Collection: Prints and Drawings / Height [cm]: 40 - YCBA Collections Search Search Results

1. Study of Waves

Creator:: attributed to Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Gray and brown washes with white gouache over graphite on thick, slightly textured, gray wove paper
Dimensions:: Sheet: 5 13/16 × 8 7/8 inches (14.8 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. A Shepherd and his Flock under the Moon and Stars

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1827
Materials & Techniques:: Brown wash, gray wash, and white gouache with pen and brown ink on very thick, slightly textured, card
Dimensions:: Sheet: 4 1/4 x 5 1/8 inches (10.8 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Cornfield and Church by Moonlight

Creator:: Samuel Palmer, 1805–1881
Date:: early 1830s
Materials & Techniques:: Brush and black ink on very thick, smooth, cream wove paper
Dimensions:: Sheet: 6 x 7 1/4 inches (15.2 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Tiger Skeleton, Lateral View (Finished Study for Table IV)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper lined with Japanese paper
Dimensions:: Sheet: 15 3/4 x 21 1/4 inches (40 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 7/8 x 21 1/8 inches (40.3 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 20 7/8 inches (40 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 21 1/4 inches (40 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Tiger Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 x 21 inches (40.3 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 x 21 1/8 inches (40.3 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Tiger Body, Lateral View (Probably made as the basis for a key figure)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, and pen with iron gall ink, with traces of red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 x 21 1/8 inches (39.7 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 21 1/4 inches (40 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. An Election Entertainment, Plate I

Creator:: William Hogarth, 1697–1764
Date:: 1755-58
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/4 x 21 1/4in. (40 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Chairing the Members, Plate IV

Creator:: William Hogarth, 1697–1764
Date:: 1758
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 5/8 x 21 1/4in. (39.7 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Hogarth Painting the Comic Muse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1764
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 x 14 inches (40.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Self-portrait

Creator:: William Hogarth, 1697–1764
Date:: 1749
Materials & Techniques:: Etching and engraving on laid paper
Dimensions:: Sheet: 15 7/8 x 11in. (40.3 x 27.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

16. The Bruiser

Creator:: William Hogarth, 1697–1764
Date:: 1763
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 × 12 inches (40 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Thomas S. Holman, New York, NY

17. Siracusa, 12. June 1847

Creator:: Edward Lear, 1812–1888
Date:: 1847
Materials & Techniques:: Pen in brown ink over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 15 13/16 x 11 9/16 inches (40.2 x 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. River God

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 x 20 1/4 inches (40 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

19. Glade in a Forest

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 7/8 x 21 1/2 inches (40.3 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

20. Night the First. On Life, Death and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. 'The vale of death! that hush'd cimmerian vale' (Page 54)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. 'And vapid; sense and reason shew the door' (Page 72)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. 'The Sun beheld it – No, the shocking scene' (Page 75)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. 'Is lost in love! thou great Philanthropist' (Page 87)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. 'When faith is virtue, reason makes it so' (Page 92)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. 'That touch, with charm celestial heals the soul' (Page 90)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. 'Its favours here are trials, not rewards' (Page 12)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Night the Second. On Time, Death and Friendship; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. 'That touch, with charm celestial heals the soul' (Page 90)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. 'When faith is virtue, reason makes it so' (Page 92)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. 'If angels tremble, 'tis at such a sight' (Page 93)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. 'Measuring his motions by revolving spheres' (Page 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. 'Time, in advance, behind him hides his wings' (Page 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. 'But for the blessing wrestle not with heaven' (Page 88)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. 'Its favours here are trials, not rewards' (Page 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. 'The Sun beheld it – No, the shocking scene' (Page 75)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. 'Is lost in love! thou great Philanthropist' (Page 87)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. 'Swift on his downy pinion flies from woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. 'We censure nature for a span too short' (Page 23)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Elegant Establishment for Young Ladies (study for)

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Pen and black ink, and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Mount: 16 9/16 × 23 1/4 inches (42.1 × 59.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Spanish Pointer

