<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Collection Prints and Drawings

Remove constraint Collection: Prints and Drawings

Subject Terms man

Remove constraint Subject Terms: man

Search Results

George Romney Man Bemoaning
George Romney, 1734–1802
Man Bemoaning
undated
George Romney Standing Figure
George Romney, 1734–1802
Standing Figure
undated
George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
George Romney Classical Male Nude
George Romney, 1734–1802
Classical Male Nude
undated
George Romney Classical Male Nude with a Rearing Horse
George Romney, 1734–1802
Classical Male Nude with a Rearing Horse
undated
George Romney William Hayley
George Romney, 1734–1802
William Hayley
undated
George Romney Sketch for a Portrait of a Standing Man
George Romney, 1734–1802
Sketch for a Portrait of a Standing Man
undated
George Romney Ladies in Waiting
George Romney, 1734–1802
Ladies in Waiting
undated
George Romney Study of the Head of a Young Man
attributed to George Romney, 1734–1802
Study of the Head of a Young Man
undated
George Romney The Bath of Bath-sheba
George Romney, 1734–1802
The Bath of Bath-sheba
undated
George Romney Head of a Man
George Romney, 1734–1802
Head of a Man
undated
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
George Romney Back View of a Standing Classical Male Figure
George Romney, 1734–1802
Back View of a Standing Classical Male Figure
undated
George Romney A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
George Romney River God
George Romney, 1734–1802
River God
undated
George Romney Birth of Man
George Romney, 1734–1802
Birth of Man
undated
George Romney Birth of Man
George Romney, 1734–1802
Birth of Man
undated
George Romney Tom Hayley and William Meyer
George Romney, 1734–1802
Tom Hayley and William Meyer
between 1749 and 1802
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
George Romney Seated Man and Seated Woman
George Romney, 1734–1802
Seated Man and Seated Woman
undated
George Romney Bolingbroke and Head of a Fiend
George Romney, 1734–1802
Bolingbroke and Head of a Fiend
undated
George Romney Major Thomas Pearson
George Romney, 1734–1802
Major Thomas Pearson
undated
George Romney Horseman of Montecavallo
George Romney, 1734–1802
Horseman of Montecavallo
between 1773 and 1774
George Romney Seated and Half-Kneeling Woman
George Romney, 1734–1802
Seated and Half-Kneeling Woman
undated
George Romney Studies for Portraits of a Man and of a Woman
George Romney, 1734–1802
Studies for Portraits of a Man and of a Woman
undated
George Romney John Henderson as Falstaff
George Romney, 1734–1802
John Henderson as Falstaff
1780
William Blake I. "Man cannot naturally Percieve..."(Plate 3)
Print made by William Blake, 1757–1827
I. "Man cannot naturally Percieve..."(Plate 3)
ca. 1788
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
William Blake, 1757–1827
Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
between 1797 and 1798
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
William Blake "Her Henry's holy shade..." (Design 15)
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
William Blake A Widower and Children (Design 35)
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
William Blake "And purple tyrants vainly groan..." (Design 37)
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
William Blake "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
William Blake A Welch Bard (Design 53)
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake "Hie thee hence, and boast at home..." (Design 85)
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake Sigtryg with the Silken Beard (Design 69)
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
William Blake Chapter 4 Frontispiece (Plate 76)
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
William Blake The Bard Weaving Edwards Fate (Design 55)
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake The Mourner at the Tomb (Design 103)
William Blake, 1757–1827
The Mourner at the Tomb (Design 103)
between 1797 and 1798
William Blake The Author Writing (Design 105)
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
William Blake "Him the dog of darkness spied..." (Design 79)
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake The Beginning of Poesy. The Blind Begging Bard (Design 41)
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
William Blake Rev. John Caspar Lavater
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater
1800
William Blake Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
William Blake Moses Receiving the Law
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
William Blake A Visionary Head
William Blake, 1757–1827
A Visionary Head
1819 to 1820
William Blake An Angel with a Trumpet
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
William Blake Socrates, a Visionary Head
William Blake, 1757–1827
Socrates, a Visionary Head
ca. 1820
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
William Blake Study for a Destroying Deity
William Blake, 1757–1827
Study for a Destroying Deity
1820 to 1825
William Blake Illustrations of Imitation of Eclogue I, Frontispiece
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
Edward Goodall St. Julienne's Chapel
Print made by Edward Goodall, 1795–1870
St. Julienne's Chapel
1834
Daniel Lysons Brass Plate of a Kneeling Man
Attributed to Daniel Lysons, 1762–1834
Brass Plate of a Kneeling Man
between 1796 and 1811
Richard Dadd Portrait of a Monk
Richard Dadd, 1817–1886
Portrait of a Monk
1857
Gangaram Chintaman Tambat Bickshoo Moonee
Gangaram Chintaman Tambat, active 1790s
Bickshoo Moonee
undated
Francis Wheatley The Rustic Lover
Francis Wheatley, 1747–1801
The Rustic Lover
1786
James Bruce Man Playing a Harp
James Bruce, 1730–1794
Man Playing a Harp
undated
James Walker Rochester
Print made by James Walker, 1748–1808
Rochester
1794
James S. Storer Chepstow
Print made by James S. Storer, 1771–1853
Chepstow
1794
James Walker Rochester
Print made by James Walker, 1748–1808
Rochester
1794
James Walker Bridgenorth
Print made by James Walker, 1748–1808
Bridgenorth
1795
James S. Storer Birmingham
Print made by James S. Storer, 1771–1853
Birmingham
1795
James Walker Chester
Print made by James Walker, 1748–1808
Chester
1796
J. Widnell Matlock
Print made by J. Widnell, Active 1795
Matlock
1795
James Walker Westminster Bridge
Print made by James Walker, 1748–1808
Westminster Bridge
1797
John Walker Flint, from Park-Gate
Print made by John Walker, active 1792–1803
Flint, from Park-Gate
1797
James Walker Carlisle
Print made by James Walker, 1748–1808
Carlisle
1797
James Walker Hampton Court Palace, Herefordshire
Print made by James Walker, 1748–1808
Hampton Court Palace, Herefordshire
1797
Thomas Tagg The Tower of London
Print made by Thomas Tagg, died 1809
The Tower of London
1795
James Walker Sheffield
Print made by James Walker, 1748–1808
Sheffield
1798
James Walker Wakefield
Print made by James Walker, 1748–1808
Wakefield
1798
James S. Storer Chelsea Hospital
Print made by James S. Storer, 1771–1853
Chelsea Hospital
1795
James Walker Ely
Print made by James Walker, 1748–1808
Ely
1797
James Walker Elgin Cathedral, Morayshire
Print made by James Walker, 1748–1808
Elgin Cathedral, Morayshire
1797