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Credit Line Yale Center for British Art, Paul Mellon Collection

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Robert Polhill Bevan A Morning at Tattersalls (with further sketches in left margin folded over)
Robert Polhill Bevan, 1865–1925
A Morning at Tattersalls (with further sketches in left margin folded over)
undated
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Lonely Tower
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
George Stubbs A Prancing Horse, Facing Right
George Stubbs, 1724–1806
A Prancing Horse, Facing Right
ca. 1790
George Stubbs Tiger Body, Standing in Human Posture
George Stubbs, 1724–1806
Tiger Body, Standing in Human Posture
1795 to 1806
George Stubbs A Sleeping Leopard
Print made by George Stubbs, 1724–1806
A Sleeping Leopard
1791
Joseph Mallord William Turner North East View of Grantham Church, Lincolnshire
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
Joseph Mallord William Turner Waterfall of Lodore, Cumberland
Joseph Mallord William Turner, 1775–1851
Waterfall of Lodore, Cumberland
undated
Joseph Mallord William Turner Sir William Hamilton's Villa
Joseph Mallord William Turner, 1775–1851
Sir William Hamilton's Villa
ca. 1795
Joseph Mallord William Turner Santa Lucia, A Convent near Caserta
Joseph Mallord William Turner, 1775–1851
Santa Lucia, A Convent near Caserta
ca. 1795
Joseph Mallord William Turner Villa Salviati on the Arno
Joseph Mallord William Turner, 1775–1851
Villa Salviati on the Arno
between 1796 and 1797
Joseph Mallord William Turner Lulworth Castle, Dorset
Joseph Mallord William Turner, 1775–1851
Lulworth Castle, Dorset
ca. 1820
Joseph Mallord William Turner Margate
Joseph Mallord William Turner, 1775–1851
Margate
ca. 1822
William Blake Title Page, The First Book of Urizen (Plate 1)
Print made by William Blake, 1757–1827
Title Page, The First Book of Urizen (Plate 1)
1794
William Blake Chapter III, "As the stars are apart from the earth..." (Plate 7)
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 7)
1794
William Blake Los with the child Orc and Enitharmon (Plate 18)
Print made by William Blake, 1757–1827
Los with the child Orc and Enitharmon (Plate 18)
1794
William Blake Urizen (Plate 22)
Print made by William Blake, 1757–1827
Urizen (Plate 22)
1794
William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
1794
William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
1794
William Blake Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
Print made by William Blake, 1757–1827
Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
1794
William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
1794
William Blake Chapter II, "Muster around the bleak desarts..." (Plate 4)
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 4)
1794
William Blake "In living creations appear'd..." (Plate 6)
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 6)
1794
William Blake Urizen Swims through Dark Waters (Plate 5)
Print made by William Blake, 1757–1827
Urizen Swims through Dark Waters (Plate 5)
1794
William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
1794
William Blake Fettered Urizen Weeping (Plate 12)
Print made by William Blake, 1757–1827
Fettered Urizen Weeping (Plate 12)
1794
William Blake Urizen (Plate 8)
Print made by William Blake, 1757–1827
Urizen (Plate 8)
1794
William Blake Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)
Print made by William Blake, 1757–1827
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)
1794
William Blake Urizen (Plate 14)
Print made by William Blake, 1757–1827
Urizen (Plate 14)
1794
William Blake Chapter V, "The globe of life blood trembled..." (Plate 15)
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 15)
1794
William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
1794
William Blake Urizen (Plate 21)
Print made by William Blake, 1757–1827
Urizen (Plate 21)
1794
William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
1794
William Blake "The Ox in the slaughter house moans..." (Plate 23)
Print made by William Blake, 1757–1827
"The Ox in the slaughter house moans..." (Plate 23)
1794
William Blake Praying Child and Howling Dog (Plate 24)
Print made by William Blake, 1757–1827
Praying Child and Howling Dog (Plate 24)
1794
William Blake From a Globe of Blood Rises Enitharmon (Plate 16)
Print made by William Blake, 1757–1827
From a Globe of Blood Rises Enitharmon (Plate 16)
1794
William Blake "They call'd her Pity, and fled..." (Plate 17)
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 17)
1794
William Blake Chapter IX, "They lived a period of years..." (Plate 25)
Print made by William Blake, 1757–1827
Chapter IX, "They lived a period of years..." (Plate 25)
1794
William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
William Blake Frontispiece, Europe. A Prophecy
Print made by William Blake, 1757–1827
Frontispiece, Europe. A Prophecy
ca. 1820
William Blake "I want! I want!" (Plate 11)
Print made by William Blake, 1757–1827
"I want! I want!" (Plate 11)
1826
William Blake "He meets his Saviour in the Grave..." (Plate 20)
Print made by William Blake, 1757–1827
"He meets his Saviour in the Grave..." (Plate 20)
1826
William Blake Water (Plate 4)
Print made by William Blake, 1757–1827
Water (Plate 4)
1826
William Blake Fire (Plate 7)
Print made by William Blake, 1757–1827
Fire (Plate 7)
1826
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1826
William Blake "Help! Help!" (Plate 12)
Print made by William Blake, 1757–1827
"Help! Help!" (Plate 12)
1826