Creator:: John Buckler FSA, 1770–1851
Date:: ca. 1799
Materials & Techniques:: Watercolor, pen and gray ink, black ink, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 9/16 × 21 inches (39.5 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. A View of Oxford from the Abingdon Road

Creator:: Print made by John Pye, 1782–1874
Date:: 1818
Materials & Techniques:: Etching and line engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/8 × 34 7/8 inches (58.7 × 88.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Lower Arch at Makther on Back

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 × 21 1/2 inches (40 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Details of Lower Arch Mactar, Modern Makther

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 × 21 5/8 inches (39.7 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. XVLL Arch at Makther

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, gray wash, pen and black ink, red pencil on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/4 × 21 5/8 inches (40 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Arch of Trajan Makther

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, gray wash, pen and black ink, red pencil on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 × 21 5/8 inches (39.7 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Temple Above Spring at Zaghouan

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite with pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 7/8 × 21 3/4 inches (40.3 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Details of Temple Above Spring at Zaghouan

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Pen and black ink with graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/4 × 21 1/2 inches (40 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Sketch of Arches in Perspective

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 13/16 × 21 9/16 inches (40.2 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Plate XV Back of Temple at Sheitla [sic]

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink on moderately thick, slightly textured, white laid paper
Dimensions:: Sheet: 15 3/4 × 21 1/2 inches (40 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Architectural Details of Arch at Makther

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 × 21 1/2 inches (40 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Trajans Arch, Makter

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 × 21 5/8 inches (40 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Entrance Gate, Zaghouan

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite with pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 × 21 5/8 inches (40 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Eragrostis Tef

Creator:: Andrew Fyfe, 1752–1824
Date:: 1775
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 7/8 × 11 7/8 inches (40.3 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Devil's Bridge, Kirkby Lonsdale

Creator:: William Green, 1760–1823
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 22 inches (40 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Landscape with Vale and Mountains

Creator:: William Green, 1760–1823
Date:: undated
Materials & Techniques:: Watercolor with stopping out and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 15 7/8 × 22 1/8 inches (40.3 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Robbing the Mail

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: ca. 1790
Materials & Techniques:: Watercolor and pen and brown ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 15 7/8 × 20 5/8 inches (40.3 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Monnow Bridge, Monmouthshire

Creator:: Samuel Prout, 1783–1852
Date:: before 1814
Materials & Techniques:: Watercolor and graphite with brown ink and gum arabic on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 20 3/8 inches (39.7 × 51.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Perspective View: the New Houses of Parliament

Creator:: Sir Charles Barry, 1795–1860
Date:: ca. 1840-1849
Materials & Techniques:: Watercolor over traces of graphite, with gouache, pen and black and brown ink on medium, smooth, weige wove paper
Dimensions:: Sheet: 15 7/8 x 30 1/8 inches (40.3 x 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Woodland Landscape

Creator:: Thomas Barker, 1769–1847
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 15 11/16 × 21 1/2 inches (39.8 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Church of Notre Dame, Bruges

Creator:: Samuel Austin, 1796–1834
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 18 5/8 × 22 3/4 inches (47.3 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Goodwood, West Sussex: Ceiling Design

Creator:: James Wyatt, 1746–1813
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 22 inches (39.5 x 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Tintern Abbey

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash and black wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 3/8 inches (27.9 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

76. Shanklin Chine, Isle of Wight

Creator:: Paul Sandby Munn, 1773–1845
Date:: 1797
Materials & Techniques:: Gouache over graphite on medium, moderately textured, beige wove paper
Dimensions:: Mount: 15 3/4 x 20 1/8 inches (40 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

77. Record Drawing of the 1639 Altarpiece in Exeter Cathedral

Creator:: Arthur Bradley, active 1740
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash, watercolor on moderately textured, medium, white laid paper
Dimensions:: Sheet: 15 3/4 × 26 3/8 inches (40 × 67 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Design for Hyde Park and St. James' Park Entrance

