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Credit Line Yale Center for British Art, Paul Mellon Collection

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On-site Access Accessible by appointment in the Study Room

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George Stubbs Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
George Stubbs, 1724–1806
Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
between 1795 and 1806
George Stubbs Tiger Body, Lateral View (Finished Drawing for Unpublished Table; Shows the Third Stage in Dissection)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Finished Drawing for Unpublished Table; Shows the Third Stage in Dissection)
1795 to 1806
George Stubbs Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
between 1795 and 1806
George Stubbs Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
1795 to 1806
George Stubbs Tiger, Lateral View, with the Connective Tissue Overlying the Muscles Removed (Finished Study for Table XIV)
George Stubbs, 1724–1806
Tiger, Lateral View, with the Connective Tissue Overlying the Muscles Removed (Finished Study for Table XIV)
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)
1795 to 1806
George Stubbs Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)
George Stubbs, 1724–1806
Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)
between 1795 and 1806
William Hogarth Hogarth Painting the Comic Muse
Print made by William Hogarth, 1697–1764
Hogarth Painting the Comic Muse
1764
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake Satan Going Forth from the Presence of the Lord and Job's Charity
Print made by William Blake, 1757–1827
Satan Going Forth from the Presence of the Lord and Job's Charity
1825
William Blake The Fall of Satan
Print made by William Blake, 1757–1827
The Fall of Satan
1825
William Blake The Vision of Christ
Print made by William Blake, 1757–1827
The Vision of Christ
1825
William Blake Job's Sacrifice
Print made by William Blake, 1757–1827
Job's Sacrifice
1825
William Blake Behemoth and Leviathan
Print made by William Blake, 1757–1827
Behemoth and Leviathan
1825
William Blake Every One also Gave Him a Piece of Money
Print made by William Blake, 1757–1827
Every One also Gave Him a Piece of Money
1825
William Blake Job and His Family Restored to Prosperity
Print made by William Blake, 1757–1827
Job and His Family Restored to Prosperity
1825
William Blake Job and His Daughters
Print made by William Blake, 1757–1827
Job and His Daughters
1825
William Blake When the Morning Stars Sang Together
Print made by William Blake, 1757–1827
When the Morning Stars Sang Together
1825
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
William Blake Title Page, Illustrations of The Book of Job
Print made by William Blake, 1757–1827
Title Page, Illustrations of The Book of Job
1825
William Blake Job and His Family
Print made by William Blake, 1757–1827
Job and His Family
1825
William Blake Satan before the Throne of God
Print made by William Blake, 1757–1827
Satan before the Throne of God
1825
William Blake Job's Sons and Daughters Overwhelmed by Satan
Print made by William Blake, 1757–1827
Job's Sons and Daughters Overwhelmed by Satan
1825
William Blake The Messengers Tell Job of His Misfortunes
Print made by William Blake, 1757–1827
The Messengers Tell Job of His Misfortunes
1825
William Blake Satan Smiting Job with Sore Boils
Print made by William Blake, 1757–1827
Satan Smiting Job with Sore Boils
1825
William Blake Job's Comforters
Print made by William Blake, 1757–1827
Job's Comforters
1825
William Blake Job's Evil Dreams
Print made by William Blake, 1757–1827
Job's Evil Dreams
1825
William Blake The Lord Answering Job out of the Whirlwind
Print made by William Blake, 1757–1827
The Lord Answering Job out of the Whirlwind
1825
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake Job's Despair
Print made by William Blake, 1757–1827
Job's Despair
1825
William Blake The Vision of Eliphaz
Print made by William Blake, 1757–1827
The Vision of Eliphaz
1825
William Blake The Wrath of Elihu
Print made by William Blake, 1757–1827
The Wrath of Elihu
1825
William Blake Job Rebuked by His Friends
Print made by William Blake, 1757–1827
Job Rebuked by His Friends
1825
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake Pity
Print made by William Blake, 1757–1827
Pity
ca. 1795
Alfred Edward Chalon Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
