, 1741–1801
Evening
ca. 1797
80
Print made by John Browne, 1741–1801
After Sun-Set
ca. 1797
81
Print made by John Browne, 1741–1801
Morning
ca. 1797
82
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
83
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
84
William Ellis, 1747–1810
Islington Church
1792
85
unknown artist
View in Margaret Street
1792
86
William Walker, 1791–1867
Greenwich Hospital
1792
87
unknown artist
The Lake House belonging to Sir James Tilney Long on the Ilford Road, Essex, Outer Suburb - East
1792
88
unknown artist
The Elegant Villa of the late Gregory Bateman, Esquire at Kentish Town, Middlesex
1792
89
unknown artist
Grosvenor House at Walthamstow, Essex, Outer Suburb - East
1792
90
unknown artist
Highbury Assembly House near Islington
1792
91
William Ellis, 1747–1810
Newington Buts
1792
92
unknown artist
An Old House which is now standing on Little Tower Hill
1792
93
Francesco Bartolozzi, 1728–1815
Georgius Johannes Commes, Spencer
1792
94
Francesco Bartolozzi, 1728–1815
Britannia Rewarding Music and Literature
1792
95
unknown artist
The Sun Rising
1792
96
William Gmelin, 1745–1821
Vue des Petites Cascatelles a Tivoli
1792
97
Print made by William Birch, 1755–1834
Mrs. Robinson
1792
98
Robert Dodd, 1748–1816
Action off Cape St. Vicent, 14 February 1797
ca. 1797
99
Print made by Joseph Farington, 1747–1821
Windsor Bridge
1792
100
Francis Jukes, 1747–1812
View of the Forth, Including the Queen's Ferry
1792
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