Creator:: Sir John Soane, 1753–1837
Date:: ca. 1826
Materials & Techniques:: Watercolor and graphite on three joined sheets of moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 50 1/4 inches (40 × 127.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Design for a Ceiling

Creator:: George Richardson, ca.1738–ca.1813
Date:: undated
Materials & Techniques:: Watercolor with pen and black and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 7/8 inches (39.5 x 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Tivoli, a Composition

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 24 1/2 × 33 7/8 inches (62.2 × 86 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Memorials to Mrs. Mary Staunton, John Silvester, Mrs. Frances Whiterly and Mrs. Rebecca Lone from Bedfont Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 10 3/4 inches (40 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Environs of London: Brass plate for Unidentified Infant from East Ham Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly texutered, cream wove paper
Dimensions:: Sheet: 15 7/8 × 10 5/8 inches (40.3 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. View of the Forum in Rome

Creator:: Hugh William "Grecian" Williams, 1773–1829
Date:: 1828
Materials & Techniques:: Watercolor over graphite with stopping-out, scraping out and gum on medium, smooth, white wove paper
Dimensions:: Sheet: 15 7/8 x 25 1/2 inches (40.3 x 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

84. Tivoli, a Composition

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 27 × 29 1/4 inches (68.6 × 74.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Hay and Log Barges on the Conway

Creator:: Richard Henry Nibbs, 1816–1893
Date:: undated
Materials & Techniques:: Watercolor, gouache, gum, and graphite with scratching out on thick, textured, cream wove paper
Dimensions:: Sheet: 15 7/8 × 23 7/8 inches (40.3 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Study of a Seated Woman

Creator:: John Hoppner, 1758–1810
Date:: undated
Materials & Techniques:: Red chalk and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 5/8 × 10 7/8 inches (39.7 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Landscape, Castle by a River

Creator:: William Green, 1760–1823
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 22 1/16 inches (40 × 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Landscape, Castle and Cattle

Creator:: William Green, 1760–1823
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 22 inches (40 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Landscape with River and a Bridge

Creator:: William Green, 1760–1823
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, graphite, gum arabic, and stopping out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 7/8 × 22 inches (40.3 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Study of a Pianist and Bass Player

Creator:: Walter Richard Sickert, 1860–1942
Date:: undated
Materials & Techniques:: Black chalk and white chalk on medium, moderately textured, blue wove paper
Dimensions:: Sheet: 15 7/8 x 11 1/4 inches (40.3 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Rustic Employment

Creator:: George Morland, 1763–1804
Date:: 1788
Materials & Techniques:: Hand colored stipple engraving
Dimensions:: Sheet: 15 3/4 x 11 3/4in. (40 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Caroline Duchess of Marlborough with Lady Caroline Spencer Her Daughter

Creator:: Print made by James Watson, 1740–1790
Date:: 1768
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 13 inches (44.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

93. The Girl Sleeping

Creator:: Print made by John Jones, ca. 1745–1797
Date:: 1790
Materials & Techniques:: Etching, engraving, aquatint and stipple (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/4 × 12 3/8 inches (40 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

94. Lady Caroline Price

Creator:: Print made by John Jones, ca. 1745–1797
Date:: 1788
Materials & Techniques:: Mezzotint (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 11/16 × 11 9/16 inches (39.8 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

95. Girl Smiling

Creator:: Print made by Johann Friedrich Bause, 1738–1814
Date:: 1784
Materials & Techniques:: Line engraving and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 11 3/8 inches (39.6 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

96. A View from Lord Suffok's Bedchamber Window At Elford Down into the Stable Court, 1759

Creator:: unknown artist
Date:: 1759
Materials & Techniques:: Pen and black ink, gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 13/16 × 18 1/8 inches (40.2 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Bird Cage

Creator:: Print made by John Dean, 1754–1798
Date:: 1786
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/4 × 10 11/16 inches (40 × 27.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

98. Countess of Ancrum

Creator:: Print made by John Spilsbury, 1730–1795
Date:: ca. 1770
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 3/4 × 11 1/16 inches (40 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

