<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Collection Prints and Drawings

Remove constraint Collection: Prints and Drawings

Height [cm] 45

Remove constraint Height [cm]: 45

Search Results

George Stubbs Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)
George Stubbs, 1724–1806
Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)
1795 to 1806
George Stubbs Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)
George Stubbs, 1724–1806
Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)
George Stubbs, 1724–1806
Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)
1795 to 1806
William Hogarth Strolling Actresses Dressing in a Barn
Print made by William Hogarth, 1697–1764
Strolling Actresses Dressing in a Barn
1738
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake Study for a Destroying Deity
William Blake, 1757–1827
Study for a Destroying Deity
1820 to 1825
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake Night the First. On Life, Death, and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake Beggar's Opera, Act III
William Blake, 1757–1827
Beggar's Opera, Act III
c.1790
George Romney Classical Male Nude with a Rearing Horse
George Romney, 1734–1802
Classical Male Nude with a Rearing Horse
1773-1774
John Glover St. Donat's Castle, Glamorganshire
John Glover, 1767–1849
St. Donat's Castle, Glamorganshire
undated
unknown artist Elevations of a Room
unknown artist
Elevations of a Room
undated
unknown artist Lullingstone Castle
unknown artist
Lullingstone Castle
ca. 1670
William Woollett Shooting, Plate II
William Woollett, 1735–1785
Shooting, Plate II
1770
William Ward The Newbus Ox
Print made by William Ward, 1766–1826
The Newbus Ox
1812
George Morland Fishermen
George Morland, 1763–1804
Fishermen
1793
Francesco Bartolozzi The Cottagers
Print made by Francesco Bartolozzi, 1728–1815
The Cottagers
1794
John Raphael Smith Mrs. Montagu
Print made by John Raphael Smith, 1752–1812
Mrs. Montagu
1776
William Dickinson Richard Grenville-Temple, 2nd Earl Temple
Print made by William Dickinson, 1746–1823
Richard Grenville-Temple, 2nd Earl Temple
1778
Alfred Gomersal Vickers Shipping Scene in the Harbor of Dunkerque
Alfred Gomersal Vickers, 1810–1837
Shipping Scene in the Harbor of Dunkerque
undated
Isaac Weld Pffeffen Bad/ Switzerland
Isaac Weld, 1774–1856
Pffeffen Bad/ Switzerland
ca. 1817
Augustus Welby Northmore Pugin St. Giles' Catholic Church: Elevation of the Steeple
Print made by Augustus Welby Northmore Pugin, 1812–1852
St. Giles' Catholic Church: Elevation of the Steeple
undated
James Watson Caroline Duchess of Marlborough with Lady Caroline Spencer Her Daughter
Print made by James Watson, 1740–1790
Caroline Duchess of Marlborough with Lady Caroline Spencer Her Daughter
1768
John Raphael Smith Miss Theophila Palmer
Print made by John Raphael Smith, 1752–1812
Miss Theophila Palmer
1777
John Raphael Smith Hon. Mrs. Stanhope
Print made by John Raphael Smith, 1752–1812
Hon. Mrs. Stanhope
1783
William Woollett Shooting, Plate I
William Woollett, 1735–1785
Shooting, Plate I
1769
William Dickinson Elizabeth Godden (née Houghton), Lady Taylor
Print made by William Dickinson, 1746–1823
Elizabeth Godden (née Houghton), Lady Taylor
ca. 1775
Sarah Stone A Red Parrot
Sarah Stone, ca. 1760–1844
A Red Parrot
1786
William Ward Alleyne Fitzherbert, 1st Baron St. Helens
William Ward, 1766–1826
Alleyne Fitzherbert, 1st Baron St. Helens
1795
Thomas Watson Henrietta, Countess of Rochester
Thomas Watson, 1743–1781
Henrietta, Countess of Rochester
1779
Scawen Honourable George, Lord Pigot
Scawen, active 1770s
Honourable George, Lord Pigot
