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Ben Nicholson Two Bottles and Glass
Ben Nicholson, 1894–1982
Two Bottles and Glass
1967 (1973)
Robert Polhill Bevan The Meet
Print made by Robert Polhill Bevan, 1865–1925
The Meet
1898-1899
Robert Polhill Bevan Who-o-p!
Print made by Robert Polhill Bevan, 1865–1925
Who-o-p!
1898-1899
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881
The Sepulchre
etching begun ca. 1800; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
William Hogarth The Fourth Stage of Cruelty: The Reward of Cruelty (Anatomy Theatre)
Print made by William Hogarth, 1697–1764
The Fourth Stage of Cruelty: The Reward of Cruelty (Anatomy Theatre)
1751
William Hogarth Beer Street
Print made by William Hogarth, 1697–1764
Beer Street
1751
William Hogarth Hudibras's First Adventure (no. 3)
Print made by William Hogarth, 1697–1764
Hudibras's First Adventure (no. 3)
1726
William Hogarth Hudibras Sallying Forth (no. 2)
Print made by William Hogarth, 1697–1764
Hudibras Sallying Forth (no. 2)
1726
William Hogarth Hudibras Triumphant (no. 4)
Print made by William Hogarth, 1697–1764
Hudibras Triumphant (no. 4)
1726
Sir Muirhead Bone A Spanish Good Friday
Print made by Sir Muirhead Bone, 1876–1953
A Spanish Good Friday
1925
On view at YUAG
George Stubbs Plate VII, Human Body, Lateral View
Print made after George Stubbs, 1724–1806
Plate VII, Human Body, Lateral View
1804
George Stubbs A Horse Affrighted by a Lion
Print made by George Stubbs, 1724–1806
A Horse Affrighted by a Lion
1788
Edward Lear Lorius Domicella / Black-capped Lorry (Plate 37)
Edward Lear, 1812–1888
Lorius Domicella / Black-capped Lorry (Plate 37)
1832
Joseph Mallord William Turner Sheep-Washing, Windsor
Print made by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
between 1813 and 1823
Joseph Mallord William Turner Mer de Glace, Valley of Chamouni, Savoy
Print made by Joseph Mallord William Turner, 1775–1851
Mer de Glace, Valley of Chamouni, Savoy
1812
Joseph Mallord William Turner The Stork and Aqueduct
Etched by Joseph Mallord William Turner, 1775–1851
The Stork and Aqueduct
between 1813 and 1823
Joseph Mallord William Turner The Straw Yard
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
William Blake The Complaint, and the Consolation; or, Night Thoughts
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake Night the First. On Life, Death, and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake The Baffled Devils Fighting (Plate 3)
Print made by William Blake, 1757–1827
The Baffled Devils Fighting (Plate 3)
1827
John Sell Cotman Church of L'Ery, near Pont-de-l'Arche
Print made by John Sell Cotman, 1782–1842
Church of L'Ery, near Pont-de-l'Arche
1820
Charles Townley Samuel Johnson
Charles Townley, 1746–c.1800
Samuel Johnson
1792
Lumb Stocks Florizel and Perdita
Print made by Lumb Stocks, 1812–1892
Florizel and Perdita
1867
William Heath Who'll Have a Crown - Now's Your Time
Print made by William Heath, 1795–1840
Who'll Have a Crown - Now's Your Time
1830
Anthony Cardon Do you want any Matches?
Anthony Cardon, 1772–1813
Do you want any Matches?
1794
Luigi Schiavonetti Sweet China Oranges, Sweet China!
Luigi Schiavonetti, 1765–1810
Sweet China Oranges, Sweet China!
1794
Luigi Schiavonetti Two bunches a penny Primroses, two bunches a penny
Luigi Schiavonetti, 1765–1810
Two bunches a penny Primroses, two bunches a penny
1793
Luigi Schiavonetti Milk Below Maids
Luigi Schiavonetti, 1765–1810
Milk Below Maids
1793
Luigi Schiavonetti New Mackrel
Luigi Schiavonetti, 1765–1810
New Mackrel
1795
Anthony Cardon Round and Sound Five Pence a Pund Duke Cherry's
Anthony Cardon, 1772–1813
Round and Sound Five Pence a Pund Duke Cherry's
1795
Giovanni Vendramini Knives, Sissors and Razors to Grind
Giovanni Vendramini, 1769–1839
Knives, Sissors and Razors to Grind
1795
Giovanni Vendramini Fresh gathered Peas. Young Hastings
Giovanni Vendramini, 1769–1839
Fresh gathered Peas. Young Hastings
1795
Giovanni Vendramini Strawberries's Scarlet Strawberries
Giovanni Vendramini, 1769–1839
Strawberries's Scarlet Strawberries
1795
Giovanni Vendramini Old Chair to Mend
Giovanni Vendramini, 1769–1839
Old Chair to Mend
1795
Giovanni Vendramini Hot Spice Gingerbread, Smoking Hot
Giovanni Vendramini, 1769–1839
Hot Spice Gingerbread, Smoking Hot
1796
Thomas Gaugain Turnips and Carrots
Thomas Gaugain, 1748–1812
Turnips and Carrots
1797
Samuel Bellin David Cox
Print made by Samuel Bellin, 1799–1894
David Cox
undated
Herbert Railton Henry VII's Shrine
Print made by Herbert Railton, 1857–1910
Henry VII's Shrine
ca. 1890
James McNeill Whistler Battersea Reach
James McNeill Whistler, 1834–1903
Battersea Reach
1863
James McNeill Whistler A Child on a Couch, No. 1
James McNeill Whistler, 1834–1903
A Child on a Couch, No. 1
between 1873 and 1875
James McNeill Whistler Sketch of Heads
James McNeill Whistler, 1834–1903
Sketch of Heads
1873
Francesco Bartolozzi A Lecture on Gadding
Print made by Francesco Bartolozzi, 1728–1815
A Lecture on Gadding
1789
John Raphael Smith A Wife - Une Femme Mariee
John Raphael Smith, 1752–1812
A Wife - Une Femme Mariee
1791
John Raphael Smith What You Will - Ce Qui Vous Plaira
John Raphael Smith, 1752–1812
What You Will - Ce Qui Vous Plaira
1791
Anthony Cardon A New Love Song only Ha' Penny a Piece
Anthony Cardon, 1772–1813
A New Love Song only Ha' Penny a Piece
1796
John Raphael Smith Painting
Print made by John Raphael Smith, 1752–1812
Painting
1783
John Raphael Smith Emma Hart as Bacchante
Print made by John Raphael Smith, 1752–1812
Emma Hart as Bacchante
1784
Robert Wallis Palais at Blois
Print made by Robert Wallis, 1794–1878
Palais at Blois
1833
William Radclyffe St. Julian's, Tours
Print made by William Radclyffe, 1780–1855
St. Julian's, Tours
1833
Robert Brandard Château Hamelin
Print made by Robert Brandard, 1805–1862
Château Hamelin
1833
James Tibbits Willmore Lillebonne, Château
Print made by James Tibbits Willmore, 1800–1863
Lillebonne, Château
1834
James Charles Armytage Troyes
Print made by James Charles Armytage, 1802–1897
Troyes
1834