99. L'Orient 1776: Map of the Port of Orient

Creator:: unknown artist
Date:: 1776
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, red ink, yellow ink, gray wash and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Mount: 15 7/8 × 20 3/8 inches (40.3 × 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

100. St. James's Park

Creator:: Francis David Soiron, Born 1764
Date:: 1790
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 1/16 × 22 inches (48.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Collection Prints and Drawings

Height [cm] 40

Search Results

1. Study of Waves

2. A Shepherd and his Flock under the Moon and Stars

3. Cornfield and Church by Moonlight

4. Tiger Skeleton, Lateral View (Finished Study for Table IV)

5. Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)

6. Tiger Body, Lateral View

7. Tiger Body, Lateral View

8. Tiger Skeleton, Lateral View

9. Tiger Body, Lateral View

10. Tiger Body, Lateral View (Probably made as the basis for a key figure)

11. Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)

12. An Election Entertainment, Plate I

13. Chairing the Members, Plate IV

14. Hogarth Painting the Comic Muse

15. Self-portrait

16. The Bruiser

17. Siracusa, 12. June 1847

18. River God

19. Glade in a Forest

20. Night the First. On Life, Death and Immortality; Title Page

21. 'What, though my soul fantastick measures trod' (Page 4)

22. 'The vale of death! that hush'd cimmerian vale' (Page 54)

23. 'And vapid; sense and reason shew the door' (Page 72)

24. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

25. 'The Sun beheld it – No, the shocking scene' (Page 75)

26. 'Is lost in love! thou great Philanthropist' (Page 87)

27. 'When faith is virtue, reason makes it so' (Page 92)

28. 'That touch, with charm celestial heals the soul' (Page 90)

29. 'Like that, the dial speaks; and points to thee' (Page 33)

30. 'Its favours here are trials, not rewards' (Page 12)

31. Night the Second. On Time, Death and Friendship; Title Page

32. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

33. 'That touch, with charm celestial heals the soul' (Page 90)

34. 'When faith is virtue, reason makes it so' (Page 92)

35. 'If angels tremble, 'tis at such a sight' (Page 93)

36. 'The goddess bursts in thunder and in flame' (Page 95)

37. 'The goddess bursts in thunder and in flame' (Page 95)

38. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

39. 'Measuring his motions by revolving spheres' (Page 26)

40. 'Time, in advance, behind him hides his wings' (Page 24)

41. 'But for the blessing wrestle not with heaven' (Page 88)

42. 'Its favours here are trials, not rewards' (Page 12)

43. The Christian Triumph; Title Page

44. 'The Sun beheld it – No, the shocking scene' (Page 75)

45. 'Is lost in love! thou great Philanthropist' (Page 87)

46. 'Swift on his downy pinion flies from woe' (Page 1)

47. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

48. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

49. 'What, though my soul fantastick measures trod' (Page 4)

50. 'We censure nature for a span too short' (Page 23)

51. 'Behold him, when past by; what then is seen' (Page 25)

52. The Elegant Establishment for Young Ladies (study for)

53. The Spanish Pointer

54. A View of Oxford from the Abingdon Road

55. Lower Arch at Makther on Back

56. Details of Lower Arch Mactar, Modern Makther

57. XVLL Arch at Makther

58. Arch of Trajan Makther

59. Temple Above Spring at Zaghouan

60. Details of Temple Above Spring at Zaghouan

61. Sketch of Arches in Perspective

62. Plate XV Back of Temple at Sheitla [sic]

63. Architectural Details of Arch at Makther

64. Trajans Arch, Makter

65. Entrance Gate, Zaghouan

66. Eragrostis Tef

67. The Devil's Bridge, Kirkby Lonsdale

68. Landscape with Vale and Mountains

69. Robbing the Mail

70. The Monnow Bridge, Monmouthshire

71. Perspective View: the New Houses of Parliament

72. Woodland Landscape

73. Church of Notre Dame, Bruges

74. Goodwood, West Sussex: Ceiling Design