William Blake Aged Ignorance (Plate 13)
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1826
William Blake "I have said to the Worm: Thou art my mother & my sister" (Plate 18)
Print made by William Blake, 1757–1827
"I have said to the Worm: Thou art my mother & my sister" (Plate 18)
1826
William Blake For the Sexes: The Gates of Paradise, Title Page (Plate 1)
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Title Page (Plate 1)
1826
William Blake "Does thy God O Priest take such vengeance as this?" (Plate 14)
Print made by William Blake, 1757–1827
"Does thy God O Priest take such vengeance as this?" (Plate 14)
1826
William Blake "Fear & hope are -- Vision" (Plate 15)
Print made by William Blake, 1757–1827
"Fear & hope are -- Vision" (Plate 15)
1826
William Blake Death's Door (Plate 17)
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1826
William Blake "To The Accuser who is The God of This World..." (Plate 19)
Print made by William Blake, 1757–1827
"To The Accuser who is The God of This World..." (Plate 19)
1826
William Blake "I found him beneath a Tree" (Plate 3)
Print made by William Blake, 1757–1827
"I found him beneath a Tree" (Plate 3)
1826
William Blake Earth (Plate 5)
Print made by William Blake, 1757–1827
Earth (Plate 5)
1826
William Blake Air (Plate 6)
Print made by William Blake, 1757–1827
Air (Plate 6)
1826
William Blake "At length for hatching ripe he breaks the shell" (Plate 8)
Print made by William Blake, 1757–1827
"At length for hatching ripe he breaks the shell" (Plate 8)
1826
William Blake "My son! my Son!" (Plate 10)
Print made by William Blake, 1757–1827
"My son! my Son!" (Plate 10)
1826
William Blake Frontispiece, "What is Man!" (Plate 2)
Print made by William Blake, 1757–1827
Frontispiece, "What is Man!" (Plate 2)
1826
William Blake Thel's Motto (Plate 1)
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake Title Page, The Book of Thel (Plate 2)
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake The Book of Thel
Prints made by William Blake, 1757–1827
The Book of Thel
1789
William Blake For the Sexes: The Gates of Paradise, London, 1826
Prints made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, London, 1826
1826
Paul Sandby Munn A Cornfield
Paul Sandby Munn, 1773–1845
A Cornfield
1823
Michael "Angelo" Rooker Landscape, Looking Downhill to a Village Dominated by a Large Three-Storied Stone House
Michael "Angelo" Rooker, 1746–1801
Landscape, Looking Downhill to a Village Dominated by a Large Three-Storied Stone House
undated
Hercules Brabazon Brabazon Vesuvius
Hercules Brabazon Brabazon, 1821–1906
Vesuvius
undated
John Thomas Smith Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
James Ward An Outhouse Wall
James Ward, 1769–1859
An Outhouse Wall
undated
Thomas Bewick Study for "The Pinche or Red Tailed Monkey" (formerly the Cottenhead Marmoset)
Thomas Bewick, 1753–1828
Study for "The Pinche or Red Tailed Monkey" (formerly the Cottenhead Marmoset)
ca. 1785-1789
Robert William Billings Caerlaverock Castle (General View)
Robert William Billings, 1813–1874
Caerlaverock Castle (General View)
1848
unknown artist Portrait of a Gentleman
unknown artist
Portrait of a Gentleman
undated
John Thomas Serres The Start, West North West
John Thomas Serres, 1759–1825
The Start, West North West
undated
Samuel De Wilde An Actress
Samuel De Wilde, 1748–1832
An Actress
1806
John Absolon Peasant Girls
attributed to John Absolon, 1815–1895
Peasant Girls
undated
James Gwin Troisieme Position du Salut
James Gwin, 1700–1769
Troisieme Position du Salut
1763
William Bernard Cooke The Mew Stone at the Entrance of Plymouth Sound
Print made by William Bernard Cooke, 1778–1855
The Mew Stone at the Entrance of Plymouth Sound
1815
William Bernard Cooke Plymouth from Mount Batten
Print made by William Bernard Cooke, 1778–1855
Plymouth from Mount Batten
1817
William Bernard Cooke Plymouth from Mount Batten
Print made by William Bernard Cooke, 1778–1855
Plymouth from Mount Batten
1817
William Bernard Cooke Plymouth from Mount Batten
Print made by William Bernard Cooke, 1778–1855
Plymouth from Mount Batten
1817
William Bernard Cooke Plymouth from Mount Batten
Print made by William Bernard Cooke, 1778–1855
Plymouth from Mount Batten
1817
George Cooke Pendennis Castle, and Entrance of Falmouth Harbour
Print made by George Cooke, 1781–1834
Pendennis Castle, and Entrance of Falmouth Harbour
1814 to 1826
George Cooke Pendennis Castle, and Entrance of Falmouth Harbour
Print made by George Cooke, 1781–1834
Pendennis Castle, and Entrance of Falmouth Harbour
1814-1826
William Bernard Cooke East and West Looe, Cornwall
Print made by William Bernard Cooke, 1778–1855
East and West Looe, Cornwall
1818
William Bernard Cooke Ilfracombe, North Devon
Print made by William Bernard Cooke, 1778–1855
Ilfracombe, North Devon
1818
George Cooke Tintagel Castle, Cornwall
Print made by George Cooke, 1781–1834
Tintagel Castle, Cornwall
1818
George Cooke Watchet, Somersetshire
Print made by George Cooke, 1781–1834
Watchet, Somersetshire
1814-1826
William Bernard Cooke Bridport, Dorsetshire
Print made by William Bernard Cooke, 1778–1855
Bridport, Dorsetshire
1820
William Bernard Cooke Ilfracombe, North Devon
Print made by William Bernard Cooke, 1778–1855
Ilfracombe, North Devon
1818
George Cooke Tintagel Castle, Cornwall
Print made by George Cooke, 1781–1834
Tintagel Castle, Cornwall
1814-1826
William Bernard Cooke Fowey, Cornwall
Print made by William Bernard Cooke, 1778–1855
Fowey, Cornwall
1820
George Cooke Watchet, Somersetshire
Print made by George Cooke, 1781–1834
Watchet, Somersetshire
1814-1826