Alfred Edward Chalon, 1780–1860
Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
ca. 1820
Sir James Thornhill A Design for a Ceiling
Sir James Thornhill, 1675–1734
A Design for a Ceiling
undated
James Bruce Elevation of Arch at Tripoli
James Bruce, 1730–1794
Elevation of Arch at Tripoli
undated
James Bruce Sterculia africana (Lour.) Fiori: finished drawing of stem with seed pods, some open showing seeds
James Bruce, 1730–1794
Sterculia africana (Lour.) Fiori: finished drawing of stem with seed pods, some open showing seeds
undated
James Bruce Coccinia abyssinica (Lam.): finished drawing, the tuber and detail of fruit
James Bruce, 1730–1794
Coccinia abyssinica (Lam.): finished drawing, the tuber and detail of fruit
undated
Luigi Balugani Jasminum dichotomun Vahl (African jasmine): finished drawing
Luigi Balugani, 1737–1770
Jasminum dichotomun Vahl (African jasmine): finished drawing
undated
James Bruce Mimusops kummel A. DC. : finished drawing with some flowers
James Bruce, 1730–1794
Mimusops kummel A. DC. : finished drawing with some flowers
undated
James Bruce Woodfordia uniflora (A. Rich.) Koehne: finished drawing of flowering shoot
James Bruce, 1730–1794
Woodfordia uniflora (A. Rich.) Koehne: finished drawing of flowering shoot
undated
Luigi Balugani Millettia ferruginea (Hochst.) Baker: finished drawing with a few details excluded
Luigi Balugani, 1737–1770
Millettia ferruginea (Hochst.) Baker: finished drawing with a few details excluded
undated
Luigi Balugani Acanthus Sennii Chiov. : finished drawing with added details
Luigi Balugani, 1737–1770
Acanthus Sennii Chiov. : finished drawing with added details
undated
James Bruce Mussaenda arcuata Lam. ex Poir. : finished drawing without details
James Bruce, 1730–1794
Mussaenda arcuata Lam. ex Poir. : finished drawing without details
undated
James Bruce Gardenia ternifolia Schum.& Thonn. (Wild Gardenia): finished drawing
James Bruce, 1730–1794
Gardenia ternifolia Schum.& Thonn. (Wild Gardenia): finished drawing
undated
James Bruce Gardenia ternifolia Schum.& Thonn. (Jovis-Tonantis): finished drawing with additional detail of fruit
James Bruce, 1730–1794
Gardenia ternifolia Schum.& Thonn. (Jovis-Tonantis): finished drawing with additional detail of fruit
undated
James Bruce Corvs crassirostris (Thick-Billed Raven)
James Bruce, 1730–1794
Corvs crassirostris (Thick-Billed Raven)
undated
Luigi Balugani Rhus ? retinorrhoea Oliver: finished drawing
Luigi Balugani, 1737–1770
Rhus ? retinorrhoea Oliver: finished drawing
undated
Luigi Balugani Alge indeterminate species (Seaweed): finished drawing of habit of weed
Luigi Balugani, 1737–1770
Alge indeterminate species (Seaweed): finished drawing of habit of weed
undated
Samuel Middiman High Street, Oxford
Etched by Samuel Middiman, ca. 1750–1831
High Street, Oxford
1812
Henry Phillip Hope Adrian Hope's House I: View from the Road
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View from the Road
undated
Robert Brandard Lancaster Sands
Print made by Robert Brandard, 1805–1862
Lancaster Sands
1827-1838
James Sowerby A Bird
James Sowerby, 1756–1822
A Bird
undated
James Tibbits Willmore Destruction of Both Houses of Parliament
Print made by James Tibbits Willmore, 1800–1863
Destruction of Both Houses of Parliament
1835
Edward Goodall Cologne on the Rhine
Print made by Edward Goodall, 1795–1870
Cologne on the Rhine
1824
Isaac Weld Commencement of the Passage/ Towards the Gemmi/ from the Bernese Side
Isaac Weld, 1774–1856
Commencement of the Passage/ Towards the Gemmi/ from the Bernese Side
1817
Joseph Nash Levens, Westmoreland, The Small Drawing Room
Joseph Nash, 1808–1878
Levens, Westmoreland, The Small Drawing Room
1873
Thomas Watson Barbara Palmer (née Villiers) Countess of Castlemaine
Thomas Watson, 1743–1781
Barbara Palmer (née Villiers) Countess of Castlemaine
undated
Louis Marin Bonnet Head of a Young Girl turned toward the Left
Print made by Louis Marin Bonnet, 1736–1793
Head of a Young Girl turned toward the Left
1774
Thomas Watson Lucy Hardinge (née Long)
Thomas Watson, 1743–1781
Lucy Hardinge (née Long)
1780
Charles Howard Hodges Mrs. Williams Hope of Amsterdam
Charles Howard Hodges, 1764–1837
Mrs. Williams Hope of Amsterdam
1788
John Maurer Royal Exchange, London
John Maurer, active 1713–1761
Royal Exchange, London
1741
Thomas Watson Frances Teresa Stewart, Duchess of Richmond and Lennox
Thomas Watson, 1743–1781
Frances Teresa Stewart, Duchess of Richmond and Lennox
1779