undated
James McArdell General John Leslie, 10th Earl of Rothes
James McArdell, ca. 1729–1765
General John Leslie, 10th Earl of Rothes
undated
Samuel William Reynolds Sir Joshua Reynolds
Samuel William Reynolds, 1773–1835
Sir Joshua Reynolds
1796
Valentine Green Sir Joshua Reynolds
Valentine Green, 1739–1813
Sir Joshua Reynolds
1780
John Murphy Hiram King of Tyre, Sends Presents to King Solomon
Print made by John Murphy, ca. 1748–1820
Hiram King of Tyre, Sends Presents to King Solomon
1790
Valentin Daniel Preissler Der Geiz sucht Fäden
Print made by Valentin Daniel Preissler, 1717–1765
Der Geiz sucht Fäden
undated
William Faithorne the Younger An Old Woman Reading
Print made by William Faithorne the Younger, ca. 1669–1703
An Old Woman Reading
undated
James Wyatt Five Designs for a House in the Gothic Style: Plan of the Chamber Story
James Wyatt, 1746–1813
Five Designs for a House in the Gothic Style: Plan of the Chamber Story
1791
Johnson The Italian Bird Catcher
Print made by Johnson, active 1766
The Italian Bird Catcher
1766
Valentin Daniel Preissler Der Gute Alchimyst wird nun den Barth Verbrennen, da er zum Schuld-Process die Feder Schneiden muss: Gold Macher!
Print made by Valentin Daniel Preissler, 1717–1765
Der Gute Alchimyst wird nun den Barth Verbrennen, da er zum Schuld-Process die Feder Schneiden muss: Gold Macher!
undated
Robert Dunkarton Mrs. Mary Gwyn (née Horneck)
Robert Dunkarton, 1744–1811
Mrs. Mary Gwyn (née Horneck)
1778
John Bogle Night Watchman
Print made by John Bogle, 1746–1804
Night Watchman
1776
John Faber the Younger Her Grace the Duchess of St. Albans
John Faber the Younger, ca. 1695–1756
Her Grace the Duchess of St. Albans
undated
Richard Houston Miss Harriet Powell
Richard Houston, ca. 1721–1775
Miss Harriet Powell
1769-1770
Robert Smirke The Gem for 1830
Robert Smirke, 1752–1845
The Gem for 1830
Luigi Balugani Seyali Hindu (Acacia)
Luigi Balugani, 1737–1770
Seyali Hindu (Acacia)
undated
James Parker Fainasollis, Borbar and Fingal
James Parker, 1750–1805
Fainasollis, Borbar and Fingal
1783
William Ward The Romps
William Ward, 1766–1826
The Romps
1796
Luigi Balugani A Fish from the Red Sea
Luigi Balugani, 1737–1770
A Fish from the Red Sea
undated
Edward Rooker The Magicians Marching off After the Success of their Incantations
Edward Rooker, 1724–1774
The Magicians Marching off After the Success of their Incantations
ca. 1763
Edward Rooker A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River
Edward Rooker, 1724–1774
A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River
ca. 1763
unknown artist M. Antonii Antii Lupi
Print made by unknown artist
M. Antonii Antii Lupi
1551
Andrew Miller Oliver Cromwell and General Lambert
Andrew Miller, Died 1763
Oliver Cromwell and General Lambert
1745
Charles Turner The Right Honorable Lord Collingwood
after ? Charles Turner, 1774–1857
The Right Honorable Lord Collingwood
1811
Giuseppe Marchi Samuel Dyer
Giuseppe Marchi, ca. 1735–1808
Samuel Dyer
1773
James Ward Sir William Fawcett
James Ward, 1769–1859
Sir William Fawcett
1801
Robert Dunkarton Reverend John Fisher, Bishop of Salisbury
Robert Dunkarton, 1744–1811
Reverend John Fisher, Bishop of Salisbury
1811
John Blackmore Samuel Foote
John Blackmore, active 1740–1780
Samuel Foote
1771
James McArdell Lady Grammont
James McArdell, ca. 1729–1765
Lady Grammont
undated
Charles Picart The Right Honorable Charles Abbot
Charles Picart, c.1780–1837
The Right Honorable Charles Abbot
1804
John Jones George James Cholmondeley, 1st Marquess of Cholmondeley
John Jones, ca. 1745–1797
George James Cholmondeley, 1st Marquess of Cholmondeley
1790